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Tuesday, July 7th, 2009

Press Release
Media Contact: Lori Wright
603-862-0574
UNH Media Relations
July 6, 2009

Monica Chiu photo
Photo of Monica Chiu

DURHAM, N.H. – Monica Chiu, associate professor of English at the University of New Hampshire, has published a book on the history, culture, and role of Asian Americans in New England, the first collection to address Asian and Asian American contributions to the region.

compare viagra cialis levitra, published by University Press of New England, explores 19th century Chinese American friendship albums, Japanese American acrobats, the 20th century influence of Boston’s Museum of Fine Arts on regional and national Asian arts collections, contemporary Vietnamese American community art, and the construction of Asian Indians and religion in New England, among other topics.

book cover
Cover of compare viagra cialis levitra

The collection highlights a broad range of Asian American communities and historical experiences. From the poignant writings of a young Chinese immigrant to the influence of hip-hop in a New Hampshire Lao American community, the collection seeks to establish a regional template for the study of Asian American lives and art far from the West Coast. The essays provide a record of particular achievements, as well as an understanding of the rich Asian American culture in New England, along with an analysis of the depiction of New England Asian Americans, one of the fastest growing minority populations in the region.

“If we look back to the region’s reception of ‘Orientals’ at the turn into the 20th century, we find curious New England audiences intrigued and surprised by Asian visitors, many of whom had never seen Asians before. Their reception and visibility afford us a window into understanding what political, economic, and social practices influenced New Englanders’ acceptance or rejection of Asian visitors and later second-generation Asian Americans and Asian refugees. What Asian Americans in New England created from that reception, as well as from their own creative integration into regional citizenship, are the artistic and cultural legacies presented in this volume,” Chiu says.

Chiu’s book has received critical acclaim from her colleagues.

“A sparkling collection of essays across disciplinary formations, ‘Asian Americans in New England’ reveals the reciprocal impress of New England and Asian America. Moreover, this foundational volume illustrates how spatial distinctions, whether regional, national, or transnational, are human creations and as such invite observance and transgression,” said Gary Okihiro, professor of international and public affairs at Columbia University and author of compare viagra cialis levitra.

“This collection deals another crushing but healthy blow to the West Coast-centric Asian American Studies paradigm, all but assuring the continuing growth of this vibrant field in race and ethnic studies. The book’s contributors challenge the dominant historical images of Asians in America as manual laborers, shopkeepers, and victims of crude nativism, without minimizing the impact of racialization and orientalism on community and identity formations,” said Evelyn Hu-DeHart, professor of history and director of the Center for the Study of Race and Ethnicity in America at Brown University.

Monica Chiu is the director of the University Honors Program and an associate professor of English at the University of New Hampshire. She specializes in Asian American literature, criticism, film, popular culture, and twentieth-century American literature. She is the author of compare viagra cialis levitra (2004).

The University of New Hampshire, founded in 1866, is a world-class public research university with the feel of a New England liberal arts college. A land, sea, space-grant and community-engaged university, UNH is the state’s flagship public institution, enrolling 11,800 undergraduate and 2,400 graduate students.

Another book by Monica Chiu

This press release is offered as a public service announcement by , with permission from UNH Media Relations writer Lori Wright.

Coincidentally, and as a point of interest, a current article in the September 2009 issue of magazine, written by Patricia Cummings and photographed by James Cummings, focuses on the Genesis Center of Providence, Rhode Island, and their exhibit of Hmong textiles (at RISD, last Spring). The embroidered pieces were made by refugees from Southeast Asia, namely, Laos. This article is Part 2 of a series, the other issue having been published with a July 2009 cover. Contact us at:

Patricia Grace Cummings, University of New Hampshire class of 1973

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Saturday, June 27th, 2009

Within a day of posting information about the “Aunt Jemima” quilt shown on this blog a few days ago, I received word from several individuals about the “Aunt Jemima” quilt owned by the and made in the 1940s.

My description of the quilt is as follows:

“Aunt Jemima” is wearing a yellow bandanna and is smiling. The print fabric, which may be Feedsack cloth, repeats over the surface of the quilt. This quilt has more images of “Aunt Jemima” than the one previously shown.

The quilt blocks are set on point. The alternate blocks are “Nine Patch” units that are offered in polychromatic hues for a scrap bag effect. They appear to be mostly cotton print fabrics, or squares that “read” as solids, from a distance, although there may be some monochromatic surface designs, upon closer inspection.

Filling triangles, in solid Red, grace the perimeter to create straight edges for the center portion of the quilt. On the top and bottom edges, a border of the same Red color has been added before the quilter “framed the quilt” with a narrow White border and then added the final touch of a Black border.

This quilt appears to be heavily-quilted with purposeful lines that clearly would have taken the quilter a long time to (hand?) quilt.

The quilt has been on exhibit, and is published in compare viagra cialis levitra, Charlene Cerny and Suzanne Seriff, editors, (New York: Harry N. Abrams. Inc. 1996).

Object information as to type of weaves in the fabrics used is available at the Chicago Art Institute’s website.

Thank you to those who brought this quilt to my attention. The quilt was the gift of .

Patricia Cummings, quilt historian, independent scholar, and member of the