Archive for the ‘Cultural Events’ Category

Eastern States Exposition – The “Big E” – An Annual Events/

Tuesday, August 18th, 2009

The Eastern States Exposition includes agricultural components: livestock shows and exhibits of vegetables, such as the “Great Pumpkin,” seen in the photo from 2007. Charlie Brown might be jealous! This year, the event will be held from September 18 – October 4, 2009. Mark your calendars!

Winning pumpkin in 2007 - ESE - file photo

This ESE file photo, courtesy of Eastern States Exposition, was taken in 2007 and shows a huge pumpkin! I can bet that a forklift probably was needed to transport it! We can only guess how many pumpkin pies that would make!

Ever since I was a child, I heard about the “Big E,” an annual enterprise that is sure to please the entire family. I believe my older brother, Steve, showed a heifer, or a cow, there. I would verify that with him, but he is no longer with us. He earned a Bachelor of Science degree in Agriculture from the University of New Hampshire.

The “Big E,” its nickname, always hosts great music, rides, and exhibits. Features include vendors and food stands to suit anyone’s taste.

ESE quilt exhibit 2007

Here are a few of the quilts exhibited in 2007. Photo courtesy of Eastern States Exposition.

I recognize the pattern of the quilt, on the far right, as the one called, “Calico Garden,” designed by Florence Peto, noted quilt historian. I wrote about Mrs. Peto in my book, Ellen Emeline Hardy Webster (1867-1950), Her Amazing Quilt “Charts,” Her Writings, and Her Life. Mrs. Peto’s observed that it is not necessary to be didactic about nomenclature, when it comes to designating quilt block names.

My 355 page, 240 photo biography of Mrs. Webster, a New Hampshire quilt historian in the 1930s, is an e-book on CD. This is still available to order, on the products available page of our website.

As an aside, a number of simulated quilt patterns that Mrs. Webster made were based on quilts she saw at Eastern States Exposition and at Storrowton (a re-created old village with antique buildings moved onto the site. I wrote about Storrowton for my “Pieces of the Past” column in The Quilter magazine. Mrs. Webster was a quilt judge at some of those exhibitions, and my book has a list of the quilts and their origins upon which Webster based her work in saving quilt designs.

Click on this link for “Calico Garden,” and you will be able to see my re-creation of the same quilt, using Froncie Quinn’s pattern. My quilt is registered, as a reproduction, at the Shelburne Museum.

More information about the quilt, and ordering information for Froncie’s pattern, are located here.

pumpkins at ESE, 2007

Pumpkins seem to be the theme of my week. Please click link to read an interview with Anne Copeland, author of Pumpkins, Pumpkins (cookbook and more). I feel gleeful to see this other photo of a truckload of pumpkins at the ESE event in 2007. I am thankful to Eastern States Exposition for making these photos available for use in this press summary.

Please do go to the gala happenings this year, if you are in the area. The Eastern States Exposition is located at 1305 Memorial Ave., West Springfield, MA 01089. (413) 737-2443.

Patricia Lynne Grace Cummings
Quilter’s Muse Publications
Concord, NH

http://www.quiltersmuse.com

“Big House, Little House, Back House, Barn”

Sunday, July 5th, 2009

When I heard about the lecture, “Big House, Little House, Back House, Barn,” I was reminded of the farm where I lived as a teen. Thomas Hubka, a University of Wisconsin professor, presented a talk in Boscawen, NH last week, and will again deliver his slide lecture at two separate NH locations this week, Temple and Chatham (pronounced “Chat-ham”). This is yet another event sponsored by the New Hampshire Humanities Council. Click on this link, for a list of places and times of meetings.

aerial view-1964

Aerial view of the Grace family farm in Deerfield, NH in 1964. There are about 40 acres of cleared land to the left of the house, divided partially by a line of trees. The property extends backwards, through woods, and a wetland swamp, all the way to the Candia, NH line: 89 acres, in all. I used to ride my horse on some of the trails through the woods, although the deer flies were brutally vicious, taking chunks out of the skin of the unwary.

The place before my parents bought it

Don’t you just love the coon skins hanging on the barn?

My parents did not necessarily buy this place for the quality of home that sat on the acreage. For $12,000.00, it was an investment. My father, John E. Grace, had hoped to work a lot more on improving the house, but got the news that he had kidney cancer, shortly after purchasing the property. Pronounced “cured,” he started a tree nursery, in addition to working at his “day job” in Manchester.

Deerfield farm layout

The layout of the Deerfield farm when my parents purchased it in 1963.

It would have been difficult to make a silk purse out of this sow’s ear, but before he could accomplish his dream of making this property a “show place,” my father died of a spinal tumor in 1974. My mother continued to live in the home until she was hauled off to a hospital with a heart attack, and never returned. The farm sold in 1999, if I remember correctly.

Previously a dairy farm, the property my parents purchased was a sprawling affair of outbuildings. The old farmhouse was attached to an unfinished “shed” under the same roof, featuring visible, hand-hewn beams.

What one’s eye could not miss was a huge meat freezer that no one dared to move, lest it disturb the upright supports in the cellar underneath it, thus causing the floor to collapse.

At the end of the “shed,” as we called it, there was a chicken coop with laying boxes for the hens, enclosed with chicken wire. This was a good way to be able to collect eggs in the dead of winter, without going outside.

There was a loft above the chicken coop where old items were stored, such as a broken rocking chair. To the right of the loft was a room with a roughly cut out entrance. This was situated above the kitchen and had been used as a room by hired help, at some point, before the mice romped freely, leaving their trail.

Downstairs again, to the left of the chicken coop was an area that went right into the barn, again, sheltering barn entrants from exposure to the weather. My father disassembled that connector, so that the cost of fire insurance would decrease.

Previously, when one passed through that corridor, overhead was a straw-covered wooden platform where “the old drunk who worked there” slept.

The barn seemed to have been built in sections, with the main part being built first, and then a long extension that featured stanchions for milking dairy cows, and closed in pens for heifers. At the back, my Dad assembled two pens for my horses.

Lucky and Red - May 1964

“Lucky,” a half-Arabian gelding, and “Montana Red,” a retired Standardbred racehorse graze in three acre pasture to the left of the house in this May 1964 photo.

At the back and to the right side of the back barn was a milk-processing room. I remember its soapstone sink. Perhaps, the soapstone came from Francestown, NH, well-known for its soapstone manufacturing. Another free-standing room abutted the milk-processing room, but there was no point of entry between the two. The door opening was on the other side of the building. Someone had stored old paintings in there.

A separate barn with a cement floor was on site. Without enough upright beams, it collapsed during the weight of one winter’s snow. Next to that was a carriage shed, with yet another chicken coop at the end. So, as you can see, the place was a conglomeration of these many buildings. Today, only the house with the one connected shed remains. The new owner has torn down everything else.

Deerfield farmhouse 1964

This view of the farmhouse shows a roof dormer, which was removed, as well as the window awnings. The white door seen on the side of the front of the house actually led into a long mud closet for hanging coats, and then into a living room with two mismatched tin ceilings, making it appear as if the room had been two rooms at one time.

My father had a fireplace installed, as well as hardwood floors, a sheet rock ceiling and faux wooden beams. He added wood paneling, and a French glass door between the living room and large country kitchen. With a huge braided rug, the room was a cozy place where my Dad and I played music, quite frequently. He also fixed up the front porch and added screens and a door.

Patricia Grace in Deerfield living room 1966

Me, Patricia Grace, with trophy for being named Princess of the Deerfield Bicentennial Celebration in 1966. Here, I am standing in the living room of the family home.

I have fond memories of the farm and growing up in a small town, especially being a member of 4-H. It was nice not to be able to “see” any neighbors, with open land on either side and across the street. The property consisted of 89 acres. The new owner has built a luxury home in the back field where I used to pick wild blueberries along the side of the field, and also, ride my horse. Of all the former buildings, only the main home with the attached shed remains and is rented out, as far as I know.

Times change and one can see how people tried to make do, in the past. The New Hampshire countryside is looking more prosperous these days, except for the remaining falling-down barns, previously used by dairy farmers. They simply did not have the time or money to do upkeep to the buildings.

I am posting this because I can certainly relate to the topic currently being presented by a NH Humanities Council speaker. We tried to attend the lecture last week, but alas, by the time we arrived, the crowd had already spilled into the hallway, and we couldn’t see or hear a thing, so will wait for a more propitious time.

Patricia L. (Grace) Cummings
Quilter’s Muse Publications

Wonderful Lecture on the History of Early Photographs Presented by Martin Fox, Ph.D.

Thursday, June 25th, 2009

Martin Fox, professor of Art History at the New Hampshire Institute of Art, captivated a small but very interested group of listeners last night with his descriptions of the origins of Photography. With projected images to illustrate the roots of the technique, Fox highlighted the people who first used the simple principle that light travels along straight lines and can be used to project images on a wall, albeit upside down. He showed how a portable camera obscura, an antecedent of the modern camera, may have influenced the Dutch artist, Jan Vermeer, in “Young Woman with a Water Jug,” a painting with photographic qualities, rendered circa 1660-1662.

Throughout the 19th century, chemistry played a large role in developing various ways of printing images. Louis Daguerre, father of the Daguerrotype, is a pivotal figure in the History of Photography. In exchange for a lifelong pension, he allowed France to share his methods with the world. Daguerrotypes are usually small, 2 or 3″ big, and no larger than 8 or 9 inches. They are saved under glass to prevent fading, and most often have an elaborate copper frame. These are highly-collectible today, and some have been known to sell for $100,000. Each is a one-of-a-kind object.

Due to Daguerre’s processes being freely-shared, work with Daguerrotype images was more common than the Calotype processes of William Henry Fox Talbot who produced “Calotypes,” but also patented his method, making them more exclusive.

We were treated to a view of the first man whose ever photo was taken, inadvertently, as he stood in one spot for a long time on the streets of Paris, getting a shoe shine. He was there long enough for the photo process to work. Early picture-taking often took 5 to 15 minutes.

This is a simple overview. There is much more to the lecture and the topic, of course! We, obviously, have a great deal of interest in photography, as did the people who attended the talk. I was very surprised to see a photo image of Annie Fields, a woman who was Sarah Orne Jewett’s intimate associate for 30 years. She, too, was very beautiful! Just last week, I had just written about Sarah Orne Jewett and her residence in Maine, in a blog post.

This presentation by Martin Fox covers the many nineteenth century methods of translating images onto paper, as well as the relationship between good composition in both art and photography. We highly recommend this lecture that was presented in collaboration with the New Hampshire Humanities Council lecture series. As always, we welcome every opportunity to learn. Many thanks to the library in Greenland, New Hampshire for co-sponsoring this event.

One of the nicest books about photography in our collection is called, Dressed for the Photographer: Ordinary Americans & Fashion, 1840-1900 by Joan Severa.

Patricia Cummings
Quilter’s Muse Publications

Upcoming Event of Note

Tuesday, June 19th, 2007

On June 28, 2007, one of New Hampshire’s finest, Walpole native and film maker, Ken Burns, will be on hand at the Capitol Center for the Arts in Concord, New Hampshire. He will be answering questions after the audience has had a chance to preview his new documentary series about World War II, titled simply, “The War.”

Interviewed several weeks ago on our local PBS station, Burns reports that the two words, “The War,” are all that are needed to describe World War II, the biggest and most devastating conflict of the twentieth century. Over the years, Burns has provided many quality documentary films, not the least of which was his coverage of the Shakers, and his dynamic Civil War series.

The event is free to the public and doors open at 6:15 p.m. Among honored guests is the newly-appointed director of the Wright Museum, Mark Foynes. The Wright Museum tells the story of the Home Front during WWII, through educational exhibits and artifacts. They have the largest fleet of working vehicles from the war, and a special exhibit, often. If you are in the area, plan on also taking a trek “up the road” to the Wright Museum in Wolfeboro, NH. More information is on our website.

http://www.quiltersmuse.com

Pat

The Tango

Wednesday, November 8th, 2006

Quite a while ago, when I’d first met my friend, Gloria, from Argentina, online, she had asked me if I knew the “Tango.” The only bit of music I associated with the dance was “La Cumparsita,” a catchy tune that my father used to play on his clarinet. However, I’d never seen the dance performed…until yesterday.

Last night, a group called, “Tango Fire,” from Buenos Aires, Argentina entertained an audience at the Capitol Center for the Arts in Concord, NH, for two hours. There were four musicians: a violinist, a cellist, someone playing the accordion, and a pianist who would alert the other musicians to “the beat” at the beginning of each song, by stomping his foot on the floor.

The program was a mix of pure instrumental music, the songs of one singer, and a number of couples who expertly danced (at the same time), and who have traveled worldwide to entertain, and to be on television. There was so much action on the stage at any given moment, the eye did not know where to look!

The costumes of the women were fantastic, and we marveled at how quickly they changed their garments, from number to number. One thing that made me smile was their use of nylon stockings that have a dark seam that runs the length of the back of the leg. I remember wearing those in the 1960s.

The Tango requires athleticism, to the inth degree. The moves are rapid, sensual, and in many cases, rely on the juxtaposition of genders to relay an unspoken mini-drama via physical movements.

Jim had been looking forward to an evening at home to watch election returns. Luckily, he agreed to accompany me to the theater. He, too, exclaimed that the dancers were spectacular, and he was happy to have attended this event.

The William H. Giles Foundation underwrote the performance and it was free to the public. What a fantastic cultural experience! Now, I can tell my friend in Argentina that I really do “know” the Tango. If you have the chance to see this group, it is definitely worth your presence.

I am so thankful to live in a community that appreciates the ARTS, in all forms.

P.S. They danced “La Cumparsita,” much to my enjoyment!

Pat

A Celebration of Dance – The Tango

Sunday, November 5th, 2006

On Tuesday night, at 7:30 p.m., there will be a very special program at the Capitol Center for the Arts in Concord, New Hampshire. A renowned group of dancers and musicians from Argentina will be presenting “Tango Fire.” Admission to the event is free of charge, and the doors will open at
6:45 p.m. The group is from Buenos Aires, a cosmopolitan city. For more information, please call (603) 225-1111, or visit this website: http://www.ccanh.com

Hope some of you can attend this cultural event. The Tango Fire website is: http://www.tango-fire.com/
Pat