Archive for the ‘Poetry’ Category

Quilting – a poem by Patricia Cummings

Monday, August 29th, 2011

Quilting

a poem by Patricia Cummings

August 29, 2011

With wild abandon I still stitch away,
While piles of fabric lay in sheer disarray.
I cannot be neat in the midst of a project
My method of working defies any logic.

A block is too large? I shall just cut it down.
A block is too small? I shall have to add on.
This quilt won’t be perfect, it’s not meant to be,
But when all’s said and done, it’s an expression of me.

So I shall not fuss and I shall not fume.
I am told that for everyone, there always is room.
If not here on earth, then at heavenly gates;
With that goal in mind, I shall toil till it’s late.

Better times are awaiting, I can’t linger here.
But meanwhile my quilting will fill final years.
As beauty surrounds me, stitch upon stitch,
I shall conjure a pattern with which to bewitch.

Content to be busy, with no idle hands,
I shall think of my forebears from faraway lands.
Perhaps they made quilts; perhaps they did not,
I shall never know, exactly their lot.

I envision their lives; some working on looms
or serving as mule spinners in factory doom.
And without much aplomb –
Their dreams quickly were – forever entombed.

And so we continue, their spirits and mine,
Like brambles of roses interwoven in time.
Each day we press on and so it shall be…
each day we are closer – to ETERNITY.

May threads of discordance ever be few
And may all of your quilts contain “patches of blue.”
For Nature surrounds us to always admire
and guarantee joy, as we strive to inspire.

crazy quilt by Pat Cummings - 2007
“Busy” Crazy Quilt by Pat Cummings

Copyright 2011. Patricia Cummings. Quilter’s Muse Publications, Concord, NH. All rights reserved.
Questions? Write to pat@quiltersmuse.com

Philip Freneau’s Poem “The Wild Honey Suckle”: A Discussion

Monday, August 29th, 2011

In 1786, Philip Freneau (1752-1832) wrote a four stanza poem that he titled “The Wild Honey Suckle.” The final verse is memorable:

From morning suns and evening dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
…The space between is but an hour,
…The frail duration of a flower.

Read the entire poem: “The Wild Honey Suckle.”

bonsai flower close-up

The work of Philip Freneau is thought to have been “an early seed” of the Transcendentalist movement, i.e. the works of nineteenth century poets and writers who were friends and were based in Massachusetts, including but not limited to: Ralph Waldo Emerson, Louisa May Alcott and her father, Margaret Fuller, Nathaniel Hawthorne, etc.
The sometimes gloomy poetry often seen during the period is partially based on the high mortality rate due to epidemics and the lack of medical expertise. Alcott, herself, suffered lifelong damage due to poisoning by Calomel, an often prescribed drug.

One of the most startling poems of the age can be seen in the following epitaph:

Oh, careless youth as you pass by
As you are now, so once was I
As I am, so you must be
Prepare for Death and follow me.

African spur-thighed turtle
Time can seem to move as slow as a turtle. This is an African spur-thighed turtle at York Wild Animal Kingdom, York Maine.

Through the ages, poets and writers have shaped the manner in which humankind perceives life and its ultimate outcome, death. Often, the image of a flower is used as a manner of describing the short length of any life. “Gather ye rosebuds, while ye may [...].” Between “now” and “then,” quilters are busy making quilts!

Patricia Cummings
Quilter’s Muse Publications

“I Have a Little Shadow…”

Monday, July 25th, 2011

Hollyhock photo by Jim Cummings
Hollyhock with dew, photo by James Cummings

Ostensibly, one of the requirements for passing third grade in elementary school was to memorize poetry. To this day, I recall the poem “My Shadow” by Robert Louis Stevenson (1850-1894) that is included in A Child’s Garden of Verse published in 1913. Here are the verses:

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head
and I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow–
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller than an India-rubber ball,
And he sometimes gets so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play
And can only make a fool of me in every sort of way.
He stays so close behind me, he’s a coward you can see.
I’d think shame to cling to nursie as that shadow sticks to me.

One morning very early, before the sun was up,
I rose and found the shining dew on every buttercup,
But my lazy little shadow, like an arrant sleepy head,
Had stayed at home behind me and was fast asleep in bed.

Did you have to memorize this poem or any other one in grade school? Just wondering.

Patricia Cummings, “sleepless in NH @ 4:40 a.m.”
Quilter’s Muse Publications

Beautiful Engraving Spotted Unexpectedly

Thursday, May 26th, 2011

In anticipation of Memorial Day, Jim and I went to Murray’s Greenhouse in our home town to purchase flowering plants to plant at the graves of my parents and brother. The greenhouse is an amazing place – so fragrant and full of life with sound of the birds who roost in the rafters and the colors of so many different growing things. The graves are unshaded and need sturdy plants so after looking around we settled on the old standbys of geranium, petunias and argeratum.

The cemetery is about a 40 minute trip. No one else was there. While Jim was preparing the soil, shaking out old sods and adding compost we brought along, my eyes wandered to a flat black granite stone that I had never noticed before. Evidently, the stone belongs to a relative of our nearest neighbor on South Rd. where I grew up. I was drawn to give a closer look at the words written upon it:

Teach me your mood o patient stars!
Who climb each night the ancient sky
Leaving on space no shadow or scars
No trace of age, no fear to die.

R. W. Emerson

I assumed that Ralph Waldo Emerson wrote the poem and I thought it fitting that it appears on a New Hampshire grave because in my research about Ellen Webster, I learned that Emerson had stayed at the Tavern/Inn in Bridgewater, NH, just like so many of other important folks of the day like Daniel Webster, and other poets whose names you would recognize. What a lovely surprise to find this piece of writing for someone like me who loves meaningful words.

Enjoy the holiday weekend, but please take a moment to remember those who have gone before and all of the trials and sacrifices in their lives.

God Bless!

Patricia Cummings
Quilter’s Muse Publications

Happy National Quilter’s Day!

Saturday, March 19th, 2011

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Rhodendron and bee. Quilter’s are always busier than bees, as you may know! Photo by James Cummings

You Know That You’re a Quilter
a poem by Patricia Cummings

You know that you’re a quilter
When your home could be a shop
So filled it is with notions
and cloth from Fabric Hops.

You know that you’re a quilter
When you need a live-in chef
To remind you of the need to eat
When you’d rather just be left…

To mark and cut and piece and quilt
And sing the whole day through.
You know you are a quilter
AND the things you like to do!

Your children sleep under quilts
That you have made with care.
Your husband wears a quilted vest
Even though others stare.

Your toaster sports a cover,
Quilted with your two hands.
As you work on finishing a quilt
yet another one you plan.

The world is prettier still
Due to quilts that you have made.
They adorn every surface
in homes that are humble or grand.

Doll quilts, wall quilts
And bed quilts, too,
Greet visitors and loved ones
And they’re all made by you.

To all quilters now we say:

May your blessing be many,
And your troubles be few.
Take time today to celebrate
All that you do!

Today, in honor of National Quilter’s Day, Quilter’s Muse Publications is offering 20% off on our e-book on CD that explores the life and work of Ellen Webster, New Hampshire’s Early Quilt Historian. No special equipment is needed to read the book, just your own computer.

book cover

Page to view more information: http://www.quiltersmuse.com/ellen-webster-book.htm

Ellen’s life is inspirational. She was an accomplished musician, teacher, college instructor, woman’s club member, and dedicated historian and quilt lecturer who was very much a public figure in the nineteenth and twentieth centuries. No research was done on her life until I conducted a massive research project in 2008. Read more about the product on our website. The price of the book is $19.95 (March 19-22 only) and I will even waive shipping. If interested, please contact me to arrange payment: pat@quiltersmuse.com

Patricia Cummings
Quilter’s Muse Publications

Another Favorite Verse by Robert Louis Stevenson

Thursday, March 10th, 2011

By the way, did you know that the famous sculptor, Augustus Saint-Gaudens, whose former residence one can visit in New Hampshire, created a sculpture to commemorate the life of Robert Louis Stevenson in his home town, Edinburgh, Scotland?

The Land of Counterpane

by Robert Louis Stevenson

When I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay,
To keep me happy all the day.

And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;

And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.

I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.

Note that the word “counterpane” is derived from the French word, “contrepointe” which originated in medieval Latin phrase culcitra puncta which means quilted mattress, according to The New Oxford American Dictionary. Since the 17th century, the word “counterpane” has meant bedspread, although today, it is considered to be an archaic term.

I enjoy learning these interesting points of language as the origins of words has always been a fascinating subject for me. There are those who make this kind of word study their life’s passion. At any rate, it is fun to find poetry that is somewhat related to quilts! Hope you enjoyed this one!

Patricia Cummings
Quilter’s Muse Publications

Childhood Verses

Thursday, March 10th, 2011

Much of the folklore of childhood as well as its perception by adults, in retrospect, can sometimes center on the poetry associated with those long ago days. That idea could be the subject of a lengthy discussion! Suffice it to say that this morning I woke up thinking about a poem that I was required to memorize in its entirety during the first years of my formative Catholic education. Only the first two lines have remained easy for me to recall from memory:

My Shadow

Robert Louis Stevenson (1850-1894)

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head,
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow–
Not at all like proper children, which is always very slow,
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes get so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward you can see;
I’d think shame to to stick to nursie as that shadow sticks to me!

One morning very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.

During the time that my mother was growing up, there was much emphasis put on memorization of poetry and recitation. In fact, she was tutored in “elocution,” a fact of which she was always proud. Her penmanship was exquisite and in the early schools I attended, students were graded on how well they could implement the Palmer method of penmanship. These early forays into expressing the written and spoken word seemed vital to a good education. I suppose that in today’s classroom, this emphasis has probably gone the way of the dinosaur.

Patricia Cummings
Quilter’s Muse Publications

Crazy Quilts: Some Photos and a Poem

Saturday, February 19th, 2011

whole view of quilt

This crazy quilt measures 60″ x 69″ and has two embroidered dates: 1889 and 1929.

Whenever we see dates on a crazy quilt, we cannot be sure of their meaning to the person who made the quilt. Sometimes dates recall a birth date, death date, an anniversary or a special event. Before I share close-up views of the quilt seen above, this poem seems fitting to include here:

A Crazy Quilt

by Douglas Malloch (1877-1938)

They do not make them any more,
For quilts are cheaper at the store
Than woman’s labor, though a wife
Men think the cheapest thing in life.
But now and then a quilt is spread
Upon quaint old walnut bed,
A crazy quilt of those days
That I am old enough to praise.

Some woman sewed these points and squares
Into a pattern like life’s cares.
Here is a velvet that was strong,
The poplin that she wore so long,
A fragment from her daughter’s dress,
Like her a vanished loveliness;
Old patches of such things as these,
Old garments and old memories.

And what is life? A crazy quilt;
Sorrow and joy, and grace and guilt,
With here and there a square of blue
For some old happiness we knew;
And so the hand of time will take
The fragments of our lives and make,
Out of life’s remnants, as they fall,
A thing of beauty, after all.

from The Romance of the Patchwork Quilt in America, by Carrie A. Hall and Rose G. Kretsinger (Caldwell, Idaho: The Caxton Printers, Ltd., 1935), 163.

close up 1

close up 2

close up 3

close up 4

close up 5

close up 6

close up 7

The owner of this quilt has had it in her possession for about twenty years. She believes that the dates may reflect that the quilt was forty years in the making. The fabrics all appear to be “fancy” ones from the Victorian era. Notice that the quilt has a ruffle. The commemorative ribbons that were included on two of these quilt blocks have a New Hampshire origin. Many thanks to the owner of this quilt, Hap Cardwell, for sharing these photos!

Patricia Cummings
Quilter’s Muse Publications – read much more about Crazy Quilts at this link to our main website!

“For the Forgotten”

Saturday, December 25th, 2010

“For the Forgotten: An Alternative View”

Go ahead and tell
your troubles to the wind.
It will blow your words away,
so they can’t return again.

Or else you can call
and tell them to a friend,
but like an old shoe flap that needs a mend
the words will make noise that will repeat again.

Shout your words to the breeze –
declare the daftness of all humankind.
With all of its self-righteousness, surely it won’t mind.
Then desire once again to exit the ranks
so tired are you of all of its pranks.

Be good. Be strong, your whole life long –
After all, life is a song,
but now the chords are played in another room
where you have no access, only gloom.

Be merry they say and be sure that you pray.
If you do these things, all will be okay.
The questions that linger in your heart of hearts:
“Why me?” and “How long before I can part?”

The holiday nightmare is almost complete.
Then life will return, ever so sweet.
Out with the old and in with the new,
A new year begins, a chance at the wheel.

Patricia Cummings, December 25, 2010

My Snood

Tuesday, December 7th, 2010

My New Snood

an original poem by Patricia Cummings, 12/7/10

I’m enjoying my new snood
It feels ever so good
As well as expected
As well as it should.

I went catalog shopping
instead of store hopping
In jiffy time, it was here
and is ever so dear!

Being a fashion-trend setter
I’ll leave to my betters
If I’ve made you wonder
(what a snood is)
I have done my duty!

Cheers! Happy Snoods to You!

Lasting Childhood Poems

Saturday, November 13th, 2010

Tonight, my mind turns to the words of a song I learned in grade school. Written by Lydia Marie Child (1802- 1880), a dame school trained child who became a teacher, author, and abolitionist, the poem was first published in 1844 in Flowers for Children, Vol. 2. The first stanza of the poem is: “Over the river and through the wood / to Grandfather’s house we go. / The horse knows the way to carry the sleigh / through the white and drifted snow [...].” Like the poem, “Mary’s Lamb” (the original title of the poem by Sarah Josepha Hale) that became known as “Mary Had A Little Lamb,” Child’s poem/ song has become classic.

The song is about Thanksgiving Day. As a child, the words had a bittersweet ring to them, to me. I felt left out when other children described their holiday plans which included a visit with grandparents. As the youngest child in the family, and with grandparents who passed on early, I had never met even one grandmother or grandfather. I have always longed for relationships that never happened.

turkey

Thanksgiving Day will soon be here. I can bet this turkey will be trying to hide in the woods! photo by James Cummings

Grandparents are revered in some cultures. They are valued for their collective wisdom and good advice. They can fill in the blanks when parents fall short. Today, in spite of their own good wishes toward their families, grandparents are often cast aside and overlooked, particularly in American society where the pace of life is brisk and those who falter, even a little, are often left by the wayside.

Poetry and song can help us to gather romantic notions that are sometimes divorced from the stark reality of life, as we know it to be.

Words are powerful, but put to music, they can resonate throughout a lifetime. One reason I enjoy folk music so much is that it expresses strong human emotions and sometimes recalls meaningful personal events. Child’s song, that I learned when I was very young, still conjures up a feeling of well-being: the fantasy of taking a sleigh ride to see Grandma and Grandpa, a treasured fantasy. Longevity is the true mark of a successful poem.

To read more about Lydia Marie Child, please visit: http://en.wikipedia.org/wiki/Lydia_Maria_Child

Patricia Cummings

“A Red, Red Rose”

Saturday, September 25th, 2010

a rose

A Red, Red Rose

Oh my luve is like a red, red rose,
That’s newly sprung in June:
Oh my luve is like the melodie,
That’s sweetly play’d in tune.

As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
And I will luve thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only luve!
And fare thee weel a while!
And I will come again, my luve,
Tho’ it were ten thousand mile!

Robert Burns (1759- 1796)

Robert Burns often wrote his poems in a Scottish dialect sort of manner. This is one of his more well-known poems. The true mark of good poetry is that it reaches deep into the soul and retains meaning over time. These same types of sentiments have been expressed in folk songs, since he wrote the poem, a few of which come readily to mind. The rose is a perennial symbol of love. I hope that you enjoy this poem as much as I do. To learn more about Robert Burns, visit: http://en.wikipedia.org/wiki/Robert_Burns

“Peace Discovered”

Monday, August 30th, 2010

Our brook

“Our brook” is just a trickle in the summer

“Peace Discovered”

by Patricia Cummings

A bench of granite sits and waits
and the eager woman does not hesitate.
Together, they listen to the brook below,
and ponder how fast seasons come and go.

The stream it gurgles, spits and sputters;
This place on earth is like no other.
Goldenrod, in the breeze, is swaying;
Its roots cling tight; it won’t be straying.

A moment’s peace in the heat of day
Time away from the relentless fray.
A wish that summer could always stay;
and a prayer for peace, for just today.

The sound of a Bluejay, the voice of a child,
reminders of Nature, both carefree and wild.
The trees stand witness to this space,
A quiet spot, to find one’s place.

Patricia Cummings, pat at quiltersmuse dot com
Quilter’s Muse Publications

A Visit to Emily Dickinson, Plus

Sunday, May 23rd, 2010

Emily Dickinson is my perpetually-favorite, nineteenth century poet who, jokingly, once referred to herself as the “belle of Amherst,” odd only because she was a recluse. This morning, I recall one of her poems of the thousands she wrote, tucked away in a trunk, and written on scraps of paper. The extent of her work was only discovered after her death. We are indebted to those who saved her work, and are sad only in that she did not achieve the recognition she deserved, in her lifetime.

snake

“A narrow Fellow in the Grass” – photo by James Cummings

As I look out on our wildflower garden, a safe haven for critters, birds, bugs, and reptiles, I recall poem number 986 in a print version of Emily’s poems.

A narrow Fellow in the Grass
Occasionally rides -
You may have met Him – did you not
His notice sudden is -

The Grass divides as with a Comb –
A potted shaft is seen –
And then it closes at your feet
And opens further on -

He likes a Boggy Acre
A Floor too cool for Corn -
Yet when a Boy, and barefoot -
I more than once at Noon
Have passed, I thought, a Whip lash
Unbraiding in the Sun
When stooping to secure it
It wrinkled and was gone -

Several of Nature’s People
I know, and they know me -
I feel for them a transport
Of cordiality -

But never met this Fellow
Attended, or alone
Without a tighter breathing
And Zero at the Bone -

c. 1865

The final line of the poem is terrific. It explains exactly how I feel when I see a snake! The first reaction many people have to snakes is to kill them. Out west, when I lived in the middle of the Mojave Desert, guys from the Air Base who had grown up in the South, would hunt rattlesnakes and eat them, and found them to be a great delicacy!

Around here, in New Hampshire, there are some rattlesnakes, copperheads, etc. You are most likely to run into them if you’re hiking in some remote place. The variety we find, in our yard, are simple black garden snakes who keep rodents and bugs under control and are beneficial creatures.

The most startling snake event I ever had was when I lived on the farm. My parents were holding a family reunion of sorts, with the relatives from Manchester, all grown-ups. Bored, I took a pail and snuck down back to the edge of the forest, crossing 40 acres of land to get to a spot where wild strawberries were spotted, when riding my horse down there. It was a glorious, early summer day! I was busily collecting berries, when I stepped on what I thought was an old Black tired. Turns out, it was a huge snake about 6 feet long! When it moved, under my foot, disturbed from its rest in the sun, I screeched so loud, everyone came running down to where I was. The adventures of the country!

Another time, there were a whole bunch of new born snakes, the size of worms, on the cement apron of the house. My mother, totally an “indoor girl” told me to kill them. I did not obey. I say, “Live and let live.” Sometimes, our perceived worst enemy does some good, after all!

Patricia Cummings
Quilter’s Muse Publications

Guest Poems from Jacquie Sciutto

Monday, April 5th, 2010

I have enjoyed Jacquie’s poetry for years now. Today, she shares a few of her poems with us. ~Patricia~

Poems by Jacquie Sciutto:

I think this was the first one I ever posted:

ON NEATNESS

I made my sewing room tidy one day
And put all my fabrics and tools away –
A crate of blues and one of reds,
Several boxes for different threads,
My backing fabrics all on one shelf,
All of the batting in a box by itself,
Scissors and rulers all hanging up,
Pencils and markers joined in one cup,
The stencils collected and neatly in place,
Pins in their holders, bags for the lace,
Buttons and beads in boxes with labels.
I even saw the tops of some tables!
I admired the neatness. I wanted to sing –
But I couldn’t find a doggone thing!

A puzzled beginning quilter prompted me to write this one:

BEGINNERS

All quilters start out as beginners.
No one is born knowing how.
But all who would be good quilters
Should make this solemn vow:
I will buy only quality fabrics.
I will keep clean my sewing machine.
I will help my fellow quilters
Be they eighty or seventeen.
I will carefully follow directions
That I am given in class
So that what I am trying to make
Will truly come to pass.
I will try never to feel guilty
About my stash or my UFOs:
These are part of the quilting mystique
As every quilter knows.
Above all, I will embrace
The joys that quilting imparts
Of friendship, fun and sharing
That cheers and fills our hearts.
And when I’m no more a beginner
I won’t hold in disdain
Those who know less than I do –
Who knows what heights they may attain?

Husbands (if one has one) are important:

DEAR HUSBANDS

Sing a song of quilting
A closet full of cloth!
Little dreamed our husbands
When they plighted us their troth
That we would become quilters
With all that it implies,
Filling up our houses
With all of our supplies:
Fabrics, books and patterns,
Rotary cutters and mats,
Scissors, threads and needles,
A variety of batts,
Sewing machines and sergers,
A wall to hang designs,
A big table for our cutting,
Pens and pencils to draw lines,
A frame or hoop for quilting,
An adjustable chair on wheels,
An assortment of templates and rulers,
And catalogs with good deals.
Add a stash of fabric,
Enough to stock a store,
Plus laces and embellishments,
Who could ask for more?
Well, husbands think that kitchens
Should turn out regular meals
And a quilt shop’s not the only place
To head for on your wheels.
They have little understanding
Of the quilt fever in our heads
But somehow they still love us
With all our scraps and threads.

I think most quilters feel this way:

APPRECIATION

There are quilts that make me wonder.
There are quilts that make me blink.
There are quilts that tug my heartstrings.
There are quilts that make me think.
But the quilts that mean the most
And that fill my heart with glee
Aren’t the ones I see at quilt shows
But the rare ones made for me!

And a lot of us feel like this about housework:

ONCE SHOULD BE ENOUGH

Don’t tidy my house.
Leave the spiders in peace.
The dust bunnies have
An unbreakable lease.
The furniture’s dust coating
Is protection you know,
So just leave it right there.
(I would miss it so!)
The floor’s where I keep
All my spare pins.
Don’t pick them up
If you value your skins!
I do like things tidy.
I would like things clean.
It’s the unending redoing
On which I’m not keen!

This is, of course, just a sampling. Enjoy!

Jacquie in Vermont aka The Muse