Posts Tagged ‘Civil War Quilt’

New Light Shed on Dublin, NH Sanitary Commission Quilt

Tuesday, October 25th, 2011

Not only people moved from the east to west in the United States during the nineteenth century, but quilts made that journey, too. An important historic quilt associated with the American Civil War was found in a thrift store in California and given to (the late) Jan Coor-Pender Dodge, a resident of that state. This morning, I have just been reading the research paper that Lorie Chase presented at the last annual seminar of the American Quilt Study Group and now a mystery is solved!

Not having seen the detailed inscriptions on the quilt, or ever having viewed the quilt in person, I honestly had wondered about one person’s idea that the quilt must have originally been larger (with 60 blocks rather than 40 blocks). He presumed that 60 women had worked on the quilt.

Looking at a photo of the quilt, which is long and narrow and intended for a soldier’s cot, that theory did not seem logical to me. I thought to myself that if 60 women did work on the quilt, then perhaps some were involved with finishing it rather than making individual blocks.

Current scholarship reveals that the number “60″ listed on one block refers to the number of Army volunteers who mustered from Dublin, New Hampshire. Information about the quilt was kept “close to the chest” as is often the case when someone has research that has not yet been presented. Now, the truth is out!

Dublin NH Sanitary Commission quilt

A version of the original Nine-Patch quilt donated to the U. S. Sanitary Commission during the Civil War. This one was pieced by Patricia Cummings, using Civil War reproduction fabrics, and was custom machine quilted to Pat’s specifications by Tracy Zimmerman Szanto on her Gammill-Staedtler machine. This (pseudo) reproduction quilt was made as part of my own efforts to acknowledge the 150 years that have passed since the beginning of the conflict on April 12, 1861 when Confederate soldiers fired upon Union-held Fort Sumter, and was shown at the New London Historical Society in New London, NH on August 16, 2011 in conjunction with my talk about Civil War quilts and textiles.

To read all the wonderful details uncovered in Chase’s paper, be sure to order a copy of Uncoverings 2011, the journal of the American Quilt Study group, at the following link:

http://www.americanquiltstudygroup.org/index.asp

I can’t wait to read the rest of the volume!

Patricia Cummings, member of AQSG who served for one year as the first Regional Coordinator (NH, ME & VT)

Exceptional Variety of Antique Quilts at Show

Wednesday, May 11th, 2011

Here are a few more quilt photos of quilts we truly enjoyed seeing at the quilt show in Chester, Vermont last week. The first is a quilt owned by a local resident who inherited it from someone whose mother lived in Durham County, United Kingdom. The label that describes the quilt says that it is believed to have been made in the late 1800s. It is completely hand-quilted in typical quilting line patterns of the area. “Amy Em” is a much celebrated quilter whom I often think about when looking at a quilt like this one. At the same time, I recall the many studies by Dorothy Osler, a quilt historian who has written books and taught for the University of Nebraska graduate program in quilt studies in Lincoln, NE, where I studied quilt history via a long-distance learning class (their first class in 2001). These kinds of quilts also represent the Welsh wholecloth tradition. It is not that the whole top is composed on only one piece of fabric. They did not have looms that large to make such a cloth in those days. Long pieces of cloth are conjoined. See our many files on our main website that show examples of wholecloth quilts and explain their traditions. Just key in “Wholecloth North Country Quilts” in the search bar at Quilter’s Muse Publications’ website.

Durham, UK quilt
North Country quilt from UK

Another exceptionally rare type of quilt, most often seen in Maine and Massachusetts, is this example. It is a Log Cabin quilt that is finished by completing each block with a separate binding and then conjoining them by whipstitching from the back. This Log Cabin has red center blocks, sometimes thought to represent the “hearth” of the home in current folklore. Pam Weeks of New Hampshire presented a paper at the 2010 American Quilt Study Group Seminar about these unusual quilts and at the present time, she has curated an exhibit of collected “potholder” quilts, as they are sometimes called, and these can be viewed at the New England Quilt Museum until July 2011.
Potholder Log Cabin quilt
Log Cabin Quilt, “potholder” style

Another treasure is a Civil War quilt thought to have been made in the 1860s. Two members of Ellen Rowe-Levesque’s family who lived on Main St., Chester, VT served in the Civil War: Levesque’s great grandfather and his father (born in 1814). A chance meeting with the person who bought this quilt at auction has led to a long term friendship between the two women, both avid fans of quilts.

Civil War quilt
Looks like the “Streak of Lightening” pattern, if turned in another direction. Double pink fabrics bespeak of the 19th century. This is actually a “tied” comfort or comforter. I did not see any actual quilt stitches on this quilt, although I did not view it at great length, only in passing.

Another quilt was located on a clothes drying rack in the hallway of the building. I recognized as a quilt block that I have reproduced myself. It is called “Caesar’s Crown” and I made an example of a similar block to publish in an article about the many Bibilical Quilt Blocks I have discovered. There is a very large file about this topic on our main website: Quilter’s Muse Publications.

Caesar's Crown quilt
Caesar’s Crown Quilt seen in Chester, Vermont, May 2011

All of the quilts in this show were an inspiration and a total delight. I have published some exceptional examples and I am so thankful that owners of old quilts continue to bring them before the public eye. This increases awareness of their importance and calls to mind the work of our ancestors within a context. Thanks again to all who participated in this event. By no means have I published all the photos I might have shared, but did want you to see a smattering of them. Perhaps you will plan on attending this great event next year!

Patricia Cummings, quilt historian, pat@quiltersmuse.com
Photos courtesy of James Cummings, copyright 2011, All Rights Reserved.