Posts Tagged ‘Shelburne Museum’

Folk Art Quilt: Scenes of Childhood

Sunday, January 24th, 2010

“Scenes of Childhood” is another folk art quilt from circa 1800, according to pattern maker Froncie Quinn. Having admired this quilt for years in books such as one by Sandi Fox, I was delighted to find the pattern and began work on it, re-creating one block that you see here.

sins (things) in my pocket

“Sins in my pocket” (Things?)

The challenge of appliquéing something like this block is in continually planning ahead as to what piece of fabric goes “over” and which pieces go “under.” Not a problem, just a consideration. The features of the girl are inked, as is the hair.

I completed the block by “needleturning” all of the pieces, a challenge when working with the tinier pieces like fingers, since the whole block is only about 8.5″ x 10.5″ large. The ball, which looks cylindrical, rather than round, is embroidered to create “divisions” on its surface.

I finished the block by adding the inscription which oddly-enough says, “Here’s some more sins in my pocket.” What a strange expression! I don’t get it? Do you? I wish now that I had not inked it in. While it may be “authentic” and I am sure it is, I don’t like it and it has turned me off on continuing to make a reproduction of the quilt.

The rest of the quilt is charming with cornucopia shapes in each corner sprouting flowers. There is a cat, two dogs, and a cow, and a scene of rocking with Grandpa, and another scene that is really quaint.

The verdict is not as to whether this one block will ever get companions and become a finished quilt. I’ll have to wait until my patience is at full ebb. Those little pieces drove me nuts to appliqué.

The quilt is presently in the collection of the Shelburne Museum. Hoopla Designs created the pattern.

Patricia Cummings
Quilter’s Muse Publications

“The Calico Garden”

Wednesday, October 28th, 2009

the calico garden

“The Calico Garden,” a reproduction (crib size) quilt created by Patricia Cummings.

Florence Peto was a New Jersey quilt historian and a quilter, too. She is the person who created the original design that you see re-created here. “The Calico Garden” quilt of hers is in the collection of the Shelburne Museum in Burlington, Vermont. I was amazed to view the original. For some reason, I thought the coloration to be quite different, based on photos I had seen.

My quilt is not “exactly” like that of Mrs. Peto who used much smaller Broderie Perse (appliqué) pieces in floral swags for the borders. I needleturned most of the appliqué work, and hand quilted this quilt, which took about a year.

When I was finished, I filled out some paperwork that came with the pattern I had purchased from Hoopla Designs, and I sent it along to the Shelburne, with a photo, for their records. They are attempting to keep track of reproductions of quilts in their care.

I hope you enjoy seeing this cheerful quilt as much as I enjoyed making it, perhaps as long as five years ago.

There are references to Mrs. Peto, and her words as a quilt historian, in my book, Ellen Emeline Hardy Webster (1867-1950). If you are not familiar with this book, yet you claim to like quilt history, you don’t know what you are missing if you do not own a copy of this book on CD. (355 pages/ 340 photos)

Here’s to Beauty! May it ever be.

Patricia Cummings
Quilter’s Muse Publications

Re-creating the Past: A Charming Quilt

Monday, September 7th, 2009

Attempting to re-create the past, whether that entails trying to reconstruct historical details of life, or trying one’s hand at making a new edition of an old textile, is always a challenge.

For a few years now, I have had a reproduction quilt pattern that simulates a quilt treasure held by the Shelburne Museum. Froncie Quinn of Hoopla Designs came up with the instructions. I can’t believe the number of tiny pieces for this “Scenes of Childhood” wall quilt. I have decided to do without the use of freezer paper templates and utilize other methods for effecting the applique.

I prefer the needleturn method, and I also figure that, since this represents an antique item, I really don’t want to use a “new” method of applique, like “freezer paper on top.” After finishing Block #1, I can understand why I waited so long to work on this project. Yet, it is looking good, and I’m happy to have at least begun.

This holiday weekend, I’ve been straightening out an area where I keep many fabrics and gadgets. I am pleased with the progress I have made, so it wasn’t time wasted. When one has had so many interests, over the years, from crocheting to knitting to painting to beading to quilting to tatting and many different kinds of needlework, it is clear to see how supplies could need straightening out. Meanwhile, I’ve come across many old projects that have been set aside long enough that I now have a renewed interest in working on them again.

One thing about needleworkers and quilters, we don’t like to be bored. I know of very few people who work on only one project at a time. There are so many fun activities from which to choose! An interesting thought is this: We like to re-create old designs. In the future, will someone try to re-create our work? Will they wonder how we lived, and the parameters of our lives, including the people in them?

Have fun this week! If you’re a quilter who is not having fun, perhaps you need a vacation to reassess your creative pursuits! After all, it t’ain’t just about making money, either for yourself or some organization. Feel free to be as creative as you wish! Dance in the wind!

My task of tracing pieces for this project is made much more simple with the use of the Artograph Light Tracer light box.

Patricia Cummings
Quilter’s Muse Publications