Archive for the ‘Antiques’ Category

Another Textile Mystery

Friday, November 18th, 2011

While browsing in an antiques store recently, I spotted a large plastic “baggie” that held a number of little stuffed figures: dolls that depict former times. Enchanted by them, I brought them home. They look as though they were made from printed fabric that was purchased by the yard, the figures cut out, sewn and stuffed. They are rather charming. On some of them, there is single digit number visible on the bottom. I set them upright in a basket of raffia so they would stand up straight! Here is a photo.

pioneer family stuffed dolls
Family of stuffed pioneer dolls

If anyone has any knowledge about these dolls, I would love to hear from you. Write to: pat@quiltersmuse.com Thanks!

Patricia Cummings

“Civil War Era” Quilt

Thursday, August 4th, 2011

Recently, I spotted a tag on a quilt in an antique shop that said “Civil War Era” quilt. I would love to know more about this quilt: where it has been, how it was damaged, and who made it. Alas, once a quilt gets sold in an estate sale or abused for awhile before being shuffled off to an antiques dealer because it “might” be worth something, the only clues to its previous “life” are visible on the quilt’s surface.


Was the dealer capitalizing on a popular theme, the Civil War, or did he/she have actual provenance information of which we were unaware? We’ll never know!

This quilt has a long tear that looks that it has been sliced with a sharp object. In spite of that, the quilt is very charming! Although it was originally intended to be a bed quilt, no doubt, it is striking when it is placed vertically. Its colors and the designs are cleverly rendered in scraps but with enough repeated colors to give the quilt a sense of unity.

At first, I thought I’d spend time trying to “fix” the damage, but then I reasoned that I did not buy it to “use” on a bed. I purchased it because I simply like it. Good enough reason. I would be happy enough to just reproduce a similar quilt someday, if I find the time. If not, I have enjoyed and appreciated the work of some unknown quilter that will forever remain anonymous. It is sobering to realize how little family members of quilters can care about their work. Quilts often pass out of family hands to total strangers who, like me, would like to see a quilt used for something other than a dog bed.

There was just something compelling about this quilt. It spoke to me. It’s hard to explain why quilters just love quilts but we do! I am sure that the person who made this quilt has long been pushing up the daisies. The quilt is still here and it tells a story that we can only imagine. Maybe that is part of its charm.

Patricia Cummings
Quilter’s Muse Publications

The New Hampshire Troubadour

Sunday, June 5th, 2011

cover of Spring 2011

The New Hampshire Troubadour, a publication that sings the praises of New Hampshire via photos, stories and poetry, was created during the years of the Great Depression and mailed out by the State Planning and Development Commission in Concord, NH. Recently, while browsing in an antiques outlet, I spotted two old copies: Christmas 1935 and January 1936. They followed me home. The history of the magazine can be read at the following link:

http://www.nhtroubadour.com/history/

In 2008, with a grant from the Finlay Foundation, the monthly magazine launched again offering breathtaking photos of New Hampshire in every season, a sure dose of heaven in measured amounts. The editor, Robert Finlay, suggests “sharing” the magazine and to that end, I have mailed several of these little gems to friends who previously lived in New Hampshire. They have been thoroughly enjoyed. Yet, I have carefully saved all of the other copies to gleefully peruse on “another day.”

And so, we transition from past to present. Whenever we look ahead, we can’t help but to look back to see where we have been and how we can improve life today using new technology. The color photos are a vast improvement in the magazine, yet the black and white photos are an honest attempt to share New Hampshire’s beauty. After all, the winter landscape here is in tones of gray, black and white.

Check out their website and most especially the special article offered there about Robert Frost. Enjoy!

Patricia Cummings
Quilter’s Muse Publications

Misleading Information on eBay

Tuesday, May 17th, 2011

This morning, I received an e-mail alert for a “German quilt” described as a rare collectible that is listed on eBay for $2,200. Although the many photos shown only display portions of the block that is now often referred to as the “Swastika” block, that is what it is. The description with its lack of concrete provenance information has nothing in it to back up the fact that the quilt was German-made. It is highly questionable and very doubtful that this quilt was made in Germany. If it had been made after the onset of the Third Reich and the extermination of Jews, I would believe the quiltmaker to have been out of her mind. Most quilters I know like to spend time on “happy” projects not one that celebrates death. In fact, Germany has had no strong tradition of quiltmaking until recently.

Not to bore my many regular readers by reiterating the history of the Swastika design/ (that ironically signifies “Good Luck” and a “Native American” design that also has been used in other cultures and settings for centuries), I will direct you to review my extensive online file on the subject located on our website. http://www.quiltersmuse.com/swastika-quilt-block.htm

I don’t know why some sellers who list on eBay never take the time to do a “Google” search to better understand the product they are offering and gather more information. I continue to make unique information available to the public, only to see goofy listings like this one pop up… at staggering prices, too.

Here is the listing. Check it out. http://tinyurl.com/67p5ayg

Their direct link comes up with a warning not to visit the page, for some unknown reason. That link is: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=250821131873&ssPageName=ADME:B:SS:US:1123

This quilt is a twentieth century textile, appears to be 100% cotton and made prior to World War II, as were most of the now existing quilts of this kind. The Swastika configuration as a design element is permanently banned in Germany.

Patricia Cummings, quilt historian

Exceptional Variety of Antique Quilts at Show

Wednesday, May 11th, 2011

Here are a few more quilt photos of quilts we truly enjoyed seeing at the quilt show in Chester, Vermont last week. The first is a quilt owned by a local resident who inherited it from someone whose mother lived in Durham County, United Kingdom. The label that describes the quilt says that it is believed to have been made in the late 1800s. It is completely hand-quilted in typical quilting line patterns of the area. “Amy Em” is a much celebrated quilter whom I often think about when looking at a quilt like this one. At the same time, I recall the many studies by Dorothy Osler, a quilt historian who has written books and taught for the University of Nebraska graduate program in quilt studies in Lincoln, NE, where I studied quilt history via a long-distance learning class (their first class in 2001). These kinds of quilts also represent the Welsh wholecloth tradition. It is not that the whole top is composed on only one piece of fabric. They did not have looms that large to make such a cloth in those days. Long pieces of cloth are conjoined. See our many files on our main website that show examples of wholecloth quilts and explain their traditions. Just key in “Wholecloth North Country Quilts” in the search bar at Quilter’s Muse Publications’ website.

Durham, UK quilt
North Country quilt from UK

Another exceptionally rare type of quilt, most often seen in Maine and Massachusetts, is this example. It is a Log Cabin quilt that is finished by completing each block with a separate binding and then conjoining them by whipstitching from the back. This Log Cabin has red center blocks, sometimes thought to represent the “hearth” of the home in current folklore. Pam Weeks of New Hampshire presented a paper at the 2010 American Quilt Study Group Seminar about these unusual quilts and at the present time, she has curated an exhibit of collected “potholder” quilts, as they are sometimes called, and these can be viewed at the New England Quilt Museum until July 2011.
Potholder Log Cabin quilt
Log Cabin Quilt, “potholder” style

Another treasure is a Civil War quilt thought to have been made in the 1860s. Two members of Ellen Rowe-Levesque’s family who lived on Main St., Chester, VT served in the Civil War: Levesque’s great grandfather and his father (born in 1814). A chance meeting with the person who bought this quilt at auction has led to a long term friendship between the two women, both avid fans of quilts.

Civil War quilt
Looks like the “Streak of Lightening” pattern, if turned in another direction. Double pink fabrics bespeak of the 19th century. This is actually a “tied” comfort or comforter. I did not see any actual quilt stitches on this quilt, although I did not view it at great length, only in passing.

Another quilt was located on a clothes drying rack in the hallway of the building. I recognized as a quilt block that I have reproduced myself. It is called “Caesar’s Crown” and I made an example of a similar block to publish in an article about the many Bibilical Quilt Blocks I have discovered. There is a very large file about this topic on our main website: Quilter’s Muse Publications.

Caesar's Crown quilt
Caesar’s Crown Quilt seen in Chester, Vermont, May 2011

All of the quilts in this show were an inspiration and a total delight. I have published some exceptional examples and I am so thankful that owners of old quilts continue to bring them before the public eye. This increases awareness of their importance and calls to mind the work of our ancestors within a context. Thanks again to all who participated in this event. By no means have I published all the photos I might have shared, but did want you to see a smattering of them. Perhaps you will plan on attending this great event next year!

Patricia Cummings, quilt historian, pat@quiltersmuse.com
Photos courtesy of James Cummings, copyright 2011, All Rights Reserved.

Amazing Circus Themed Crazy Quilt at the Quilt Complex

Monday, May 9th, 2011

Today, Julie Silber who is an active preserver of quilt history through all of her many activities from film producer to curator to quilt collector/quilt dealer (and fun auctioneer for the American Quilt Study Group’s seminars), has come up with an amazing Crazy Quilt that previously belonged to Mary Strickler. Below is a full-size view of this extraordinary piece. I am amazed that in my personal collection, I have one of the prints of children. I love the large size pieces of fabric that show children and animals and I just adore this quilt! Hope you enjoy seeing it! Thanks to Julie for permission to post it here. I appreciate all of her efforts and those of her helpful partner.

Crazy Quilt from the Quilt Complex
Overall view of a beautiful Crazy Quilt. The fun, however, lies in the details. Be sure to visit all of the many close-up photos at Julie’s site:

http://blog.thequiltcomplex.com/

You can read much more about the theme of Victorian Crazy Quilts on my website: Quilter’s Muse Publications. I have enjoyed making this style of quilt for many years now, have taught Crazy Quilting as a workshop to guilds and Community Education participants and have had some of my quilts published in Miniature Quilts (out of business and formerly published by Chitra Publications) and The Quilter magazine articles. Very fun, indeed! Just key in the words, “Crazy Quilt” in the search engine on our main website. Enjoy!


For Kindles

The full length film of “Hearts and Hands,” first produced by Julie Silber, Pat Ferrero and the late Elaine Hedges, may still be available directly from Julie Silber. It is a wonderful film. Don’t miss it!

Contact info for Julie:

Julie Silber
The Quilt Complex
P.O. Box 729
Albion, CA 95410
707-937-0739

Patricia Cummings, quilt historian, and one of the first regional quilt coordinators (1993-1994) for the American Quilt Study Group

In Love with Beads

Friday, February 25th, 2011

Beads are found in many cultures and have uses that range from religious intent (prayer beads; rosaries) to those that are fashioned to be decorative accessories. When I browse in an antique store, I never know what will catch my eye and end up being what I call a “soul purchase.” I found such an item when I first spotted an elegant clutch purse, clearly an antique, in a rich magenta hue. It is decorated with sequins and beads, and has a satin ruffle at the top edges. It has straps that allow it to be worn over one’s shoulder. I was very caught by the wonderful embroidery motifs, wrought in silk buttonhole twist thread and metallic thread. The designs are very reminiscent of Crewel embroidery designs.

purse

After picking up this purse from the counter, I could not leave the shop without it.

Crewel embroidery is always intriguing, particularly when it is well done. I’ll refresh your memory by showing you another piece I collected some time ago (from the same shop).

fire screen

I’m particularly partial to fire screens and this one is gorgeous.

Getting back to beading, after taking a class with Nancy Eha and purchasing the tiny book she sold at that class (years ago), I made this miniature Crazy Quilt and added beads a la Nancy!

miniature crazy quilt

I love Crazy Quilts!

Lastly, I would like to tell you about a shop that is “new” to me: that is, my awareness of it. Judy Bush has a beading shop in Deerfield, New Hampshire (my home town)! Now that I know that the shop is there, I will plan to visit when the weather is better. In the meantime, you can have fun visiting her on the web: Bush Bead Shop Be sure to watch the video!

It is a gray day but there is sunshine in my studio. How about you?

Patricia Cummings
Quilter’s Muse Publications

Seeing Stars: Lovely Quilts

Sunday, January 16th, 2011

PRESS RELEASE

Laura Fisher’s
FISHER HERITAGE
305 East 61st Street New York, NY 10065
telephone (212) 838-2596 email: fisherheritage@yahoo.com web: www.laurafisherquilts.com

SEEING STARS
Star Quilts Abound in NYC at FISHER HERITAGE and at AFAM

Stimulated by the American Folk Art Museum’s graphic exhibition of antique quilts called “Super Stars” now on view at their Lincoln Square location, NYC Americana dealer Laura Fisher reviewed her own inventory and discovered an abundance of diverse star quilts in various configurations, colors and eras to satisfy any shopper eager to finally own a great one!

Bowmanville Star Quilt

Bowmanville Star Quilt

Russian Sunflower quilt

Russian Sunflower Quilt

String Stars Quilt

String Stars Quilt

Compass Quilt

Mariner’s Compass Quilt

Chintz quilt

Chintz Quilt

Feathered Star

Feathered Star

Hexagon Star Quilt

Hexagon Star Quilt

Star of Bethlehem, Lone Star, Star of the East, Crazy Star, Aunt Eliza’s Star, Morning Star and Northern Star are some of the picturesque names for this perennial, desirable icon. Other quilts offered by Fisher include Amish and Mennonite stars, quilts with tiny pieces or one bold central element, early 19th century chintz and trapunto rarities, and stars on light or dark backgrounds, in cotton, wool, or silk.

The Museum considers stars “an enduring motif in American quilts.” Traditional examples contain six or eight points or ‘arms’ traditionally pieced of diamond shapes arranged by color and print. In Fisher’s collection are many uncommon examples: stars pieced of squares or triangles; or in only solid colors; combined with satellite stars that fill the entire quit surface; or intensely pieced. Stars appeared in quilts as long ago as the mid-18th century and over time may have been the pattern most frequently created. Today thanks to computers, of course, star pattern innovations are possible that were unimaginable to quilt makers in the preceding three centuries. At both “Super Stars” and in Fisher’s gallery you will be able to see at close range many diverse and well crafted examples of this most enduring and exuberant quilt heritage.

FISHER HERITAGE is in the Hayes Fine Arts Storage Building, 305 East 61st Street, open Monday through Friday (not on weekends) from 11:00-ish to 4:00, or by appointment. During Americana week the gallery will be closed on Thursday morning.
Contact: Laura Fisher (212) 838-2596 January 2011

Largest, most diverse, well-edited selection in the U.S. of antique quilts, hooked rugs, rag carpet, paisleys, Beacon/Navajo blankets, Marseilles bedspreads, textiles and utilitarian American folk art.
Introducing FISHERHERITAGE, custom larger size hooked rugs in traditional geometric patterns

This announcement is brought to you courtesy of Quilter’s Muse Publications, your home for reliable quilt-related information on the web.

Quilt Index

Sunday, January 16th, 2011

The University of Michigan offers online photos and descriptions of quilts via a program known as the Quilt Index:
http://www.quiltindex.org

Not too long ago, I participated in their Signature Quilt Pilot Project that sought to document Signature Quilts from across the country. The quilt I collected in the north country of New Hampshire has thirty blocks and was fashioned, probably after its initial construction, to fit a four-poster bed. To create cut out corners on the bottom, you can see that the block design on each side was compromised.

Here’s a photo:

Odd Fellows Signature Quilt

Also curious is the addition of an Irish Chain patch in green and pink fabric in the top row.

To learn the details of this quilt, please visit: http://www.quiltindex.org/search.php

Once there, scroll down the page to “Contributor” and choose “Signature Quilt Pilot Project”

On the page that brings you to, click on “Odd Fellows Signature Quilt”

There are details on that page and if you click on “See full record,” you will be able to view a large picture of the quilt as well as selected close-up views.

The Quilt Index is of immense help to researchers and is a service to members of the general public who enjoy viewing quilts online. I was happy to contribute to this study, and I hope to follow-up with more research on this particular quilt when the time is right.

Patricia Cummings
Quilter’s Muse Publications

Addition to Website

Saturday, October 23rd, 2010

This morning, I add a new article to my website:

http://www.quiltersmuse.com/a-wonky-antique-quilt.htm

If you “like” my Facebook page, you will have already been advised of that fact. However, I know that many of my blog readers do not belong to Facebook, so I mention it here again, for them. Enjoy!

Patricia Cummings

To be a part of the Facebook page for Quilter’s Muse Publications, please check the front page of our website: Quilter’s Muse Publications and click on the appropriate link. Thanks.

Quilts of Note from Two Quilt Shows Today

Sunday, October 17th, 2010

Today was an absolutely gorgeous day! The sun was shining, the foliage was showing off, and Jim was eager for another road trip, so we headed for Massachusetts: Lexington and Sudbury, to be exact. Wow! What treasures awaited us in both locations. here is a small sampling of the quilts we both enjoyed.

Lexington, Massachusetts

Lexington, Massachusetts is the site of “the first shot heard ’round the world,” the birthplace of the American Revolution. What a beautiful town, loaded with tourists and locals, enjoying the day in the park areas and along the Main Street at indoor and outdoor restaurants. The quilt show there today, sponsored by the Rising Star Quilters Guild, was set up in an ambient old building called Cary Hall. What a great location!

Attitude Girl with a Checkered Past

This quilt by Mary D’Amico is titled, “Attitude Girl with a Checkered Past. It is machine pieced and machine quilted and brought a smile to my lips. I love quilts with words!

Tennessee Legacy

“Tennessee Legacy” is a quilt made by Delores McCravy, based on an old family photo, circa 1916, that shows a similar quilt. The quilter machine pieced and hand quilted this quilt after drafting 20″ Feather Star quilt blocks with LeMoyne Star centers.

Antique scrap quilt - 19th c.

This 19th century scrap quilt is currently owned by Tricia Rosenthal. It was found among her mother’s grandmother’s household items. Tricia’s mother, who is now 88 years old, has given the quilt to her. It was hand and machine pieced and hand quilted. Many fabrics are included in this wonderful old quilt that is a joy to view!

Overview of exhibit

This is a view taken from the balcony at the Lexington show.

Sudbury, Massachusetts

The Wayside Quilters Guild show featured quilts of all sizes and was a wonderful display of member talent.

Sunburst

This quilt by Mary Leonard is called, “Sunburst.” It was my favorite in the show because of her precise workmanship and beautiful use of color.

miniature

This miniature quilt by Betsy Athan was begun in a class with Diane Loomis. It is a miniature quilt and I have never seen such small stippling work, in my life. It is simply amazing! The feather pattern was transferred by use of a stencil.

Cardinal View

Rita Sassaman calls this quilt, “Cardinal View.” The original design of the paper pieced pattern is Erin Wilcoxon who published the pattern in Quiltmaker magazine, Nov/ Dec ’04 issue. I like this quilt because both the male and female birds are represented. Lovely piece.

French Country Inn

This quilt was made by quilter, Ann Moses, from a pattern, “French Country Inn” by Tracy Brookshier.

It is wonderful that the organizers of this show encouraged members to acknowledge the names of professional designers, and professional quilters who finished some of the quilts!

Flowering Vines

Last, but not least, is a quilt that Jim really enjoyed seeing. The quilt was made by Jane Harris and was quilted by Liz Thomas. Jane calls the quilt, “Flowering Vines,” and she gathered fabrics for it while enjoying a trip to the Oregon coast. The pattern is by Becky Goldsmith and Linda Jenkins who own the company, “Piece O’ Cake Designs.”

Thanks for coming along with us to see more inspiring quilts!

Pat & Jim

Cora Garner and Her Quilts

Friday, October 15th, 2010

Cora Garner, known by all as simply “Aunt Cora,” lived on a farm in Arkansas with her brother, Hampton. They raised white and sweet potatoes and cotton, at least some of which was processed right on the farm for use in making some of her many quilts. Cora lived to be 100 years old and died about 7 years ago (in 2003), according to sources. She was known for her caramel frosted spice cake decorated with pecans which she was fond of making at Christmas time to give as gifts. Her brother would cut fresh mistletoe to adorn the package.

Cora Garner

Cora Garner in a photo c. 1981

Today, I was sent photos of a sampling of Cora’s quilts. She was a prolific quilter who gave many of her quilts to others. The photos seen here represent quilts made during the 1940s, primarily. An overview of the types of quilts featured here, in portions and close-ups, are: a Star Quilt, scrap quilts including a Spider’s Web quilt, two Drunkard’s Path quilts, a pieced quilt that represents a black Terrier similar to the one owned by President Franklin Delano Roosevelt (“Fala”), a hexagon mosaic quilt, a quilt with pieced hearts, and a quilt with embroidered state birds.

Star quilt

Star quilt

Pieced blocks with black Terriers

hexagons and Baptist fan quilting

See the hexagon mosaic units within this heavily quilted quilt with Baptist Fan hand quilting (Cora was a Baptist, by the way)

Spider Web quilt

Spider Web quilt with Nile Green fabric indicates a circa 1940 date

Drunkards Path

Cora made two Drunkard’s Path quilts in a seemingly most unusual manner. I wish I could see this quilt in person to ascertain whether or not the yellow curvilinear strips are pieced or appliquéd.

A second Drunkards Path quilt

For one of Cora’s Drunkard Path quilts, she used feedsack cloth from her farm

Pieced hearts quilt

To me, this looks like “Pieced Hearts”

state birds quilt

This Cardinal is just one of many state birds on her quilt

I hope that you enjoyed this small glimpse of the work produced over a lifetime of quilting by Cora Garner of Kingsland, Arkansas. Many thanks to the individuals who made this short article possible.

I love the Spider Web scrap quilt pattern and have five or six quilts in that design when I was first quilting. They are a great way to use scraps! I referred to the following book:

Patricia Cummings, quilt historian
Quilter’s Muse Publications

Antique (and New) Firescreens with Textile Inserts: A Discussion

Monday, October 11th, 2010

Yesterday, at the Monadnock Quilter’s Guild Show, I spotted a beautiful firescreen that was recently made by Donald A. Dunlap, a cabinetmaker from Marlow, New Hampshire. Paula Robertson machine pieced and hand quilted an insert for this piece, calling the finished product, “Grama’s Fireplace Screen.”

Dunlap firescreen photo by James Cummings

This charming firescreen is a joint effort of Donald Dunlap and Paula Robertson

To see an antique firescreen, please visit a file on our website: http://www.quiltersmuse.com/american_independence_museum.htm This is a reprint of an article I wrote for a newspaper a few years ago. The firescreen mentioned has a very neat story to go along with it that involves the “Gliman legend.” You won’t want to miss it.

Just recently, we were visiting another historic home that will be featured in an upcoming issue of The Quilter magazine. They, too, have a firescreen, and I heard once again from the docent about how women used these items to keep their make-up from melting. Supposedly, and reportedly, they wore make-up to hide smallpox scars. This appears to be another myth.

The Daughters of the American Revolution mounted an exhibit in 2007, and as you will read in the article about the American Independence Museum, I mention Lucinda Cawley’s online post that said that the DAR stated that American women rarely wore make-up and that firescreens were not common to Colonial households.

Often, in dealing with historical topics, it is often a matter of what people wish to believe. As I have said countless times, we cannot possibly know, with any certainty, if particular facts are true or not, without perhaps holding a seance.

All that aside, I love firescreens, and the ones I have seen so far have been charming, each in their own way. At the very least, firescreens allowed women to sit close to the fire without feeling a blast of heat on their faces.

Hope you enjoyed Columbus Day weekend!

Patricia Cummings
Quilter’s Muse Publications

Image of Antique Quilt Raises Questions

Monday, October 4th, 2010

This past weekend, I received a complimentary copy of the July/August 2010 issue of Love of Quilting magazine. Immediately, I turned to Gerald Roy’s column on antique quilts and was very surprised at what I saw!

Roy describes a quilt that he acquired about 10 years ago. At the time, he turned to Joyce Gross for more information about the maker, who is identified on the back of the quilt as “Bertha A. Mackstroth of Glencoe, Illinois.” The label further says “Casa Tranquilla, 1933.” This woman apparently was nicknamed “Birdie,” and lived from 1875-1960. Roy went on to describe the use of yellow on white coloration in the quilt and the significance of colors which he interprets in a liturgical sense.

quilt

Jim Carroll’s antique quilt, as seen at Sugar Hill, NH in 1995

Now, here comes the mystery. I saw this very same quilt pattern, in a different size, in 1995. It was displayed in a church at Sugar Hill, New Hampshire where James Carroll had set up a free/ ‘donations accepted’ exhibit of some of his remarkable collection of antique quilts. I was intrigued by this quilt, as well as another “maverick quilt,” (thanks for the term, Julie Silber), that hung in the show. I asked permission to take a photo and the photo seen here is the result of using the only camera we had at that time, a Polaroid Spectra.

The two quilts, that is, the one shown in the article and the design elements of the one presented here, seem identical to me, with one exception. The quilt owned by Gerald Roy measures 50″ x 81″ and the one owned by James Carroll was much smaller, if memory serves me. Did the same quilter make both quilts? Is there a published pattern lurking somewhere? Or, did an admirer copy the design to make a smaller version? Inquiring minds would love to know!

The study of quilt history is never something that is static or etched in stone. It is ever evolving as quilt historians share information and compare notes, as I have just done. Another mystery to solve!

By the way, I love this quilt! The thought of appliquéd bats on the borders is a charming touch!

Patricia Cummings
Quilter’s Muse Publications

Is This Piece of Old Toile “the Real McCoy”?

Sunday, October 3rd, 2010

When Christopher Moziakk went to a garage sale, he was merely looking for a frame. In disassembling the frame, a card fell out that identified the fabric in the frame as an English toile print from the Seymour collection, circa 1760. He sent a photo, explaining that the frame had been sitting out in the rain, and thus, there is water damage to the fabric. He wrote to ask if I think the fabric is authentic.

old toile of Chris Moziakk

Piece of old toile cloth found in a frame

Now, I know that some of you love the mysteries I present here often. I have a few books about toile – okay, I’ll come clean, I have as many in-print books as I could find about toile when I was writing an article for The Quilter magazine a couple of years ago. If you have other earlier print sources and happen to find proof of this particular fabric print in one of those books, before I do, please let me know!

This will be fun to try to hunt down!

10/4/10: I have looked through four books on toile, one of which has many English prints, and I have not found a duplicate fabric. If this piece of toile is, indeed, from 1760, it would be a very early one. Francis Nixon invented copperplate printing in 1752 and did not share his technique of printing fabric with copper plates with England until 1755. Of course, “circa” can mean a date within 10 years on either side of a specific date. At any rate, it is a guess. A fellow quilt historian mentioned that one of the hats looks more like a 1780 style to her. Anything is possible. What a find!

Update on 10/21/2010: This particular toile has been identified as an 1820 English toile that is sometimes falsely attributed to a Massachusetts resident who lived between 1733 and 1788. Scholars believe that it is a copperplate print, not a wood block print. Copperplate printing machines were large and heavy and were not generally used in the production of home printed fabrics. The images on the cloth itself, namely a woman fortune teller and quasi-military scenes, suggest a date of post 1800. This information was shared by Stephanie Hatch, quilt historian, who states that a piece of this cloth is owned by the Peabody Essex Museum and other museum sites.

Patricia Cummings
Quilter’s Muse Publications, a website that features a lengthy article about toile