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Thursday, July 28th, 2011

A reader sent the following photo of a “mola dress” she purchased on the Internet. She asks if it is “authentic” or if she should cut it up to use in making textile art.

mola dress
Mola “dress” sold in Panama

This dress has a tag inside that says: “Seds Crafts”
MOLAS
PANAMA
P.O. Box 6-8789
Panama 6 Panama

60% cotton & 40% Polyester
RN-80079

My response to Pam is one of surprise. In my vast studies of molas, traditionally made by the Kuna Indians who live on archipelagos off the coast of Panama, I have never seen anything like this dress, attributed to them. No doubt the dress was manufactured in Panama but it seems to be a spin-off, based on Kuna designs, but perhaps not made by them, any more than the tee-shirts with printed mola designs. I suggested that she “hang onto the dress” and not cut it up for re-use. Perhaps some of my friends who are mola dealers and sell on e-Bay and elsewhere can shed more light on this topic. As for me, this is the first time I’ve seen anything like this!

Update: I just found the answer! I checked e-Bay and found this statement on auction #260816508840 that features another Kuna-Indian inspired garment:

viagra usa on their clothing. This garment was designed and made by “Sed’s Crafts Molas Panama.”

Patricia Cummings
, a website that has comprehensive and the Kuna Indians

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Wednesday, July 27th, 2011

After accessing a music file on our website, “,” Mehdi Mehtari has written the following note:

Hi,

I was visiting your page about the song “Mi Caballo Blanco” that I noticed you have not mentioned the Persian version of the song written and performed by Fereydoun Farrokhzad.

Another version is performed by Saeed Mohammadi

Here are the Persian lyrics:

اسب سفید من مهربان و رام است

اسب سپید من چون کودکی آرام است

ای دریغ از هر چه دادم برای دوست

اسب خوبم، اسب خوبم، رفیقم اوست

یال سپید اسبم روشنایی راه است

چشم سیاه اسبم چون حفره های ماه است

هر جا که خسته هستم یا غرق حسرتم

پابند مهربانی اش حتی در غربتم

آن کس که دست من را در دستش می فشرد

مرا به دست غم داد به فراموشی سپرد

ای دریغ از هرچه دادم برای دوست

اسب خوبم، اسب خوبم، رفیقم اوست

The English translation:

My white horse is as kind and well-behaved as a child
I regret for whatever I spent for my disloyal friends
My good horse, he is my faithful friend
His mane lights up the way and his black eyes resemble the holes on the moon
Whenever I’m tired or upset, I remember his kindness and loyalty even in exile
The one who held my hand as a friend , left me in difficulties and problems
I regret for whatever I spent for my disloyal friends
My good horse, he is my faithful friend

Best Wishes,

Mehdi M.

—–
Dear Mehdi,

Thank you for your message.

In receiving this note, it is nice to again realize that I am part of a global community of scholars who love to share information. I found a lip-synched version of the Farrokhzad song: and a biography about Fereydoun Farrokhzad, Ph.D., an Iranian anti-cleric activist who was studied in Germany and was murdered there. Read more about his life on wikipedia:

—–

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Thursday, July 14th, 2011

An article about the ancient tradition of bundling has generated a lot of interest since I researched the topic and wrote about it for magazine in the July 2007 issue. is in place at Quilter’s Muse Publications.

In this blog file, I share four of the letters that I have received.

Hi,

I just finished reading the fascinating article you wrote on bundling. At the end, you asked if anyone had more info on it they should contact you. I have one tidbit you didn’t mention.

In the 2000 movie “The Patriot” starring Mel Gibson and Heath Ledger, Heath’s character “Gabriel” was in love with the daughter of a merchant who gave the rebels supplies. When the militia troops, of whom Gabriel was a member, stopped in the town to resupply he asked permission to court the girl from her father, and that evening the mother of the girl sewed him into a “bundling bag” – Gabriel thought it was a “fine” tradition. The girl’s father on the other hand was concerned because he remembered that when he was courting his wife in the same manner; apparently there was some hank-panky going on. She soothed his feelings by telling him, “Don’t worry. I sew better than my mother did.” :) ) laughing

Just thought you might like to know.


Second letter:

I read your article in the July issue of THE QUILTER with great interest. I have recently become interested in this subject after seeing it depicted in the movie THE PATRIOT and also after being told by someone that a family in our area still practices bundling! I am skeptical as to whether or not this is true as the woman is quite a gossip.

Being a practicing Mormon I feel the practice is playing with fire as we believe that sexual relations should only take place between married people. Even though my husband and I have never had sex with anyone else and we were both virgins when we married, I don’t believe we could have “slept” next to each other during our engagement and remained chaste! Why play with fire?

Nevertheless, I am still fascinated by the subject– I think because I am a history buff and want to research everything interesting–especially in early American history. I have a question for you and thought you might be able to answer it given your status as an “avid quilt history researcher”. I have been looking for this for years and can’t seem to find where I read it. Somewhere I read that a certain group of people would make a small (maybe 36×36) all white hand quilted quilt to place on the “wedding bed”. I assumed this was for a couple whom had not lived together or had sex outside of marriage. It was saved and used for their “first time” as husband and wife. I believe the article mentioned that it was intended to be laid across the top of the blankets. Even though I could not locate the original information on this practice I made one for my son and his fiance for their wedding night. I used all sorts of symbolic symbols for the quilting pattern–dogwood blossoms because they met in Virginia, cherry wreaths because they were married in Washington DC, hearts of course for love, doves for peace and a huge basket of fruit to symbolize fertility. I want to enter this quilt in a local quilt show and would like to include some correct information on this practice if possible.

Any information you could give me or lead me to would be greatly appreciated. Thanks for your wonderful article on bundling. I enjoyed it very much and have saved it for future reference should I ever need it.

Third letter:

I wouldn’t go so far as to say that bundling or bed courtship is the reason that *many* have left the Old Order, but it certainly is a consideration for some. My friend and her husband were married in 1972, I believe, so their experience would be later than your example in PA. It’s one of those things that everyone knows about but can’t be documented unless you’re very close to someone who’s practicing it. I don’t know many Old Order Amish so I can’t give you any more help than that.

I forgot to mention that I’ve never heard of the bundling boards or bolsters. They may have existed in earlier years, but now I believe that the tradition of bed courtship is so strong in some Amish churches that no attempt is made to maintain innocence.

There is a lot of immorality in general among the young Amish people in Geauga County; drinking, smoking, drugs, etc. Several groups of concerned Amish have actually moved away from this community to remove their children from bad influences. (Geauga County has somewhat of a ‘bad reputation’; not all Amish communities are like this one.)

A very good book for you to consider is viagra usa by Stephen L. Yoder. He was a Beachy bishop (recently deceased) from Indiana who addresses many of these issues, including bundling. In fact on page 83 he lists “bundling among youth” as one of the four main reasons that the New Order Amish church was founded in Holmes Co., Ohio in 1967.

Fourth letter:

Dear Pat,

I came across your essays on bundling today, so I thought I would send you a link to what I’ve written about the subject… I had no choice but to practice “bed courtship” when I was young. Well, I did, but then I would have dated no one.

To read what I’ve written, you can visit:

I also have some about this in my new book, viagra usa.

All best,

Saloma Furlong

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Friday, June 24th, 2011

St. Augustine Light

Charlotte Croft of Vermont has sent us a very artistically done photo of the St. Augustine Light in Florida that she took as she headed back north on her vacation. In looking up the history of this site, now open to the public as an historic area, it seems that it has quite a background including paranormal sightings. The old lighthouse has been featured in such TV programs as “Ghost Hunters.” Read all about the lighthouse and its former inhabitants and history at the following online file:

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Saturday, October 9th, 2010

10/10/10: This note just arrived from a reader about this quilt mentioned on this blog last year:

tree of life

Hi Pat,

We noticed your post about a particular “Tree of Life” quilt last year:

We also posted about the same quilt which was made for a raffle this year:

. We came across your post by chance, and saw that it was the same pattern as the raffle quilt. Very pretty.

We thought you might also be interested to know that we stumbled upon the vintage quilt kit recently. We added the links, at the bottom of the above post. Mystery possibly solved?

Best,
~Marina & Daryl at Quilt Inspiration

ps. Comments to your post were closed, so we’re sending this email instead.

What a wonderful blog resource is “Quilt Inspiration.” You will not want to miss their tutorial on making the “New York Beauty” quilt… and much more! Thanks, Marina & Daryl!

Be sure to see a post by “Wonky World” about the evolution of New York Beauty quilts:

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Tuesday, September 28th, 2010

First of all, I’ll tell you a little bit about Quadriga cloth.

Quadriga cloth is printed cotton fabric that was produced and sold by “E & W.” What do the initials represent? They stand for the Ely & Walker Dry Goods Company that originated in St. Louis, Missouri and added branch offices in other parts of the country. In one ad in which the company offers a free catalog of 32 favorite calico prints, the mailing address was 823 E. Holmes Rd., Memphis, TN 38116. The clue here is that the address offered includes a zip code, so that is a clue that the company lasted beyond just the 1940s and 1950s. Indeed, in 1954, Burlington Industries bought the company and continued selling Quadriga prints until the 1970s, according to Barbara Brackman’s book, viagra usa.

The late Joan Kiplinger was very fond of Quadriga cloth, as am I. She wrote a file about it here:

The file I have posted on my website is about a quilt that was made into a kit composed of Quadriga fabrics. I would be delighted if I ever found an unfinished kit of this type, or even a finished quilt. You can see the pattern and read about its background on my website:

Today, I received this letter from Candace Landerman:

Hi Pat,

I happened upon your site in the hunt for some info. about a fabric purchase I made today. I happened into my local thrift shop and although I’ve never seen fabric for sale there, today there was a basket of older looking fabric. The piece I bought was the only “quilting” type cotton. It feels very nice and good quality. I assumed it was a 1930s reproduction fabric, since they’re all the rage now and happily bought it and took it home. I didn’t recognize the manufacturer name and Googled it and found that’s it’s very likely that this is actually vintage fabric. Although I’ve not found this exact pattern in the fabrics on the net, it sure looks like all the others posted. It’s in awesome condition, no fading that I can see and the tag says 9 yards of it. Did I do good? Thanks for your help!

Candace Landerman's Quadriga cloth

Nine yards of a Juvenile Quadriga cloth print

close-up

Close-up view

My Reply:

I told Candace that she not only did “real good,” she hit the jackpot! Quadriga cloth is authentic vintage fabric. She is lucky to find so much of it and that it is in good condition. I suggested that is she wants to use it in a quilt that she add it as a backing and tie the quilt layers together, using a thin needle and embroidery floss for the ties. To my way of thinking, this would be a better course of action than cutting the fabric into small pieces. This way, the quilt could also be “reversible.” Just my opinion.

By the way, as a point of historical trivia: David Davis Walker, co-owner of Ely and Walker, was President George Herbert Walker Bush’s great-grandfather!

To see swatches of Quadriga calico and Quaker Chintz prints, please visit Leigh Fellner’s site:

Patricia Cummings

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Saturday, September 18th, 2010

Roger Chidester of Frederick, Maryland loves to restore old sewing machines that most people would probably rather trash. He states, “I never restore a machine viagra usa it is in very bad condition.” Within the past few days, he has sent me some before and after photos of his work. I hope that you are as amazed as I am.

Gold Medal sewing machine 1868

He worked from an advertiser’s sketch to re-create the beautiful designs on this machine made by Johnston & Clark.

When Roger told me that he liked to repair machines, I envisioned someone who could clean out lint, oil, and perhaps adjust the tension on a sewing machine. I am sure that he can do all that, but much more! He recalls trying his hand at quilting in his mother’s living room where she would set up a quilting frame for the winter months. He was a mere teenager at the time but alas, that was 50 years ago!

1871 Singer Model 12

Anyone else might run away from a machine that looks like this one!

1871 Singer after restoration
Look at this beauty! One would hardly believe it is the same machine.

Chidester likes to bring machines back to working condition and has had clients worldwide. For right now, he tells me that he has a few of his own machines to fix up. It is a time-consuming and painstaking labor of love.

Most people would throw away something that is old, rusty, and does not work. To Roger Chidester, these sewing machines are a challenge and an obvious joy to bring back to their original condition. We are thrilled to learn of his work, particularly because we are old Yankees in the truest sense of “waste not, want not.” Many thanks to Roger for providing these great photos!

Patricia and James Cummings

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Monday, September 13th, 2010

We received the following letter on 9/12/10:

Hi Pat,

I just discovered your website about barkcloth. Thanks so much for the great history.

I recently purchased a piece (see attachments) at a local auction… The size is approximately 7.5 feet x 5.5 feet, and it is two layers as you describe in you description.

Feel free to use the photos if you wish to show another example.

Regards,
Roger Chidester
Frederick, Maryland

close-up of barkcloth

Here is a close-up of the piece of bark cloth that Roger purchased.

To read the entire file that he enjoyed and to see additional photos, please visit:

Thanks for the photos, Roger!

Patricia Cummings

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Sunday, September 5th, 2010

Within the last several days, a number of people have written to ask the same question: “Why do some Redwork quilt have blocks with varying alignments that are not just presented vertically, but may be sideways or upside down?”

First of all, I have not been privy to seeing many Redwork quilts of this kind, but if some do exist, then short of holding a seance to ask 19th century Redwork enthusiasts, “What were you thinking?” – I’ll try to answer, as best I can.

In my opinion, the tradition could stem from the way in which quilt blocks on Baltimore Album quilts were aligned. Here is an example from the Dunton book:

Dunton's quilt

The quilt can be appreciated from many different angles, and in some cases, top and bottom could be made reversible, which would mean that the quilt was not getting more wear on one end.

In the meantime, I have been able to “guess,” from a certain clue given, that the question posed is on a test for the certified appraiser’s training program. Good luck, all!

Patricia Cummings

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Tuesday, July 20th, 2010

We just received a note from a reader. Not having a ready answer, we turn to “other” experts! The fabric in question appears to be an “original” fabric, not a reproduction fabric.

Black girl with umbrella fabric - to i.d.

Our reader is looking for more information about the fabric described below.

Hi Pat,

My name is Patti Schneider and I live in Tulsa, Oklahoma. I’m a Texan by birth (and heart) and my family has lived in Texas from the beginning of time. Anyway, I love your blog “Quilter’s Muse” and I am an admirer of reproduction fabrics. I am writing to you to see if you can help me to identify a piece of fabric from a quilt that my Grannie and her mother pieced by hand back in the 30’s/40’s that my 86 year old aunt just gave me. I have tried doing searches for it on the internet under “girl w/umbrella, negro girl w/umbrella in the rain,” etc… with no luck. I’m hoping with your extensive knowledge in quilts and fabric’s you might have an idea. I’d love to find the history of all the pieces in this quilt. I adore it! It is just the quilt top and I plan to hand quilt when I find the right backing for it. Anyway, any help you may give will be much appreciated.

Thanks, Patti

Dear Patti,

It must be a thrill to receive a handmade quilt top that was pieced by your grandmother. Good luck with tracking down all of the fabrics. That can be an ambitious task when looking at a scrap quilt!

Patricia Cummings

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Sunday, April 11th, 2010

Bluework piece

Antique Bluework block in question

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Thanks for solving the mystery, Sylvia! Intrigued, I have ordered a copy of Rose Lea Alboum index that documents the patterns sold by the Rainbow Quilt Block Company. Rose single-handedly has documented thousands of quilt blocks that are available in various volumes. I own herviagra usa, and viagra usa, but there are others!

The source of that Bluework block has been elusive. Sandra Munsey shared the block that is published on my website and in an article for viagra usa magazine a few years ago. In the interim, Helene A. Middleton of Oregon sent a photo of a whole quilt with 9 large blocks of this same design. Here is a link to the file about .

A series about Bluework that I wrote was published in September and November 2007 in .

Have a great week!

Patricia Cummings

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Thursday, April 8th, 2010

Ann Gee has sent photos of her sewing room, stating that she enjoyed my recent article about the history of pincushions in the May 2010 issue of magazine. I hope that you enjoy this mini photo selection as much as I do.

Sewing items - photo 1

A shelf that holds spools of thread, some of them wooden; a strawberry emery on a thread holder, an antique “sewing chair,” and two Singer sewing manuals

tools of the trade

Tools of the trade: pincushions, an iron, a darning egg, scissors, needle-threader, pincushions, and variegated thread.

decor items

Various antique and country-looking sewing collectibles

toy sewing machines

toy sewing machines

We love to hear from readers. In this case, Jim came to the rescue to figure how to extract “compressed” files. He earns his keep and I am always happy to have him figure out all things computer-eze. My brain just doesn’t think like a computer! I’d like to thank Ann for sending these photos. Seems as though she has an ambient sewing space with all of these neat items!

Patricia Cummings

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Tuesday, March 30th, 2010

Hi Pat,

Just completed this poem and wanted to send it your way for possible use on your wonderful site.

Very blessed wishes for a wonderful Easter to you and yours.

Jane-Ann

Heirloom Treasure

by Jane-Ann Heitmueller

To some they seemed just scraps and pieces Grandma tucked away
deep in her bag of remnants from our families’ work and play.
A plethora of textures, colors, patterns, sizes, shapes,
from Grandpa’s tattered overalls, to Aunt Sue’s flowered drapes.

She kept my sister’s red plaid dress, my brother’s checked pants,
the satin dress my mama wore to her first high school dance.
Saved were old worn out tablecloths and faded aprons, too.
That scrap bag held a rainbow filled with yellow, green and blue.

With patience and rare diligence she worked her skillful art,
as Grandma cut and placed and stitched each precious fabric part.
She labored on through summer’s heat and fall’s fast ebbing light,
determined to complete her task by Christmas morn so bright.

Each square reflected cherished years…
sweet memories to share…
Grandma’s heartfelt and special way to show her love and care.

Dear Jane-Ann,

Thanks for sending this lovely poem. It is our pleasure to feature your work! Happy Easter to you!

Patricia Cummings

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Tuesday, March 23rd, 2010

Dear Sir or Madam,

I am a Hmong from Laos. Currently, I am doing Master in Thailand.

I reached your website accidentally. I am very happy that the Hmong art and history have a permanent place to be storage-they will not be lost any more.
You have done a really good job to save our traditional art and history.

I believe that your site will be a source of learning for the Hmong for century.

Best wish

Peexiong Gniachong
Master of Rural Development Management,

Dear Peexiong Gniachong,

Thank you for your note. I am pleased that you found our that celebrates the Hmong people, their encounters with tragedy, their beliefs, religion, and festivities, and most especially, their needlework. The culture is a very old one, and has many facets.

Many Hmong Americans from Laos whose parents came here after the end of the Vietnam War do not have strong ties to their country of origin, as they never lived there, and never lived the traditional ways of the Hmong. I have told by a number of young Hmong women, who are college age now, that they want to learn to do the Pa Ndau embroideries of their grandmothers.

Much of the Hmong culture is already lost in America, as immigrants have scrambled to learn a new language and way of life. In my web file, my goal was to share traditional embroideries and to provide a glance back to the effects of war, the “camps” in Thailand, and all that your people have suffered just because they befriended Americans and were our staunchest allies during the war against North Vietnam.

Thank you for your letter. Best wishes for continued academic success!

Patricia Cummings

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Sunday, March 14th, 2010

Pat,

I was looking for Eugene Field’s poem about the Gingham Dog and the Calico Cat, ["The Duel"].

I was extremely pleased to see it on your website. The photos of the quilts were just precious.

I am a beginning quilter (Age 72) and have made a few for family members. I just wish one of my grandchildren or great G.C. were familiar with this, and other poems. i.e. “Little Boy Blue,” and one by Charles Kingsley, “The Lost Doll.” My mother read these poems over and over to me when I was a child. I can still see me sitting by her side as she read them. I am adding your address to my contacts, if that is OK with you.

Ruth Forister

We appreciate this reader’s note and hope she visits us often on the web. Thanks, Ruth!

Other poems:

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For more information about this nursery rhyme, please visit:

The other poem, “The Lost Doll,” by Charles Kingsley, can be read on a which states that the poem was used for reading and memorizing by 3rd & 4th grade students in 1920.

Patricia Cummings