Archive for the ‘Art Discoveries’ Category

Is This Piece of Old Toile “the Real McCoy”?

Sunday, October 3rd, 2010

When Christopher Moziakk went to a garage sale, he was merely looking for a frame. In disassembling the frame, a card fell out that identified the fabric in the frame as an English toile print from the Seymour collection, circa 1760. He sent a photo, explaining that the frame had been sitting out in the rain, and thus, there is water damage to the fabric. He wrote to ask if I think the fabric is authentic.

old toile of Chris Moziakk

Piece of old toile cloth found in a frame

Now, I know that some of you love the mysteries I present here often. I have a few books about toile – okay, I’ll come clean, I have as many in-print books as I could find about toile when I was writing an article for The Quilter magazine a couple of years ago. If you have other earlier print sources and happen to find proof of this particular fabric print in one of those books, before I do, please let me know!

This will be fun to try to hunt down!

10/4/10: I have looked through four books on toile, one of which has many English prints, and I have not found a duplicate fabric. If this piece of toile is, indeed, from 1760, it would be a very early one. Francis Nixon invented copperplate printing in 1752 and did not share his technique of printing fabric with copper plates with England until 1755. Of course, “circa” can mean a date within 10 years on either side of a specific date. At any rate, it is a guess. A fellow quilt historian mentioned that one of the hats looks more like a 1780 style to her. Anything is possible. What a find!

Update on 10/21/2010: This particular toile has been identified as an 1820 English toile that is sometimes falsely attributed to a Massachusetts resident who lived between 1733 and 1788. Scholars believe that it is a copperplate print, not a wood block print. Copperplate printing machines were large and heavy and were not generally used in the production of home printed fabrics. The images on the cloth itself, namely a woman fortune teller and quasi-military scenes, suggest a date of post 1800. This information was shared by Stephanie Hatch, quilt historian, who states that a piece of this cloth is owned by the Peabody Essex Museum and other museum sites.

Patricia Cummings
Quilter’s Muse Publications, a website that features a lengthy article about toile

Art Quilts with Words

Monday, August 23rd, 2010

Little did I know that I would get such a huge response to my request from art quilters to share any quilts they have made that feature words. Since yesterday, I have published two huge files of examples and have begun uploading images for a third file.

quilt by Sherry Boram

Learn more about this quilt by Sherry Boram, in the website file!

As you will see, quilters have found innovative ways to add “words,” a term that can be interpreted broadly to include letters, names, and partially visible words. All of the work takes my breath away. I hope that you feel the same way.

I hope that my work has showcased a handful of very talented individuals. I know there are more of you out there (lurking). If you have the urge, take a photo and send it along with a few words about the piece(s). The photo will be digitally marked with your name and you will be given full credit and appropriate links to your blog, etc.

Here is the link to the first file. From there, you will be able to click onto the second file.

Update: There are now FOUR files in all, with more quilt images promised! All of the contributing artists are listed on the home page of my website with the file in which their work appears.

http://www.quiltersmuse.com/words-on-fabric-and-quilts.htm

Thanks to all who sent photos.

Patricia Cummings
Quilter’s Muse Publications

Very Unique Gravestones Found at Hope Cemetery in Barre, Vermont

Saturday, May 8th, 2010

Jim took so many photos of the gravestones at Hope Cemetery in Barre, Vermont, they would not all fit on a website page. I’ve decided to add a few more on this blog. Some of the images on this page are religiously-based.

To see the other photos, in another web file that I set up today, please visit: http://www.quiltersmuse.com/Hope-cemetery-in-Barre-VT.htm

Christ with

A statue of Christ and His “sacred heart”

flying ducks

Flying Ducks grace this stone. Was the deceased a hunter?

large angel

Large angel is flanked by a long stem rose at each end of the monument

soccer ball

Soccer ball

Virgin and child

Virgin and child

One set of stones were four-sides (triangular cubes). These featured religious writings and quotes from the Bible. I will show you the four sides of one monument.

side 1

side 2

side 3

side 4

etched gondola

Etched gondola

The Braun stone features writing in French on both sides of an open book as follows:

left side

right side

Reader, Matt Ebbs, a student of French, translated the words on July 24, 2011:

Just like a ray of sunshine,
You illuminated our lives
With your magnificent smile,
Your huge generosity,
Your enormous dynamism,
And your marvelous thirst for life.

Though your husband, your children and all those who love you,
Retain the need for your warmth,
To continue their paths,
Your gentle memory warms their hearts
Just like a soft ray of sunshine.

Lumps in our throats,
Breaths stifled,
And eyes shining with sadness,
We think always of you…
And we want to say THANK YOU Madeleine,
For having given us the chance to love you,
And to be loved by you.

Thank you, Michael!

These stones have such life and animation to them, celebrating love and events in life. The sculptures that represent real people are stunning. To be buried here is like sleeping in an art museum, for eternity!

All of the photos in this file were taken by James Cummings.

Patricia Cummings
Quilter’s Muse Publications

Intriguing Photos of Egyptian Textiles Sent by Reader

Monday, September 21st, 2009

After reading my online file about Egyptian appliqué, a woman named “Margot” sent me 10 photos of her Egyptian textile collection, yesterday. She calls herself “an inadvertent collector of Egyptian appliqué” and found her pieces to collect, in Maine and online beginning in the 1980s.

Although she apologized for the “amateurish” look of her photos, I was able to work with them a bit, with a photo editing program, and I believe you will enjoy seeing the images. There is only one that is cropped off at the end, due to a streak of light. They are wonderful!

A lot of symbolic imagery appears in the following designs. At the end of this photo essay, I will list some books in my personal collection that are helpful in identifying the meaning of the symbols. Identification of the symbols would be a good project for home-schooled children and others who are interested in learning more about Egyptian art, always a fascinating subject!

long Egyptian textile

archer

donkey kneeling

man on horseback carrying flag

another panel

beige colors

orange camel

8th piece

9th piece

final piece

In addition, Dover Publications sells a CD-ROM & Book called Egyptian Designs for MacIntosh and Windows. No affiliation.

I hope you have enjoyed this file. Many thanks to Margot for sharing her collection with us.

Patricia Cummings
Quilter’s Muse Publications

The Little Mermaid

Saturday, September 5th, 2009

I love it when I can find cultural expressions in various formats. To give you an example, when I was deep into studying Bluework Embroidery, I began to collect blue and white dishes, produced in various locations. I discovered that blue and white has been a Classic Color Combination for centuries. If you look around my website, you will see further examples of that, one primary one being distinctive Blue and White Embroidery from Deerfield, Massachusetts. Today, I want to show you one specific plate that I collected.

The Little Mermaid plate

Tribute plate to “The Little Mermaid,” collection of Patricia Cummings

Having no idea what the plate represented, when I purchased it, I bought a small plate. My daughter-in-law, Rebecca, who was born in Denmark and lived there a good many years, recognized the image immediately. “The Little Mermaid” or “Den lille havfrue,” is a story for children written by Hans Christian Andersen of Denmark. The story was first published in 1837. The basic story line is that a mermaid wishes to have a human soul so that she can marry a human prince.

In 1913, a statue to the little mermaid was unveiled in a harbor at Copenhagen. Unfortunately, this statue has been vandalized greatly, over the years. However, it is such an important symbol, to the Danes, and a tribute to Andersen, a great Danish poet and writer, the statue has often been repaired.

If you would like to know more about the story, here is a link a Wikipedia entry: The Little Mermaid.

As we look around us, it is stunning to see how many songs are related to actual events, and to realize the many other connections that we take for granted. Many times, the meaning of objects go far beyond the obvious … and the one I’ve just shown you is one example.

Happy Weekend,

Patricia Cummings
Quilter’s Muse Publications

“Primitive Art” – What Is It?

Wednesday, June 27th, 2007

What exactly does the word “primitive” mean? Today, we have a relatively new embroidery style that folks are calling “primitive.” This embroidery genre is based on simple line drawings of angels, pumpkins, houses, fences, and other “folksy” designs, all drawn to give a purposely unschooled look. There is nothing fancy about the work. It is often worked on tea-dyed fabric and executed with straight lines or outline stitch. The idea of “primitive” motifs has led me to think about the term, as it applies to ancient people and their art.

First, the work of prehistoric, Paleolithic man comes to mind, as seen in the images that were painted, incised, or sculpted onto the walls of a cave in Altamira, Spain. The most famous of the figures, perhaps, is a wounded bison that has fallen to the ground.

Cave paintings are a reflection of the culture that created them. Nor is that cave in Spain the only one to feature “art.” One lesser known cave in Spain depicts the processes of procreation and reflects an early understanding of biological actions and results. A cave in Lascaux, France also feature painted animals. Some art historians have considered the hunting scenes of early cave paintings to have been used as a good luck omen to cast a magical spell on the good fortunes of the hunt.

Another group, North American Indian “artists,” has now, mysteriously, disappeared. Once a thriving population, the Anasazi Indians of the Four Corners region of the U.S., were an advanced, sophisticated, and savvy group. Their ruins are a place that still calls many visitors to the southwest, each year. On rocks, the Anasazi etched “petroglyphs,” still studied by artists and archaeologists.

A third group of “primitive” people were the Mayans. They also had a very advanced culture. Please read the entry under “Art Discoveries,” on this blog, that describes how a professor from the University of New Hampshire discovered some new “finds,” not too long ago.

People have always found art to be pleasing, hopeful, satisfying, expressive, a good luck omen, spiritual, magical, reflective, and many other words we could use to describe what we generally just call “art.” The lesson to be learned, in this discussion, is that there really is “nothing new under the sun,” as is stated in the Bible. As long as there are people, I predict that many of those individuals will continue to want to create “art,” for its own sake. Primitive Art, in general, gives us a window into the creative processes of the human mind and its expression in art from times passed.
Patricia Cummings

Chalk Talks

Monday, April 30th, 2007

I have just written a new file about the topic of “Chalk Talks.” These appear to have been most popular in the early twentieth century. I have been intrigued with the name. If anyone hears of some other person who is known for this kind of illustrated instruction, I’d love to hear more!

Pat Cummings

Amazing Discovery of Mayan Art by UNH Professor

Sunday, January 14th, 2007

When William Saturno, a professor at the University of New Hampshire, traveled to Guatemala in 2001, he made an amazing discovery. In looking for Mayan ruins at San Bartolo, he ventured into the jungle with just enough food and water for one day. The trip turned out to be three days to the destination point, and three days back.

In searing 90 degree heat and severely hydrated, he entered what appeared to be a cooler spot, at a cave-like entry point. When he took out a flashlight and looked up, he realized that he was sitting in an ancient Mayan temple with paintings on the walls. His discoveries of Mayan hieroglypic writings have been dated to 400 B.C. to 200 A.D., centuries earlier than previously thought for mesoamerican hieroglypics.

A PBS special that aired in my area today was the first I had heard of these new findings of ancient Mayan sites in Guatemala. Saturno’s knowledge of archaeology, along with the work of an associate who used a Nasa satellite and space technology resulted in the mapping of coordinates by which other Mayan ruins were located. The limestone used to build the temples has resulted in plant life that glows in photos taken from outer space and this altered chlorophyll led to the further discoveries of Mayan buildings.

To read a story about William Saturno and his incredible journey and findings, please visit this page:

http://unhmagazine.unh.edu/sp02/temple_doom.html

I am so proud of my alma mater, UNH, and its ability to attract and keep outstanding professors, many of whom are research oriented. I just had to share this great news with you. There are many other files online about his work, but the one above will bring you to a three page article in the UNH magazine.

Patricia