Archive for the ‘Civil War’ Category

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Book Offers Recipes from the Civil War

Sunday, November 13th, 2011

Civil War Recipes is the name of a book that offers collected recipes that were published originally in Godey’s Lady’s Book, a popular journal edited by one of New Hampshire’s own: Sarah Josepha Hale. Recipes (or receipts, as they were called then) reflect the diverse tastes of Americans, both in the North and in the South. As the war progressed, food became more scarce, especially in the South, due to blockades and destruction of crops and livestock by Union troops. Prices for available food escalated and people were forced to eat whatever was “edible” that was available.

As a lover of blackberries, the recipe for Blackberry Syrup caught my attention. It calls for “as many pints” of extracted juice from ripe berries, as sugar. To the boiled mixture, one is told to add “half a gill of fourth-proof brandy to each quart of syrup.” A commercial version of this product was introduced by Gail Borden, the first food manufacturer to condense milk. The book notes that condensed blackberry juice was distributed to soldiers in Union hospitals.

Alcohol sometimes helped to counter bacterial infections and as noted in many reference books on Civil War medicine, soldiers often succumbed to dysentery. With their chronic diarrhea, many soldiers learned to “shoot from a squatting position” as noted in one source, a standing joke at that time.

Civil War Recipes is full of quaint dishes. It features some types of food that are not common fare today such as “Beef’s Tongue,” “To “Devil” Turkey,” and “Lobster Rissoles.” The author adds research notes to many of the recipes, adding background information and other updates. Some of the recipes are surprising. “The Christening Cake” (1860) calls for five pounds of flour, three pounds of butter, five pounds of currants (dried before the fire), sixteen eggs and other ingredients. It is amusing now to read the instruction to work the butter by hand until it becomes cream-like. This idea is a flashback to the time when butter was homemade and not readily available in a neat little package at the local store.

If you love to read historical recipes, this book is for you!

Patricia Cummings

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Civil War Remembered: Tribute Quilts at the Morrisville, VT Show

Tuesday, October 11th, 2011

In honor of this (150th year) Sesquicentennial Anniversary of the Civil War, a special exhibit of Civil War Tribute Quilts were made and displayed by members of the Common Threads Quilt Guild at their 2011 quilt show in Morrisville, Vermont in October 2011. The exhibit consists of two parts. In the first section, the personal quilts of Carolyn Babcock, challenge quilt organizer, were displayed.

quilts made by C. Babcock
All of the quilts seen in this photo are the work of Carolyn Babcock

In the background, we see three large quilts. The one on the far left is named “For the Fallen 1861-1865″; the Nine Patch quilt next to it is a reproduction of a quilt made in Dublin, NH and given to the U.S. Sanitary Commission quilt for the use of a soldier. The original quilt was the subject of a paper presented by Lorie Chase at the American Quilt Study Group Seminar at Cherry Hill, NJ this past September. That quilt was found in an antiques store in California by Jan Coor-Pender Dodge (recently deceased). Hanging to the right is “Virginia Star” described on the “key” shared with viewers as a popular mid-nineteenth century quilt pattern also known as “Prairie Star” and “Ship’s Wheel.”

Various quilts are draped on a display table including a Mariner’s Compass quilt, a doll bed quilt in brown and pink based on a similar quilt from c. 1860; unfinished LeMoyne Star blocks, etc. A nice selection of reproduction fabrics were carefully chosen for their colors and types of printed designs which Carolyn Babcock identifies with tags. Carolyn made additional quilts not seen in this photo and was working on a quilt in a frame that she named “Fort Sumter.”

The Butternut and Blue Quilt Challenge she issued called for quilters to use a palette of light gold to deep warm brown fabrics and medium blue, indigo, or deep blue (almost black) fabrics. Quilts could be appliqued or pieced or employ a combination of the two techniques. Their size was to be at least 10 inches x 10 inches but could be as large as 30 inches x 30 inches, although they did not need to be square. A description of the quilt in one or two sentences, stating its connection to a person, event or battle of the Civil War was requested.

The following photos do not provide a total overview of the exhibit, a very popular one. Though not all of the 17 quilts that were entered into the challenge are featured here, these images will give you an idea of at least some of these lovely little gems.

first set of challenge quilts - A, B, C
Three challenge quilts

On the far left is “Log Cabin Fields and Furrows” by Andrea Blaisdell, a reminder of Abraham Lincoln, “The Rail Splitter.” The quilt in the center of the photo is “Blind Man’s Fancy” by Phyllis Fletcher made to honor the Civil War wounded. The third quilt by Sharon Perry is called “Four Score and Seven Years Ago” and is dedicated to her great-grandfather of her husband. Hiram Riley Perry (1842-1915) served in the 14th Regiment of Vermont Volunteers and was wounded at Gettysburg. The quilter states that the colors she chose, brown, blue and red, symbolize the battlefield of Gettysburg, the Union Army and the blood shed to preserve the Union.

M, N, O, P, Q
More challenge quilts

The “Kansas Troubles” block was made by Barbara O’Toole and dedicated to Mahala C. Doyle, a widow whose husband and two of her sons were murdered in the Pottawatomie Massacre of 1856 in a raid led by the infamous John Brown, “saint” to some; “sinner” to others.

An untitled block by Julie Rohleder is dedicated to Frank K. Larabee, an ancestor who fought at Antietam, and as a Captain in the 27th Colored Troops saw action at the Crater at Petersburg.

“Harriet’s Baskets” by Caroline Hitchcock recalls the life and work of Harriet Beecher Stowe, author of Uncle Tom’s Cabin.

The “Louisiana Block” by Hilda Tallman is made in remembrance of the fact that by 1860, Louisiana’s plantations grew indigo, rice and tobacco and its population had swelled to more than 700,000 people, its economy based on slave labor.

The final quilt seen in this photo is called “Duty Faithfully Performed: Robert E. Lee, 1807-1870″ by Carolyn Babcock. The quilt is dedicated to the memory of Robert E. Lee’s words at Appomattox, Virginia on April 10, 1865, the surrender that marked the end of the Civil War.

This exhibit represents a lot of “woman” hours, insight and creativity. We were so pleased to have had the opportunity to view all of these wonderful tribute quilts and the comments about their inspirations. Congratulations to all who participated in making the 2011 Common Threads Quilt Guild Show a very special event and a special thank you to Carolyn Babcock who seems to have been a major driving force in both organizing and quilting for this event!

Best wishes,

Patricia Cummings
Quilter’s Muse Publications

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Wonderful Civil War Tribute Quilts at New London Historical Society

Thursday, September 1st, 2011

To celebrate the Sesquicentennial Anniversary of the beginning of the Civil War, local quilters in the Lakes Region have provided some of their Civil War Tribute Quilts to be displayed at the New London Historical Society through October 9. The museum (located in New Hampshire) is open on Sundays from 12:30-3:30 p.m.

To whet your appetite a bit, here are three of my favorite quilts in the exhibit. It was a difficult choice of which ones to highlight here; they are all lovely!


“Rangeley Star” is a quilt that was machine-pieced and hand-quilted by Roberta Sergenian for her husband, Haig, who is a Civil War Buff. She used all Civil War reproduction print fabrics.


“Civil War Tribute” is the name of a quilt machine-pieced and hand-quilted by Faith Heiden. She created it to honor her great great grandmother whose husband sustained a bullet wound to the head during the war.

quilt made by Joan Messinger
Joan Messinger’s quilt “Quilts and Slavery” is based on blocks she found in the following book by Barbara Brackman, quilt historian.

All of the quilts were outstanding and very fun to view. They represent many “woman” hours and a lot of dedication. We always love visiting the New London Historical Society and we hope that you have a chance to do so yourself before they close for the season. Many thanks again for inviting Jim and I to present a program there on August 16, 2011 about Women on the Home Front during the Civil War: Their Quilts and Needlework. In spite of the fact that it was a rainy day, everyone assured me that they enjoyed themselves. Congratulations to all who made quilts for the special exhibit.

Patricia Cummings
Quilter’s Muse Publications

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A Book Not to Miss: Love Amid the Turmoil

Friday, August 26th, 2011

He called her “Dollie”; she called him “Peaches.” A book now permanently records the love between William Vermilion and his wife, Mary, who wrote letters to each other during the Civil War. Now in print, thanks to the University of Iowa Press, Iowa City, Iowa, the invaluable volume is the diligent work of editor, Donald C. Elder III, professor of history and chair of the department at Eastern New Mexico University in Portales.

As the book opens, Vermilion is serving in the Union Army in 1862. He is a medical doctor and Captain of the 36th Iowa Infantry, Company F. His wife, Mary, a former school teacher, is staying with his parents who are sympathizers of the Confederate cause, a point of discussion in many of their letters. Like many other couples, apart by circumstances of the war, a recurrent theme is their longing to be reunited.

Descendants of the couple donated all of the saved letters to the University of California San Diego (UCSD) where Donald C. Elder III received his doctorate degree. Most of the letters in this volume are excerpts, the editor explains, in order to create a book of reasonable length. With access to a wealth of raw material by way of primary source documents (the letters), their transcription enables readers to be transported to another time and place and to experience the realities of the War in a real and viable manner.

First hand accounts such as diaries and letters provide a “window” to historic times, as no other source of information can offer. Love Amid the Turmoil is touted as “the most complete collection of letters exchanged between a husband and a wife during the Civil War.” If anyone were to have any doubt as to the meaningful value of this trail of letters, one only has to read the following words written by “Dollie” herself:

Tuesday Night, Sep. 8th, 1863
My Dearest Love,
. . . .I have been reading your letter again darling. . . . And you tell me sometimes to burn your letters. Why pet, you don’t know how your Dollie loves your letters. . . . When you come home to stay love, you shall have the letters –maybe– if you want them, but till you come I wouldn’t burn one of them pet for 10 times with their weight in gold.” (218)

If you love true stories about the Civil War that are compelling and reveal what individuals were thinking and saying at the time, you will want to read this book!

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The Civil War Diary Quilt

Friday, May 20th, 2011

The Civil War Diary Quilt book (KP Books, 2005) was given to me several years ago by a dear friend. I enjoyed looking through it briefly and seeing the many quilt blocks inspired by true diary entries and stories written at the time of the Civil War (1861-1865). This past week, I pulled the book from its place on the shelf and spent more time with it. When I reached the end, I spotted a line drawing that represents the shapes of the little block that can be readily seen on the cover of the book.

The Civil War Diary Quilt project

I had not done much appliqué for the past year because of cramping I would get in my right hand and swelling in my wrist. But, I thought I’d like to try this block. My idea was to just use it for a quilt label, writing provenance information on it. However, when it was finished, I decided to make a stand-alone tiny quilt. Here is the final result. I am not saying she is “perfect” but hey, who is? Certainly not me. It was a good stab at a first attempt of a tricky block, in that size scale. The finished quilt is about 8″ x 9″. I loved this project! At my leisure, I will return to this lovely little book by Rosemary Youngs, again and again. She provides directions for assembling a large quilt of the other quilt blocks she shows. Quite an inspiration!

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Civil War Crossword Puzzle

Saturday, April 9th, 2011

For your enjoyment, I have created a Civil War crossword puzzle.

The clues can be found here: Civil War Crossword Puzzle Clues

The puzzle solution is here: Civil War Crossword Puzzle Solution

Enjoy!

Patricia Cummings

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“Enslavement” – A True AnteBellum Tale

Sunday, March 27th, 2011

The movie “Enslavement” presents the true story of Fanny Kemble, a Shakespearean actress who, in Philadelphia where she was performing, met Pierce Butler. He was a rich plantation owner and she married him. In 1846, they moved to Butler Island, Georgia, and it was only a matter of time before the new bride was exposed to the harshness of slavery.

Jane Seymour plays the convincing role of a woman who desperately loves her handsome, winsome husband but despises his actions and beliefs. Not one to remain silent, “Fanny” is continually getting into hot water when she speaks up on behalf of better treatment for the slaves, including a cleaner and more sanitary infirmary.

The movie is very violent at times and perhaps not for the weak of stomach. Cruel punishments are meted out to those “Negroes” who try to escape the plantation. In one case, a man was forced to wear a contraption with bells on his head. When the wife asks that the bells be removed, the slave ran off again and was brought back and hung, to make an example of him.

If anything, the movie points out the insanity of reasoning that led to slavery in the first place. Blacks were viewed as sub-human. When a slave woman, a mother of ten, was whipped, Pierce Butler (Fanny’s husband) told her that he would not have her interfere in a system she didn’t understand. Fanny becomes secretive in her efforts to teach slaves to read and write, and then assists in a more dangerous effort when she helps a local doctor with slave escapes on the Underground Railroad.

This would be the movie to see, if there is any doubt whatsoever as to why the Civil War was fought. There are heartbreaking twists and turns in this action-packed tale. One would say that this could not have possibly happened but alas, just look at the title: “Enslavement: The True Story of Fanny Kemble.” I’ll leave the surprise ending for you to discover!

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Julia Louisa Lovejoy and Events Leading to the American Civil War

Monday, February 21st, 2011

My first knowledge of a New Hampshire woman named Julia Louisa Lovejoy came while I was researching the life and times of her niece, Ellen Emeline Hardy Webster (1867-1950). Julia and her husband Charles were staunch abolitionists (people who oppose slavery) who belonged to the Methodist Church. In fact, he was a minister. They set off for Kansas Territory where a dispute was raging between slave owners and those who wanted all Americans to be free. Clouding the fact was the 1854 Kansas / Nebraska Act declared that Kansas and Nebraska could decide the issue in their respective states.

In reading Julia’s diary, it is apparent that she feared the Lord tremendously and was ever self-accusatory in recounting her “sins.” I lost track of the many miscarriages she had, always blaming them on her own inadequacy as a Christian believer. Julia and Charles arrived in Kansas in 1855. At the time, they had three children, Charles J., Juliette and little Edith. Julia was expecting a baby when Edith suddenly died of the measles on May 3, 1855. Julia’s last baby was named Irving.

One can imagine how frightened Julia must have been to be alone in unknown territory while her husband traveled to spread the abolitionist message and save souls. In May 1856, a pro-slavery mob showed up in Lawrence, a hot bed of this kind of activity, shooting up the town, etc. Keep in mind that 1856 was prior to the start of the Civil War by five years. Born in 1812, Julia would have been only 44 years old that year. Later, in August 1863, after the war had officially begun, she watched as the Confederate Army burned the town of Lawrence and committed savage murders. Julia Louisa Lovejoy’s legacy is her written record of her own life and the times in which she lived, as well as her many descriptive letters begging financial help from readers of newspapers in the north.

The Lovejoys returned east briefly but quickly decided to go back to Kansas. Julia died on February 6, 1882 on a farm that Charles had purchased in Baldwin, Kansas.

Her photo appears in my book, as well as additional information: Ellen Emeline Hardy Webster (1867-1950): Her Amazing Quilt “Charts,” Her Writings and Her Life. This is available from our website or from amazon.com

Julia is mentioned in Ken Burn’s exceptional film: “The West.”

Patricia Cummings
Quilter’s Muse Publications

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Civil War Era Quilt Features Poem

Thursday, January 20th, 2011

On September 16, 2005, we visited The Brick House Museum in Kennebunk, Maine that owns a Civil War Quilt made in 1864 by the Ladies Aid Society, Portland, Maine.

The striking quilt features a poem on the back:

Ye have fought our battles for (now?)
Showing how the brave can die
We are waiting to receive you
When you lay your armors by

We’ll stitch with the needle
And fight with the tongue
‘Till every old rebel
Is conquered or hung.

Hope is the anchor of the soul
‘Tis Jesus makes the wounded whole
Believe in Christ, the Victory’s won
Look up, by faith, receive thy crown.

The quilt was a gift from Mrs. Fordyce Perkins in the name of her mother, Mrs. Annis Edna Boynton, in 1951.

The “potholder” style quilt has four blocks across and five blocks down that were finished separately and whipstitched together. The appliqué motifs include:

Bunting flag “Portland”, star in center, “1884” lighthouse with flag w/ inked inscription bunting

Anchor Bible drum center stars

Crossing flags eagle with arrows on left, barge or gunboat? Two color star

Cannon and cannon balls cartridge bag and water canteen cannon cannon balls

American flag crossing swords pieced basket with written inscription bunting flag
stylish handle

Background: brown with variable tint (home-dyed?). Appliqués: red and blue.

Here is a photo of another quilt of the same style, an “early quilt-as-you-go” or “lap quilting” method. Each block is made separately and bound and only then joined together by whipstitching. What appear to be sashings are actually two block edges coming together.

Maine potholder quilt

Photo taken by James Cummings at a rural Maine quilt show

For more information about Civil War quilts, please visit a file on our main website: http://www.quiltersmuse.com/civil-war-quilts.htm

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New Civil War & Quilts File Posted

Tuesday, January 18th, 2011

http://www.quiltersmuse.com/civil-war-quilts.htm

I’ve just added this file to my main website (Quilter’s Muse Publications). Enjoy!

Pat Cummings

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Trip to Old Cemetery Yields Unexpected Finds

Thursday, October 29th, 2009

Today, we did something that is always fun to do. We walked through a small country cemetery. I love to read epitaphs. Often, there is some endearing tribute or religious sentiment on very old stones. On several that we saw today, the words simply said, “Gone home.” It is amazing to see that only a rock marks some graves.

Walking through the cemetery, I paused to squint at one inscription when all of a sudden, the song of a chickadee in a nearby shrub, pierced the air, startling the silence. Some of the stones had been laid flat by the force of wind or weather. A couple of the fragile marble stones had broken into two pieces and had been hinged back together. Lichen growth was heavy on many granite stones, to the point that any writing, including names, was obscured.

Rufus Leavitt

Jim discovered this stone that is a tribute to a Civil War soldier.

Rufus L. Leavitt died …
in consequence of inhuman treatment during an imprisonment of 5 mo. in Salisbury, NC – 26 yrs, 1 mo.

Jim walked through one half of the cemetery and I walked through the other. I found exactly what we were seeking, to follow up on a most interesting story of humor shared recently by New Hampshire’s own humor writer, Rebecca Rule. I hope that it will be in her next book!

pillow

This particular 50 year old man may have earned the right to be called a “pillow” (of the community).

I was so pleased that Jim found the headstone of the town minister about whom I’d read so much. Likewise, I was elated that he located the headstone of the grandparents of an important woman (Ellen Emeline Hardy Webster) whose life I have chronicled. Their names are Ichabod Packard Hardy and Emeline Mary Webster.

gravestone of Ellen's grandparents

This is the gravestone of Ellen Emeline Hardy Webster’s grandparents. Ellen’s middle name is the same as her grandmother’s first name. I wrote a 355 page biography of Ellen last year. Ellen’s married name was Webster, and it only coincidental that her grandmother’s maiden name was also “Webster.”

So much history to be found in New England, which is why I love it here. I can’t imagine going anywhere else to live. In being able to view the actual gravestones of once-living people, I realize how important (and nice) it is to have a final resting place. Somehow, it proves that you were “here.” For me, it makes the names of people I’ve read about in print seem like old friends. Yes, I do love old cemeteries!

Patricia Cummings
Quilter’s Muse Publications

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More Irish Music

Tuesday, July 21st, 2009

I am in the mood for Irish music this week so have just posted two more songs: “The Rising of the Moon,” and “Mrs. McGrath.”

You will see that a lot of traditional Irish ballads have “war and turmoil” at their center. It is heartening to know that I come from a sturdy race who were not afraid to stand up for themselves.

When I posted the term “Fighting Irish,” yesterday, Jim had to look that up. He found a number of references including current sports teams, especially the football team at Notre Dame. Other references include the Irish regiments who held back General Robert E. Lee’s forces at one of the major Civil War battles. It is speculated that Lee himself gave them the name, based on their ferocious and brave fighting, no holds barred.

The etymology of words and terms is most interesting and I provide that knowledge, whenever I come across it, as you will see in another of these Irish music files.

If anyone has any photos of Ireland that they can legally share with me, please send them to pat@quiltersmuse.com and I will add them to these music files. I would especially appreciate landscapes, seascapes, and photos of architecture.

Enjoy!

Happy to be Irish,

Patricia Cummings
Quilter’s Muse Publications

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NH Humanities Council Series Features Eric Bye, Musician

Thursday, June 25th, 2009

Tonight, I learned more about banjos than I would have ever considered possible. Eric Bye of Vermont presented a program about 19th century music, with a focus on banjos. An amazing fact is that later in that century, banjos were made in such a way as to simulate other instruments, and there was the phenomena of “banjo orchestras,” with one banjo sounding like a piccolo; another (called a banjatar) had six strings, like a guitar, etc.; and all banjos were made in different sizes. The banjo went from having four strings to having five strings, over time.

Eric played a minstrel tune called “Circus Jig” to start off the program. With only one song, did he accompany himself with voice, although he has a very pleasant voice! He gave a wonderful overview of banjo music throughout the nineteenth century, and used two banjos, including one that he made himself, throughout the concert. The humidity was affecting his banjos a great deal and causing them to be out of tune, so he would stop and re-tune them.

Eric Bye

Eric Bye, playing the banjo in Bristol, New Hampshire on June 25, 2009

One cannot fully appreciate American music without knowing what was happening at the time. Eric Bye filled in a lot of historical details. He remarked about the number of songs that came out of the Civil War period. He played a song from that era called, “Tenting on the Old Camp Ground,” on a boombox that he’d brought with him. The song, for which the New Hampshire Historical Society possesses an original copy of the sheet music, as seen in a recent exhibit, was written by Walter Kittredge, a New Hampshire resident. The sentimental tune was made famous by the Hutchinson Family Singers of Milford, NH. A live rendition of the song was shared by Steve Blunt, a presenter in this lecture series, whom we had the pleasure to hear a few weeks ago, and about whom we also wrote a blog entry.

The banjo and the fiddle once were considered “the devil’s instruments.” The banjo was mainly used by African-Americans on the plantation before being taken over as a preferred instrument of minstrel shows. The presenter explained that by the end of the century, and beyond, mainly people with money were playing the banjo, quite a transition.

This combination history lesson and concert was fascinating. I will say no more so as not to “give away” the whole program. Suffice it to say that it is understandable why Eric Bye has been invited back to give his presentations since 1990 in Vermont for their Humanities Council programs, and for the last five years in New Hampshire. In his real life work, he is a linguist/translator who is fluent in French, Spanish, and German. He has translated more than 100 books, primarily non-fiction and scientific titles. It appears that he brings a passion to his work and to his “play.”

We certainly enjoyed every part of tonight, except the heat and humidity over which no one had any control. This has been a fun week. We have gone to three of these programs on consecutive nights, and in diverse parts of the state of New Hampshire. We are blessed to live in the Granite State (“where the women are strong, the men are good-looking, and the children are above-average!”). Even though we are pretty selective, we do let Vermonters visit us, now and again!

Thanks to the organizations in Bristol, and the NH Humanities Council, for sponsoring this event. Most of all, thanks to Eric Bye for a wonderful program!

Patricia Cummings
Quilter’s Muse Publications

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1864 Civil War Quilt

Wednesday, September 24th, 2008

Ye have fought our battles for us
Showing how the brave can die
We are waiting to receive you
When you lay your armors by.

We’ll stitch with the needle
And fight with the tongue
‘Till every old rebel
Is conquered or hung.

Hope is the anchor of the soul
‘Tis Jesus makes the wounded whole
Believe in Christ, the Victory’s won
Look up, by faith, receive thy crown.

These are words that appear on a potholder- style quilt, each block bound separately, then joined together, made by the Ladies Aid Society in Portland, Maine, made in 1864.

Motifs that appear on the surface blocks are bunting flags, a lighthouse with a flag, an anchor, a Bible, drums, stars, crossing flags, an eagle with arrows on the left, canon balls, swords and more. There are twenty blocks in all.

This quilt is very dark in color, with some of the designs almost indiscernible from a distance. I don’t believe it would photograph well. This is held in a private museum in New England. I cannot clearly remember any details about the quilt, only those I wrote down at the time. I saw it several years ago. It appears to be a group effort quilt made to honor soldiers who fought during the Civil War.

Patricia Cummings

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See How They Lived

Friday, October 5th, 2007

Men in Civil War Uniforms

See How They Lived

Press Release

5th Annual Living History Civil War Encampment

Presented by: Charles W. Canney Camp #5, Rochester, New Hampshire
and Sons of Union Veterans of the Civil War

In cooperation with the New Durham, NH Historical Society

October 6 & 7, 2007

Encampment location: 16 Ridge Top Rd., New Durham, NH

All day, both days, talk to Union soldiers and observe camp life such as soldiers cooking their food. Tents and displays will be set up for viewing, including the hospital steward’s tent and equipment.

See a live demonstration of the enlistment process, inspection, drilling, and firing demonstrations, as well as children’s games typical of the 1860s, and perhaps a mock battle (a “sham”).

On Saturday night, the sponsors of the events will offer a ham and bean supper. The cost is $7 for adults and $3.50 for children. All proceeds will be placed in the Civil War scholarship fund for graduating senior students in New Durham.

The camp chaplain will conduct a church service on Sunday at 10 a.m., reminiscent of the kind of services provided during the Civil War period.

The public is welcome at all of these events, and is encouraged to attend.

This announcement provided courtesy of Mary Foynes, Executive Director of the Wright Museum, a World War II home front museum, Wolfeboro, NH. Thank you, Mark.

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