Archive for the ‘Books’ Category

The Little Mermaid

Saturday, September 5th, 2009

I love it when I can find cultural expressions in various formats. To give you an example, when I was deep into studying Bluework Embroidery, I began to collect blue and white dishes, produced in various locations. I discovered that blue and white has been a Classic Color Combination for centuries. If you look around my website, you will see further examples of that, one primary one being distinctive Blue and White Embroidery from Deerfield, Massachusetts. Today, I want to show you one specific plate that I collected.

The Little Mermaid plate

Tribute plate to “The Little Mermaid,” collection of Patricia Cummings

Having no idea what the plate represented, when I purchased it, I bought a small plate. My daughter-in-law, Rebecca, who was born in Denmark and lived there a good many years, recognized the image immediately. “The Little Mermaid” or “Den lille havfrue,” is a story for children written by Hans Christian Andersen of Denmark. The story was first published in 1837. The basic story line is that a mermaid wishes to have a human soul so that she can marry a human prince.

In 1913, a statue to the little mermaid was unveiled in a harbor at Copenhagen. Unfortunately, this statue has been vandalized greatly, over the years. However, it is such an important symbol, to the Danes, and a tribute to Andersen, a great Danish poet and writer, the statue has often been repaired.

If you would like to know more about the story, here is a link a Wikipedia entry: The Little Mermaid.

As we look around us, it is stunning to see how many songs are related to actual events, and to realize the many other connections that we take for granted. Many times, the meaning of objects go far beyond the obvious … and the one I’ve just shown you is one example.

Happy Weekend,

Patricia Cummings
Quilter’s Muse Publications

A Memorable Story Book from My Childhood

Wednesday, September 2nd, 2009

Ever since I was a small child, I have loved stories and owned many books. One of those is an over-sized book called, The Fairy Tale Book: A Selection of Twenty-eight Traditional Stories from the French, German, Danish, Russian and Japanese BY Hans Christian Andersen, The Brothers Grimm, Madame d’Aulnoy, Madame Leprince de Beaumont, Madame La Comtesse de Segur, and Charles Perrault. It was published by Simon and Schuster, New York, copyrighted in 1958.

Most of all, I was always intrigued by the illustrations in this book. From time to time, my mother would read me a story. Many of the tales you would recognize today: “The Sleeping Beauty,” “Puss in Boots,” and “Little Red Riding Hood.” Many others you probably never heard like “Urashima and the Turtle,” “Dawn, the Golden Haired,” and “Silvershod.”

I still like the international flavor this book for children presents. A few years ago, hoping that I might someday have grandchildren, I purchased a more recent edition of the book (1999). The photo on the cover still looks very beautiful, if not more so, with today’s inks. One commonality between people is that we like to make up stories, don’t we? I am so happy to have this book for when my two grandchildren are a little older and are ready to patiently hear them, or even read them for themselves, when they visit.

Patricia Cummings
Quilter’s Muse Publications

Cheddar Color Embroidered Quilt

Wednesday, August 26th, 2009

The last time I visited with a dear friend of mine, she left a quilt with me that she calls “Yellow Work” Quilt. Most likely, it was made in Pennsylvania. The color is a good tip-off to that. She accompanying paperwork states that the quilt is from circa 1930, and measures 76″ long x 75″ wide, approximately twin size today.

whole quilt - c. 1930

Whole view of Cheddar Color Embroidered Quilt

Like Redwork, Bluework, Greenwork, Purple Work, Variegated Work, etc. this quilt has line drawings that were rendered into designs with the use of cheddar color thread. All of these kinds of embroidery use the same technique: Surface Embroidery with Outline Stitch Embroidery being the predominant factor.

The surface represents some designs that are clearly from the Kate Greenaway era before the turn of the 19th century to the 20th century. (Kate died in 1901). This kind of embroidery is still popular today and is the topic of my e-book: Redwork Renaissance Revisited, available to purchase as a mail-order product from our website.

Here is a close-up of the quilt just shown:

Close up of Kate Greenaway-like figure

All photos, on our blog and website, copyrighted; property of James Cummings, photographer, et.al.

Many of the motifs on this quilt are botanical, as are the designs in the borders. The quilting is “Baptist Fan” style, sometimes called “Methodist Fan,” depending on who was behind the needle! I certainly treasure the chance to enjoy seeing this beautiful piece of work, from a time when quilters really did a lot more handwork than we are seeing today, oftentimes.

Blessings to my friend. She has hinted that she may just reclaim this wonderful quilt, at any time, so I guess I should get busy studying all of the details!

Patricia Cummings
Quilter’s Muse Publications

“Dolls Remembered” – A New Book by Madonna Dries Christensen!

Wednesday, August 19th, 2009

cover of new book - Dolls Remembered

This is the cover of the hot-off-the-press, new book by Madonna Dries Christensen, August 2009.

The author has this to say about the book: Dolls Remembered

As touchstones to the past, dolls validate childhood, a span of years that often seem like fragmented moments in time. With their life-like faces, blemished complexions, and snarled hair, childhood dolls hold sway with a magical power that rarely wanes, and often grows.

From this charming anthology, featuring more than 60 reminiscences, readers will learn that dolls can make––or break––friendships. Dolls are enjoyed alone or with a friend; they fuel creativity and imagination. Dolls teach sharing, nurturing, and loyalty; they assuage loneliness and hurt feelings; they calm fears and keep secrets. Dolls teach values and lessons––to adults as well as children. Dolls share adventures with their owners, and without them. When one girl outgrew her favorite doll but kept it on her bed, her friends repeatedly “dollnapped” it. For years, the doll showed up at unlikely events.

Separately, two girls brought a treasured doll with them to America, when they fled Nazi Europe with their family. Another girl lost her doll to that war. One girl disowned the doll she received for Christmas, while the same type doll was yearned for by others. More than one doll met an untimely fate. A childhood doll softened a poignant reunion between two sisters after a rift had kept them apart for several years. One woman became reunited with a childhood doll through a serendipitous circumstance.

It’s not surprising that a doll representing the world’s sweetheart, Shirley Temple, was highly desired by several girls. Even people who have no knowledge of dolls can identify a Shirley Temple by her dimpled cheeks and perfect blonde ringlets. Oddly, no one offered memories about Barbie Millicent Roberts, the buxom blonde who turned 50 this year and is still as nubile as Lolita. Priced at three dollars in 1959, the doll world had not seen anything like the fashionable Barbie.

In the vignettes revealed here, not all dolls are pretty––except in the eyes of the beholder. Not all dolls were wanted; some were disappointing; not all became favorites, but each is memorable.

Story Contributor

When Madonna approached me about writing a story about a memorable doll from my own childhood, I immediately had just the doll in mind. She encouraged me to share the story on my own website (and in the new book). You can find the story here, along with a photo: “Miranda” This is a non-fictional story by Patricia L. Cummings.

This book would make a lovely Christmas copy. The retail price on amazon is $16.95, and keep in mind that free shipping is offered if your order exceeds $25.00. So now is the perfect time to order one copy for yourself and another for a friend or loved one. All royalties go to Down Syndrome Association of Northern Virginia.

I know that you will enjoy this book! Congratulations to Madonna Dries Christensen who was prompted by love to write this book. When book writing tasks are finished, it is only the beginning of a journey, and what a glorious feeling that is, not unlikely giving birth to a baby!

Patricia Cummings
Quilter’s Muse Publications

Read Interview with Anne Copeland, author of “Pumpkin, Pumpkin”

Sunday, August 16th, 2009

cover

Book cover quilt by Barbara Williamson

Read my interview with Anne Copeland, on my website.

http://www.quiltersmuse.com/Pumpkin-Cookbook-author.htm

The Wonderful Mrs. Webster

Wednesday, July 15th, 2009

Ellen Emeline Hardy Webster –

Ellen E. Webster was New Hampshire’s Early Quilt Historian!

by Patricia Lynne Grace Cummings, quilt historian

Who was Ellen E. Webster? Perhaps you have never heard of the woman who was named as New Hampshire’s “outstanding authority” on quilts in a 1940 book, Hands that Built New Hampshire. Mrs. Webster was a wife and adoptive mother, a quilter, a quilt historian, a quilt judge, a published writer, a leader in her community, a professor, a musician, a scientist, a teacher, and an expert ornithologist.

She reproduced more than two hundred quilt designs, on a paper product that resembles heavy cardboard. She called what she had made, “charts.” Some were quite small, and some were as large as 20” x 30.” She cut templates from cloth and occasionally, wallpaper, and sometimes, she used paint to re-create antique designs. The purpose of the charts was to illustrate her quilt history lectures. She understood that she was “saving” quilt patterns, and knew the historical importance of that action. Often, and usually on the front of the charts, she penciled in notes about the provenance of the old quilts she copied. Her other lecture notes have been lost to posterity.

As a follow up to my study, I have visited places Ellen E. Webster went, and I have even paid my respects at her gravesite. Though separated by time, she and I are kindred souls, and I feel a profound sense of gratitude to her, for her work and for her ability to touch so many lives in a positive way. Now, her work continues through my writings as a quilt historian. It is nice to see this sense of continuity.

CD cover designed by Pat and Jim Cummings

CD cover designed by James and Patricia Cummings

e-Book Available

An 355 page/ 340 photo e-book on CD, prepared by Patricia and James Cummings, is now available for purchase and will run on any computer.
Information about this e-book has been printed in UnRavel the Gavel, The Appliqué Society Newsletter, The Quilter magazine, and the UNH Alumni Magazine.

We “print on demand,” and will be happy to take your order for this unique, scholarly, fun, and captivating e-book record of Mrs. Webster and her wonderful works, including photos taken by James Cummings of her precisely-rendered, colorful quilt charts. To order, use the easy Paypal button on our website.

Copyright 2009. All Rights Reserved. Patricia L. Cummings, Quilter’s Muse Publications, Concord, NH. pat@quiltersmuse.com

UNH Professor Publishes Book – Asian Americans in New England: Culture and Community

Tuesday, July 7th, 2009

Press Release
Media Contact: Lori Wright
603-862-0574
UNH Media Relations
July 6, 2009

Monica Chiu photo
Photo of Monica Chiu

DURHAM, N.H. – Monica Chiu, associate professor of English at the University of New Hampshire, has published a book on the history, culture, and role of Asian Americans in New England, the first collection to address Asian and Asian American contributions to the region.

Asian Americans in New England: Culture and Community, published by University Press of New England, explores 19th century Chinese American friendship albums, Japanese American acrobats, the 20th century influence of Boston’s Museum of Fine Arts on regional and national Asian arts collections, contemporary Vietnamese American community art, and the construction of Asian Indians and religion in New England, among other topics.

book cover
Cover of Asian Americans in New England: Culture and Community

The collection highlights a broad range of Asian American communities and historical experiences. From the poignant writings of a young Chinese immigrant to the influence of hip-hop in a New Hampshire Lao American community, the collection seeks to establish a regional template for the study of Asian American lives and art far from the West Coast. The essays provide a record of particular achievements, as well as an understanding of the rich Asian American culture in New England, along with an analysis of the depiction of New England Asian Americans, one of the fastest growing minority populations in the region.

“If we look back to the region’s reception of ‘Orientals’ at the turn into the 20th century, we find curious New England audiences intrigued and surprised by Asian visitors, many of whom had never seen Asians before. Their reception and visibility afford us a window into understanding what political, economic, and social practices influenced New Englanders’ acceptance or rejection of Asian visitors and later second-generation Asian Americans and Asian refugees. What Asian Americans in New England created from that reception, as well as from their own creative integration into regional citizenship, are the artistic and cultural legacies presented in this volume,” Chiu says.

Chiu’s book has received critical acclaim from her colleagues.

“A sparkling collection of essays across disciplinary formations, ‘Asian Americans in New England’ reveals the reciprocal impress of New England and Asian America. Moreover, this foundational volume illustrates how spatial distinctions, whether regional, national, or transnational, are human creations and as such invite observance and transgression,” said Gary Okihiro, professor of international and public affairs at Columbia University and author of Island World: A History of Hawaii and the United States.

“This collection deals another crushing but healthy blow to the West Coast-centric Asian American Studies paradigm, all but assuring the continuing growth of this vibrant field in race and ethnic studies. The book’s contributors challenge the dominant historical images of Asians in America as manual laborers, shopkeepers, and victims of crude nativism, without minimizing the impact of racialization and orientalism on community and identity formations,” said Evelyn Hu-DeHart, professor of history and director of the Center for the Study of Race and Ethnicity in America at Brown University.

Monica Chiu is the director of the University Honors Program and an associate professor of English at the University of New Hampshire. She specializes in Asian American literature, criticism, film, popular culture, and twentieth-century American literature. She is the author of Filthy Fictions: Asian American Literature by Women (2004).

The University of New Hampshire, founded in 1866, is a world-class public research university with the feel of a New England liberal arts college. A land, sea, space-grant and community-engaged university, UNH is the state’s flagship public institution, enrolling 11,800 undergraduate and 2,400 graduate students.

Another book by Monica Chiu

This press release is offered as a public service announcement by Quilter’s Muse Publications, with permission from UNH Media Relations writer Lori Wright.

Coincidentally, and as a point of interest, a current article in the September 2009 issue of The Quilter magazine, written by Patricia Cummings and photographed by James Cummings, focuses on the Genesis Center of Providence, Rhode Island, and their exhibit of Hmong textiles (at RISD, last Spring). The embroidered pieces were made by refugees from Southeast Asia, namely, Laos. This article is Part 2 of a series, the other issue having been published with a July 2009 cover. Contact us at: pat@quiltersmuse.com

Patricia Grace Cummings, University of New Hampshire class of 1973

Book Review: This I Accomplish: Harriet Powers’ Bible Quilt and Other Pieces

Monday, July 6th, 2009

book cover

Book cover of “This I Accomplish …”

This I Accomplish: Harriet Powers’ Bible Quilt and Other Pieces by Kyra E. Hicks (Black Threads Press, 2009) is a hot-off-the-press, 180 page book. Bill Gaskins wrote the Foreword. The author chronicles activities surrounding the quilts of Harriet Powers (1837-1910), a former Georgia slave. The two appliquéd quilts Powers made are currently held by the Smithsonian Institution in Washington, D.C., and the Boston Museum of Fine Arts. As mentioned on the back cover, Hicks tracks two nineteenth century women who sought to buy the Bible quilt, and offers the profiles of three men who actually owned the Pictorial Quilt.

Many of the facts revealed are newly-discovered, by the author, and appear in her book for the first time. This new information will be a welcomed resource to the libraries of every quilt historian. For those who have always wanted to know the full history of these quilts, to the present time, information is given as to where they have been exhibited, who has written about them, who has mentioned them in lectures, and more! This scholar provides almost 200 bibliographic references, most of them annotated. Derivative works, such as poetry, and photos of quilts made in honor of Harriet Powers are included, and serve as a fun treat.

This is an amazing compendium of factual data surrounding the making and the keeping of the two Powers’ quilts. Congratulations to Kyra E. Hicks for her thorough research of the works of Harriet Powers, a very important African-American woman who once sold one of these quilts to a white woman named Jennie Smith, receiving only $5.00 in compensation.

This book is long overdue and is a wonderful tribute to a now much beloved American quilter. If you are already thinking ahead to Christmas, this book would be a nice one to add to your wish list. But, why wait? You may just want to order a copy now, for summer reading! Already, Kyra Hicks, a veteran writer, is hard at work on her next book, another related to African-American quilting! Quilter’s Muse gives this current effort a two-thumbs up!

ISBN: 987-0-9824796-5-0

Be sure to read Kyra Hick’s blog that she frequently updates:
http://blackthreads.blogspot.com

As an aside, let me add that, for a time in the early 1990s, the Smithsonian licensed reproductions of the Harriet Powers’ Bible quilt to be manufactured overseas. I turned my nose up at one of these reproduction quilts at Sam’s Club. I did not want to pay even $19.99 for the poorly-made quilt that featured about two stitches per inch of hand-quilted stitches. The price was low enough: $19.99. Even with the poor workmanship, the quilts quickly sold out. Under pressure from American quilters who actively fought the Smithsonian policies, the overseas reproduction of our American treasures soon ceased.

See images of Harriet Powers and her quilts here.

Patricia Cummings
Quilter’s Muse Publications

The Latehomecomer: A Hmong Family Memoir

Saturday, June 27th, 2009

Hmong Christmas ornament

Many Hmong have converted to Christianity. This is a Hmong-made Christmas ornament, collection of Patricia Cummings.

I have just finished reading, The Latehomecomer: A Hmong Family Memoir by Kao Kalia Yang. While I enjoyed reading about Kao’s family’s experiences in America, I particularly appreciated the heartfelt sentiment of the last chapter. It describes, in great detail, her grandmother’s death and all of the traditional rituals associated with it. Her grandmother had already known over 250 grandchildren before she passed on (from a direct quote of the grandmother on page 259).

An excerpt:

My father and my uncles, Hmong sons, had asked for a man who was well taught in Hmong traditions to preside over the funeral. He had brought with him a selection of men, each specializing in a different part of the ceremony: the dressing of the body; the guiding of the soul to the next life; the beating of the drum of the dead; the playing of the qeej, a huge bamboo instrument played by men that carried the heart’s wishes for happy wedding, bountiful new years, and words to the dead. The man who would teach Grandma’s soul the way back to the place where she was born started chanting

Hmong life in America is the another chapter in the history of a people who never had a real place to be. They were persecuted in China for centuries and were driven into the mountains where they learned to subsist by farming, using slash and burn methods, and moving about every ten years. I have found the study of the Hmong people, their rituals, their beliefs, their industry with the needle, and so many other parts of their culture, to be a moving (no pun intended) part of World History.

I hope that some of you will get a chance to pick up a copy of The Quilter magazine in July (it will have a September cover date). That issue has the 66th article I have written for a column called, “Pieces of the Past,” ongoing since 1999. It is the 2nd part of a two part series about the Hmong people and their textiles.

Even though those two Hmong articles are “put to bed,” I have continued my studies of the Hmong, and the book I just finished still leaves a pile more for me to read. I try to provide links to amazon for books that I like, and/or have in my own personal library. I will do the same this time. I love learning about other cultures! Today, I received a book about Australian Quilt History that is not available in this country. I have been waiting since the beginning of May for it, so it is most welcome. There has been a lot of quilting in the Land Down Under, something else to explore!

Patricia Cummings
Quilter’s Muse Publications

Visions of a White Mountain Palette, The Life and Times of Charles A. Hunt is Available

Friday, May 8th, 2009

Press Release

VISIONS OF A WHITE MOUNTAIN PALETTE, THE LIFE AND TIMES OF CHARLES A. HUNT IS AVAILABLE FOR PURCHASE FROM THE MADISON HISTORICAL SOCIETY, MADISON, NH.

The Madison Historical Society continues to offer the book, Visions from a White Mountain Palette, The Life and Times of Charles A. Hunt, by Roy Bubb. The cost is $40 per copy; Mr. Bubb contributes 100% of the sale of each book to the Madison Historical Society Building Restoration Fund.

About the Book

Who was Charles A. Hunt? Roy Bubb, Madison Historical Society docent, was often asked that question from visitors, and so he began researching the life and work of this little-known artist. Bubb uncovered Hunt’s life in Nashua, New Hampshire, and his ties to Madison families. He found old photographs related to Hunt and his family. Interviews with Hunt’s cousins shed light on unanswered questions. The author discovered other paintings, not in the MHS collection, that were attributed to the artist. Bubb visited many Madison homesteads that were subjects of Hunt paintings. Subsequently, he uncovered history on the early settlers in town, who struggled to farm the rocky hillsides.

A native of Madison, Charles A. Hunt (1852- 1930) painted the farms of his hometown. In the manner of other White Mountain artists, he painted views of Mount Chocorua, the Saco River Valley, and Mount Washington. Bubb’s book includes critique from art historian, Charlotte Colby Anderson, who describes Hunt’s “wonderful sense of color” and “his excellent feel for composition.” All of this skill shows “a painterly ability in a supposedly untaught painter.”

Bubb located 20 paintings, some privately owned, and others from several museums. Perhaps this publication will uncover more works of art by Hunt, and he will once again be known for his artistic talents. Upon his death in Nashua, where he lived for 60 years, he was described in his obituary as “a landscape artist of considerable note.”

Visions from a White Mountain Palette, The Life and Times of Charles A. Hunt, was published in 2008 by Peter E. Randall Publisher LLC, Portsmouth, New Hampshire. Book cost is $40, which includes shipping and handling in the continental United States. Copies may be obtained through the Madison Historical Society, PO Box 505, Madison, NH, 03849; by e-mail at ghostduster@roadrunner.com; or through their website, http://madisonhistorical.us/.

About The Author

Roy Bubb was born in Orleans County in western New York State of a farm family. Educated in the New York State University system, he taught in Niagara Falls, New York, later spending 25 years as Assistant Professor at the College of Brockport, State University of New York.

Upon retiring to Silver Lake, New Hampshire, he became interested in the artistic works of Charles A. Hunt, an unknown White Mountain painter, who spent many years in the Madison area between 1852- 1930. The author, in his research, relied on the recollection from distant cousins for information on this reclusive artist.

Prior to this book, Roy Bubb wrote his memoirs, Memories of Manning Corners, which was published by the New York Historical Society.

(We certainly enjoyed presenting a program about Sweetheart Pillows to the Madison Historical Society last year and attending another of their programs. Great fun! – Pat and Jim)

For more information, contact:
Mary K. W. Lucy
MHS President
PO Box 505
Madison, NH 03849
(603) 367- 4535
ghostduster@roadrunner.com

http://madisonhistorical.us/

Robin M. Tagliaferri Ferreira
MHS Secretary
(401) 826- 3013
rmtferri@gmail.com

New Book Available Today: Redwork Renaissance Revisited

Monday, May 4th, 2009

Patricia Cummings
Patricia Cummings, author of yet another book about Redwork and outline stitch embroidery!

In 2002, I wrote my first book, Redwork Renaissance: 49 Designs from an 1893 Coverlet. After a good run, we went on to other things, and the book was out of print for quite awhile. I began getting inquiries about its availability from friends of people who had bought the bound copy. Within the last year, we decided to bring the title back as an e-book on CD, with greatly-expanded content and additional information. The result is Redwork Renaissance Revisited by Patricia Lynne Grace Cummings and James Cummings, ISBN: 978-0-9769763-6-3. “Greatly-expanded” are the operative words with historically-significant textiles, and just downright cute motifs on many different items. Many designs are one to a page, ready to print out and trace for a project of your own.

The Crescent Moon Goddess was the central focus of the 1893 coverlet and I had adapted that pattern to a large framed Bluework piece. One reader, Linda Mageske, followed suit and added the moon goddess to her Crazy Quilt block. Here it is:

Linda Mageske's Crazy Quilt block
Linda Mageske’s Crazy Quilt block with a smaller version of the Crescent Moon Goddess. (There is a second, large, nineteenth century design of this type in our e-book, as well as directions for making a framed piece.

If you would like to learn how to do the stitches of Surface Embroidery, this book is great for any beginner. With the many quaint antique designs, the book is perfect for a child making a first quilt, or even a smaller item, such as decorating a pillowcase, my first project when I was five years old. I have a larger write-up about the book and its contents. One feature of the pdf file format of the book is that one can view thumbnails images on the left hand side of the screen. That makes it easy for finding the full size pages of patterns, without scrolling through dozens of them.

kitty design from an antique baby coverlet
This kitty design, on a new baby quilt made by Pat, was re-created from an antique quilt made in Canada. Notice the many straight stitches. It doesn’t get more simple!

I think there is a lot to like about this e-book and it features many designs that could be incorporated into Crazy Quilts or other projects that are smaller than full-size quilts or coverlets. As always, we hope that our products are synonymous with quality.

antique motif from unfinished quilt top - goose w/hat
The goose wearing a hat is one of 49 designs provided from an antique, unfinished, quilt top, a new acquisition for me.

For more information about this new product, please visit our Products Available page. We will mail you the actual CD. This is not a downloadable file. Offer good to U.S. addresses only. This is a really fun e-book. We have spent a great deal of time, effort, and expense to develop it, and we hope that you enjoy the results. There is additional information on the publications by Pat page of the website, and on the home page.

Patricia and James Cummings
Quilter’s Muse Publications

The First and Only Book Devoted to Antique Ohio Amish Quilts

Friday, March 20th, 2009

Bearley book cover

Above, you see a portion of the book cover for Darwin D. Bearley’s book about Ohio Amish Quilts.

The first and only book devoted exclusively to the quilts of the Ohio Amish is the Darwin D. Bearley Collection: Antique Ohio Amish Quilts.

This volume represents a thirty-year collection beautifully-photographed and printed in three languages, English, French, and German. Originally printed as a catalog for two exhibitions in Europe, in 2006, both sponsored by Bernina Sewing Machine Co., the book includes an introduction by quilt scholar, Jonathan Holstein, and an essay by Darwin D. Bearley about his collection.

This hard cover book measures 10″ X 13″ and contains 160 pages that show 138 unique Antique Ohio Amish Quilts. Included in the mix are 50 Crib Quilts and the only two nineteenth century Ohio Amish Sampler Quilts known to exist.

Darwin Bearley of Akron, Ohio has collected these quilts over a period of 30 years. Many of them have been exhibited in museums and quilt shows throughout the United States and Europe. A few of the quilts have been published in books by other authors, and in magazine articles and calendars for the last three decades.

The photography, color, and design of the book represent the best print quality that is available today.

This book is not available in bookstores, as it does not have an ISBN number. However, it does have a LIBRARY OF CONGRESS CATALOG NUMBER: 2007369080. The book is available directly from the author for $45.00 plus shipping. Contact: DDBSTUFF@aol.com. Darwin will even autograph the book, upon request.

Darwin D. Bearley
PO Box 22228
Akron, OH 44302

This is a courtesy advertisement, not a paid one. I have no affiliation with this book or the party who is selling it. This announcement is a service for you, the reader, brought to you by Quilter’s Muse Publications.

Jan Brett: Talented Children’s Book Illustrator Collects African Fabric for New Project

Monday, March 16th, 2009

After coming across some of Jan Brett’s books for children in one of our favorite bookstores in Lebanon, New Hampshire, I signed up for her monthly newsletter. Sometimes, she offers “how to draw” videos that are just great for children (and kids at heart). I really liked her video about how to draw a horse. One of her favorite characters to draw for children’s books is “Hedgie.” In fact, when she sent through a “Hedgie Leprechaun Coloring Page,” this month, I promptly ran out to K-Mart and bought a new box of crayons with 96 colors! Wow! I colored the page, laminated it, and mailed it to my grandson, along with a page for him to color (his Dad says, when he is a bit older).

On the list of books Jan has written, I count at least 34 different titles, and I know she is hard at work, writing and illustrating more delightful tales!

Jan has just started a blog and anyone can sign up! She says, “I hope that it will be a place where book lovers can meet and share information.” ~ http://janbrettsblog.com/

To give you a sample, particularly because her March 9 edition relates to her collecting cotton fabrics in African upon which to base future drawings, here is what she said:

March Hedge a gram

Happy March!

Hi, this is Jan Brett, letting you know what’s happening in my life as a children’s book illustrator and writer. If you have ever traveled to a foreign country, you may recognize the feelings I experienced after a trip to Africa. I did miss drawing and painting every day, which makes me feel like my true self. What made the trip valuable, was that I was filled with new images of landscapes, animals, birds and African people with traditional clothes and manners that impressed me in a way that makes me want to draw them. I am filled with a motivational excitement that makes me want to bring the images to life on paper.

In the traditional village I visited in Namibia, Otjongombe, I admired the long dresses, shawls and turbans the woman wore, especially since they were created from beautiful fabric. Most of the women made their own dresses and kept to a certain style that has been worn for generations. I bought many samples of cotton printed fabric to use when creating the clothes for the mapigni (rock hyrax in English) that will be characters in my book. I brought colored markers with me, so I could experiment with just how I could transform the tradition dress of the stately Namibian woman to the mapigni who I will dress just like them, but who are a bit chubby and short limbed.

My husband and I went to a school where I met the children of the village. They performed a program of song and dance which we greatly admired. We had some time to chat with the children who liked practicing their English with us. Their birth language is either Herero or Himba. They were interested in how old I was, so I told them that I was 59. I left some of my books for their library, since they all could read English and a beautifully illustrated science book about extreme animals that I bought especially for them, as well as President Obama lapel pins since the President’s father was from Africa. Everyone we met in Africa is elated by our country’s choice of President Obama.

During our two week trip to Africa we went for our second time to Namibia and our first time to Tanzania. Spending time in the bush or wilderness area learning about African birds, mammals, and reptiles is my idea of an energizing, inspiring, awesome time. Our African guides, Martin Benadie, who is South African and specializes in birds, Uanee Karuuombe, a Himba guide who introduced us to the Herero people, and Peter, our guide in Tanzania, brought events and encounters into focus and shared their knowledge. For example, Martin could walk into a stand of acacia trees listen carefully, and then point out eight different birds. Sometimes he would hear a bird call and then would imitate it with a whistle, and the bird would come out to investigate. Often he spotted birds unknown to the local guide.

In Namibia, Uanee helped me understand about the pride the Herero have of their beautiful cattle. Peter, whose family have lived on the Serengeti plains for generations, looked at a herd of zebra (properly known as a dazzle of zebra), and saw that they were intently staring at a fixed point not far off. He drove us in his Land Rover slowly that way, and soon we saw the elegant cheetah the zebras were looking at but who had been hidden from our sight. Excited as I am by all the new African ideas, I am still finishing my Easter egg book, correcting, polishing, and adding to the year’s work. It will take all my self control not to start work on The Three Little Mapigni!

Happy creating, reading and especially drawing.

Your friend,

Jan Brett

Well, I just want to let you know about this extraordinary artist!

Rebecca Rule: New Hampshire Humorist and Writer

Saturday, February 28th, 2009

Not everyone can write humor well. Rebecca Rule is one person who can. She has made a career of collecting Yankee stories and recording them for all to enjoy through her personal appearances, and books. Her latest title is Live Free and Eat Pie: A Storytellers Guide to New Hampshire, published by Islandport Press. Previous book titles include: Could Have Been Worse (that I reviewed on this blog in 2006); The Best Revenge; Perley Plus Other Classics; and “Better than a Poke in the Eye.

In addition to her humorous offerings, she wrote Creating the Story: Guide for Writers; and True Stories: Guides for Writing from Your Life.

Rebecca or “Becky” Rule maintains at least three websites: www.mooseofhumor.com and www.rebeccarule.com and www.livefreeandeatpie.com/
She has written 600 columns for local New Hampshire newspapers, and she maintains a blog. All in all, her stories are a hoot and truly reflect the Yankee mind. One brief example gleaned from her Book Swap Café appearance on Ch. 22, today, is this, although I am sure she could tell it better:

A man had a sign on his lawn: “Picnic Tables for Sale.” A potential buyer came by and said, “How long does it take to make one of those tables?” The man said, “Well, about four hours.” Hearing that, the recent UNH graduate determined that if the table cost $16.00 and took only 4 hours to make, the cost paid for making it would be $4.00 per hour. He asked the table maker, “Could you make one for me, for $3.00 an hour? The man said, “Sure I could, but it would take a lot longer.”

Please visit Rebecca online. Here is one link, to her latest book on amazon:

Here is another link to one of her “serious” books about writing:

I hope to be able to hear Rebecca speak, in person, some time.

Patricia Cummings
Quilter’s Muse Publications

Harriet Wilson’s – “Our Nig”

Saturday, December 20th, 2008

side view of Harriet Wilson

In an out of the way park that borders a pond and an old railroad track in Milford, New Hampshire, there stands a beautiful statue made by a sculptor who based the monument tribute on nothing more than Harriet Wilson’s own written descriptions of herself. Harriet was an indentured servant to a local family, and is credited with writing a book called, Our Nig. To those who have studied Our Nig, the book’s genre seems to be a mix of autobiographical accounts and a nineteenth century slave narrative. I have written more about the book in a review.

Recently, we learned that another photo of the statue, taken by James Cummings, will be utilized in the creation of an exhibit in Boston. More details to follow.

Patricia Cummings, Quilter’s Muse