Posts Tagged ‘Genesis Center’

Hmong Textiles

Saturday, January 29th, 2011

Hmong people make beautiful textiles. While they were held in relocation camps after the end of the Vietnam War, both men and women passed the time making exquisite embroidered pieces that depict either peaceful or combative scenes. The tiny stitches used and the tiny figures that are sewed to perfection demonstrate skill, patience and talent.

A few years ago, Jim and I were privileged to visit the Rhode Island School of Design’s graduate department where an exhibit was mounted. We went there not only to enjoy the work but to photograph items for an article which was published in The Quilter magazine. The pieces ranged from quite small to wall-size huge (8′ wide), and mostly represent items that were brought home by a missionary nun who is associated with the Genesis Center in Providence.

Hmong purse

Hmong shoulder purse, close-up. Gift of James and Rebecca Gorham

Knowing of my love of Hmong work, the beautiful, too-good-to-use, zippered purse seen above was a birthday gift last year from my son and his wife. I love it!

To read more about the history, culture and needlework of the Hmong, please visit my web article. One graduate student references this article in her master’s thesis. I hope you will enjoy reading what I wrote and will follow up by reading more about the special people called the “Hmong.”

Hmong Textile Art

For scholars: A list of the details of all of my published articles are listed in a file that is mentioned on the front page of our main website: Quilter’s Muse Publications

Patricia Cummings

UNH Professor Publishes Book – Asian Americans in New England: Culture and Community

Tuesday, July 7th, 2009

Press Release
Media Contact: Lori Wright
603-862-0574
UNH Media Relations
July 6, 2009

Monica Chiu photo
Photo of Monica Chiu

DURHAM, N.H. – Monica Chiu, associate professor of English at the University of New Hampshire, has published a book on the history, culture, and role of Asian Americans in New England, the first collection to address Asian and Asian American contributions to the region.

Asian Americans in New England: Culture and Community, published by University Press of New England, explores 19th century Chinese American friendship albums, Japanese American acrobats, the 20th century influence of Boston’s Museum of Fine Arts on regional and national Asian arts collections, contemporary Vietnamese American community art, and the construction of Asian Indians and religion in New England, among other topics.

book cover
Cover of Asian Americans in New England: Culture and Community

The collection highlights a broad range of Asian American communities and historical experiences. From the poignant writings of a young Chinese immigrant to the influence of hip-hop in a New Hampshire Lao American community, the collection seeks to establish a regional template for the study of Asian American lives and art far from the West Coast. The essays provide a record of particular achievements, as well as an understanding of the rich Asian American culture in New England, along with an analysis of the depiction of New England Asian Americans, one of the fastest growing minority populations in the region.

“If we look back to the region’s reception of ‘Orientals’ at the turn into the 20th century, we find curious New England audiences intrigued and surprised by Asian visitors, many of whom had never seen Asians before. Their reception and visibility afford us a window into understanding what political, economic, and social practices influenced New Englanders’ acceptance or rejection of Asian visitors and later second-generation Asian Americans and Asian refugees. What Asian Americans in New England created from that reception, as well as from their own creative integration into regional citizenship, are the artistic and cultural legacies presented in this volume,” Chiu says.

Chiu’s book has received critical acclaim from her colleagues.

“A sparkling collection of essays across disciplinary formations, ‘Asian Americans in New England’ reveals the reciprocal impress of New England and Asian America. Moreover, this foundational volume illustrates how spatial distinctions, whether regional, national, or transnational, are human creations and as such invite observance and transgression,” said Gary Okihiro, professor of international and public affairs at Columbia University and author of Island World: A History of Hawaii and the United States.

“This collection deals another crushing but healthy blow to the West Coast-centric Asian American Studies paradigm, all but assuring the continuing growth of this vibrant field in race and ethnic studies. The book’s contributors challenge the dominant historical images of Asians in America as manual laborers, shopkeepers, and victims of crude nativism, without minimizing the impact of racialization and orientalism on community and identity formations,” said Evelyn Hu-DeHart, professor of history and director of the Center for the Study of Race and Ethnicity in America at Brown University.

Monica Chiu is the director of the University Honors Program and an associate professor of English at the University of New Hampshire. She specializes in Asian American literature, criticism, film, popular culture, and twentieth-century American literature. She is the author of Filthy Fictions: Asian American Literature by Women (2004).

The University of New Hampshire, founded in 1866, is a world-class public research university with the feel of a New England liberal arts college. A land, sea, space-grant and community-engaged university, UNH is the state’s flagship public institution, enrolling 11,800 undergraduate and 2,400 graduate students.

Another book by Monica Chiu

This press release is offered as a public service announcement by Quilter’s Muse Publications, with permission from UNH Media Relations writer Lori Wright.

Coincidentally, and as a point of interest, a current article in the September 2009 issue of The Quilter magazine, written by Patricia Cummings and photographed by James Cummings, focuses on the Genesis Center of Providence, Rhode Island, and their exhibit of Hmong textiles (at RISD, last Spring). The embroidered pieces were made by refugees from Southeast Asia, namely, Laos. This article is Part 2 of a series, the other issue having been published with a July 2009 cover. Contact us at: pat@quiltersmuse.com

Patricia Grace Cummings, University of New Hampshire class of 1973