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Wednesday, March 17th, 2010

We were treated to an excellent presentation this evening by Glenn Knoblock, an historian who has been mulling about old burial sites in New Hampshire for the past 25 years, uncovering the mysteries of who made certain gravestones by doing comparative studies. In considering the evolving symbolism present on many early stones, he tied in Calvinistic principles, Puritan thinking and sectarian thought. The symbols are there for those who know how to read them.

The speaker, who has written books on this topic, mentioned the engraved “curtains” on one stone, noting the theater expression, “It’s curtains for him,” and stating that Shakepeare also used this imagery of curtains for Death, the final “call.” This is just one example of the insights that the presenter brought to the subject. The lecture was riveting and flawless, as one after the other, slides were projected onto the white wall of the large room where the Loudon (NH) Historical Society customarily meets.

In most cases, he knew the stone engraver’s name by virtue of his style. Some home-carved stones that looked really rustic, but a labor of love to be appreciated in their simplicity and crudeness, were charming. One of those was lovingly-chiseled for a 7 day old child.

Knoblock had done his homework in the town of Loudon, ahead of time, and had some concrete suggestions for the members of that town whom he hopes will get together to clean the lichen off of some of the more porous old stones. A nylon brush and plain water will work well, although it may take a lot of elbow grease and patience. Not all stones are candidates for cleaning, particularly if they are cracked.

This was a very enriching experience! I really did learn a lot and I appreciate all of the historical connections that this speaker brought to this consideration of old gravestones and monuments. The dates of the stones in New Hampshire ranged from 1690 to 1820, or so it seems. The lecture was made possible by the New Hampshire Humanities Council.

Patricia Cummings

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Friday, September 18th, 2009

John Perrault

photo of John Perrault by James Cummings, Quilter’s Muse Publications

What a treat it was to hear the many old ballads that John Perrault sang tonight, accompanied by his guitar, which he plays proficiently. His love of history and the history of ballads was apparent, as he wove historical threads into the program, “The Ballad Lives!” His words connected us to certain countries of origin for the songs he sang, and to stories behind them. He revealed how and where these songs were collected and preserved and the names of certain individual folklorists who assisted in that quest.

Perrault gave a mention of the permutations that ballads undergo as they are passed from person to person, and generation to generation. Often, ballads are based on an historical event, but later become a blend of both myth and history. He states, “Many ballads focus on love, death, and tragedy – things universal in the human heart.”

We were treated to renditions of the familiar “Barbara Allen,” or “Barbry Allen,” as some singers pronounce the name. The presenter went on to describe and sing songs about murder, “Little Sadie,” (known by three other names); “Pretty Polly,” and “Cruel Mother” … adding anecdotes, commentaries, and of course, additional songs.

The song that most impressed me is called “The Ballad of Louis Wagner,” that recalls the murder of two women on the Isles of Shoals, off the coast of New Hampshire and Maine, on March 5-6, 1873. Louis Wagner was convicted for the crimes and was the last man to be hanged in Maine in 1875. John Perrault wrote an amazing and long poem and set it to music, delivering the ballad with a passion for the history it invokes and with parts of it presented in the first person, by “Louis” himself. The song states that the murderer wore a silver chain and had a silver Judas heart. I love the imagery. Apparently, the motive for the murders was to find and steal silver.

Overall, this was an amazing performance, and yet another cultural program brought to the public, at no charge, by a New Hampshire Humanities Council grant. has taught high school, and has worked in law. He was the poet laureate of Portsmouth, NH from 2003-2005. We were very pleased with this program and we encourage others to visit John’s website, and to attend or book any of his future presentations. He has other programs available. His latest book, canadian viagra pharmacy, is currently for sale.

Patricia Cummings
– The one ballad that I recorded for Quilter’s Muse Publications and Virtual Museum is a song called “,” a long English narrative about a woman who killed her babe, and whose fate was the gallows.

A second long Irish ballad that I sing is “.”

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Monday, July 27th, 2009

Jeff Warner, a seasoned musician, entertained a very interested audience at the Hampstead Public Library in New Hampshire, on July 27, 2009. He is proficient on guitar, banjo, mountain dulcimer, and concertina and credits his parents with encouraging his interest in music, from an early age, due to their own love of folk music. This particular program, titled, “Music in Our Pockets,” is a look at the way people entertained themselves in the nineteenth century (1800s) by voice, instrumental music, and additional instruments like spoons, bones (of cows), and the “Jew’s harp” (that has nothing to do with Jewish people, by the way). Part of his focus was music from Appalachia; and North Carolina, where he grew up.

Jeff Warner

Jeff Warner on July 27, 2009 at Hampstead Public Library (NH)

For more than an hour, Warner discussed and played folk music and revealed the nature of the folklore tradition, saying that two components, “continuity and variation,” are integral to the understanding of folk music. Lyrics change over time. So, instead of being static, or fixed, the music is like a flowing river that can change course at any time (my words, not his). Jeff provides programs for school children, and is well-versed in providing appealing lyrics that children enjoy. Sometimes, he lets kids make up their own lyrics.

We loved his wooden toy in the shape of a human figure that he knew how to make dance.

Jeff Warner with his dancing toy

Jeff Warner with his dancing toy

I also liked his answer to a story told by someone in the audience who stated, in conclusion, that her garnet ring had been stolen and all she has is the memory of it. Without missing a beat, Warner retorted something to this effect: “Isn’t that the most important thing that any of us has … our memories?” That is so true. We cannot keep material goods forever, or even loved ones, but we can hold people and things close, in memory.

One could readily see how much this musician connects with his art and enjoys it. He travels throughout the country, performing and sharing his musical talent and scholarship. We were very lucky to hear this presentation that was sponsored by the . We can always count on that organization to provide quality programs. Many thanks to for a very fun evening of American music. You can find out more about Jeff on his website where he has music CDs available for sale.

Patricia Cummings

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Sunday, July 5th, 2009

When I heard about the lecture, “Big House, Little House, Back House, Barn,” I was reminded of the farm where I lived as a teen. Thomas Hubka, a University of Wisconsin professor, presented a talk in Boscawen, NH last week, and will again deliver his slide lecture at two separate NH locations this week, Temple and Chatham (pronounced “Chat-ham”). This is yet another event sponsored by the . Click on this link, for a list of places and times of meetings.

aerial view-1964

Aerial view of the Grace family farm in Deerfield, NH in 1964. There are about 40 acres of cleared land to the left of the house, divided partially by a line of trees. The property extends backwards, through woods, and a wetland swamp, all the way to the Candia, NH line: 89 acres, in all. I used to ride my horse on some of the trails through the woods, although the deer flies were brutally vicious, taking chunks out of the skin of the unwary.

The place before my parents bought it

Don’t you just love the coon skins hanging on the barn?

My parents did not necessarily buy this place for the quality of home that sat on the acreage. For $12,000.00, it was an investment. My father, , had hoped to work a lot more on improving the house, but got the news that he had kidney cancer, shortly after purchasing the property. Pronounced “cured,” he started a tree nursery, in addition to working at his “day job” in Manchester.

Deerfield farm layout

The layout of the Deerfield farm when my parents purchased it in 1963.

It would have been difficult to make a silk purse out of this sow’s ear, but before he could accomplish his dream of making this property a “show place,” my father died of a spinal tumor in 1974. My mother continued to live in the home until she was hauled off to a hospital with a heart attack, and never returned. The farm sold in 1999, if I remember correctly.

Previously a dairy farm, the property my parents purchased was a sprawling affair of outbuildings. The old farmhouse was attached to an unfinished “shed” under the same roof, featuring visible, hand-hewn beams.

What one’s eye could not miss was a huge meat freezer that no one dared to move, lest it disturb the upright supports in the cellar underneath it, thus causing the floor to collapse.

At the end of the “shed,” as we called it, there was a chicken coop with laying boxes for the hens, enclosed with chicken wire. This was a good way to be able to collect eggs in the dead of winter, without going outside.

There was a loft above the chicken coop where old items were stored, such as a broken rocking chair. To the right of the loft was a room with a roughly cut out entrance. This was situated above the kitchen and had been used as a room by hired help, at some point, before the mice romped freely, leaving their trail.

Downstairs again, to the left of the chicken coop was an area that went right into the barn, again, sheltering barn entrants from exposure to the weather. My father disassembled that connector, so that the cost of fire insurance would decrease.

Previously, when one passed through that corridor, overhead was a straw-covered wooden platform where “the old drunk who worked there” slept.

The barn seemed to have been built in sections, with the main part being built first, and then a long extension that featured stanchions for milking dairy cows, and closed in pens for heifers. At the back, my Dad assembled two pens for my horses.

Lucky and Red - May 1964

“Lucky,” a half-Arabian gelding, and “Montana Red,” a retired Standardbred racehorse graze in three acre pasture to the left of the house in this May 1964 photo.

At the back and to the right side of the back barn was a milk-processing room. I remember its soapstone sink. Perhaps, the soapstone came from Francestown, NH, well-known for its soapstone manufacturing. Another free-standing room abutted the milk-processing room, but there was no point of entry between the two. The door opening was on the other side of the building. Someone had stored old paintings in there.

A separate barn with a cement floor was on site. Without enough upright beams, it collapsed during the weight of one winter’s snow. Next to that was a carriage shed, with yet another chicken coop at the end. So, as you can see, the place was a conglomeration of these many buildings. Today, only the house with the one connected shed remains. The new owner has torn down everything else.

Deerfield farmhouse 1964

This view of the farmhouse shows a roof dormer, which was removed, as well as the window awnings. The white door seen on the side of the front of the house actually led into a long mud closet for hanging coats, and then into a living room with two mismatched tin ceilings, making it appear as if the room had been two rooms at one time.

My father had a fireplace installed, as well as hardwood floors, a sheet rock ceiling and canadian viagra pharmacy wooden beams. He added wood paneling, and a French glass door between the living room and large country kitchen. With a huge braided rug, the room was a cozy place where my Dad and I played music, quite frequently. He also fixed up the front porch and added screens and a door.

Patricia Grace in Deerfield living room 1966

Me, Patricia Grace, with trophy for being named Princess of the Deerfield Bicentennial Celebration in 1966. Here, I am standing in the living room of the family home.

I have fond memories of the farm and growing up in a small town, especially being a member of 4-H. It was nice not to be able to “see” any neighbors, with open land on either side and across the street. The property consisted of 89 acres. The new owner has built a luxury home in the back field where I used to pick wild blueberries along the side of the field, and also, ride my horse. Of all the former buildings, only the main home with the attached shed remains and is rented out, as far as I know.

Times change and one can see how people tried to make do, in the past. The New Hampshire countryside is looking more prosperous these days, except for the remaining falling-down barns, previously used by dairy farmers. They simply did not have the time or money to do upkeep to the buildings.

I am posting this because I can certainly relate to the topic currently being presented by a NH Humanities Council speaker. We tried to attend the lecture last week, but alas, by the time we arrived, the crowd had already spilled into the hallway, and we couldn’t see or hear a thing, so will wait for a more propitious time.

Patricia L. (Grace) Cummings

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Thursday, June 25th, 2009

Tonight, I learned more about banjos than I would have ever considered possible. Eric Bye of Vermont presented a program about 19th century music, with a focus on banjos. An amazing fact is that later in that century, banjos were made in such a way as to simulate other instruments, and there was the phenomena of “banjo orchestras,” with one banjo sounding like a piccolo; another (called a banjatar) had six strings, like a guitar, etc.; and all banjos were made in different sizes. The banjo went from having four strings to having five strings, over time.

Eric played a minstrel tune called “Circus Jig” to start off the program. With only one song, did he accompany himself with voice, although he has a very pleasant voice! He gave a wonderful overview of banjo music throughout the nineteenth century, and used two banjos, including one that he made himself, throughout the concert. The humidity was affecting his banjos a great deal and causing them to be out of tune, so he would stop and re-tune them.

Eric Bye

Eric Bye, playing the banjo in Bristol, New Hampshire on June 25, 2009

One cannot fully appreciate American music without knowing what was happening at the time. Eric Bye filled in a lot of historical details. He remarked about the number of songs that came out of the Civil War period. He played a song from that era called, on a boombox that he’d brought with him. The song, for which the New Hampshire Historical Society possesses an original copy of the sheet music, as seen in a recent exhibit, was written by Walter Kittredge, a New Hampshire resident. The sentimental tune was made famous by the Hutchinson Family Singers of Milford, NH. A live rendition of the song was shared by Steve Blunt, a presenter in this lecture series, whom we had the pleasure to hear a few weeks ago, and about whom we also wrote a blog entry.

The banjo and the fiddle once were considered “the devil’s instruments.” The banjo was mainly used by African-Americans on the plantation before being taken over as a preferred instrument of minstrel shows. The presenter explained that by the end of the century, and beyond, mainly people with money were playing the banjo, quite a transition.

This combination history lesson and concert was fascinating. I will say no more so as not to “give away” the whole program. Suffice it to say that it is understandable why Eric Bye has been invited back to give his presentations since 1990 in Vermont for their Humanities Council programs, and for the last five years in New Hampshire. In his real life work, he is a linguist/translator who is fluent in French, Spanish, and German. He has translated more than 100 books, primarily non-fiction and scientific titles. It appears that he brings a passion to his work canadian viagra pharmacy to his “play.”

We certainly enjoyed every part of tonight, except the heat and humidity over which no one had any control. This has been a fun week. We have gone to three of these programs on consecutive nights, and in diverse parts of the state of New Hampshire. We are blessed to live in the Granite State (“where the women are strong, the men are good-looking, and the children are above-average!”). Even though we are pretty selective, we do let Vermonters visit us, now and again!

Thanks to the organizations in Bristol, and the NH Humanities Council, for sponsoring this event. Most of all, thanks to Eric Bye for a wonderful program!

Patricia Cummings

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Thursday, June 4th, 2009

Steve Blunt, a musician, storyteller, and songwriter, transported a room full of people back to mid-19th century tonight while playing the role of John Hutchinson of the famous Hutchinson Family Singers. He wore period attire, and reminded me greatly of how Franklin Pierce looked in his official portraits. The program was called, “Liberty is Our Motto!: Songs and Stories of the Hutchinson Family Singers.”

Steve Blunt dressed as John Hutchinson

Steve Blunt dressed as John Hutchinson

An accomplished singer and musician (and former middle school English teacher), Steve flawlessly delivered a powerful description of the times in which the Hutchinson family lived, and the events of their lives. John Hutchinson was the 11th of 13 children. Family members left the farm in New Hampshire to travel the world, “singing for their supper,” at times, and they even managed to play their music for England’s Royal Family! They were motivated to write and sing songs about the major issues of their time: abolitionism, equal rights for women, and temperance.

Part of being a great presenter is knowing the material you share, very well. With a keen appreciation of historical details that only comes with having done research oneself, Steve was able to impart a history lesson that became even more compelling with the addition of music. He sang songs such as “Lincoln & Liberty,” “Tenting Tonight On the Old Campground,” “The Old Granite State,” “Get Off the Tracks,” (about Emancipation), and others. If he ever makes a solo CD of these songs, I will be first in line to purchase it. Luckily, I was able to purchase a CD called “Hutchinson Family Singers of the Old Granite State” put together by eleven individuals.

Steve’s main employment consists of writing songs for children and sharing his music in school settings. He has won awards for his songwriting. He travels throughout New England. To hear song samples and to order his CDs for “kids,” please visit his website:

This performance was sponsored by the Hancock Historical Society and the Hancock Library, in conjunction with the NH Humanities Council summer lecture series. We were thrilled by the high quality of information imparted, and the talent with which Steve Blunt is blessed. This was an evening to remember!

Steve Blunt highly recommends this geocities site for more information about .

Patricia Cummings

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Friday, May 15th, 2009

The passion that Dr. David Watters has for History, its greater meaning, and origins, came to light in a wonderful presentation at the Belmont Historical Society in a program about cemeteries, sponsored by the NH Humanities Council. Some brave souls in the audience had battled the insidious and intrusive, biting Blackflies that we have in New Hampshire this time of year, to accompany the presenter, before his lecture, to one of the thirty-three cemeteries in the small town.

The slide lecture included mentions of specific epitaphs, including a favorite one that I had heard before, “I told you I was sick,” and others I had never heard. Many gravestones were shown via slides, and each was discussed according to the symbols on them, and religious beliefs represented. Various types of gravestones were considered: slate, marble, and granite, as well as stone-cutting, and the advanced laser and painting techniques of today.

The talk covered the period from the Pilgrims and Puritans right up to the present. Dr. Watters, an English professor at the University of New Hampshire, is a graduate of both Dartmouth and Harvard University. The information he provided was easy to understand, and he really seemed to enjoy the topic and bring a lot to the subject.

While I have always enjoyed looking at gravestones, this presentation has re-ignited my interest in visiting more New England graveyards. Many thanks to the NH Humanities Council and to the friendly members of the Belmont Historical Society for providing this free lecture to the public, and God bless the person who baked homemade chocolate chip cookies. I enjoyed one after the talk. Events like this make me proud of my canadian viagra pharmacy, UNH, and the quality of professor the school continues to attract. I am so happy to live in New Hampshire!

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Patricia Cummings