Archive for January, 2011

My Least Favorite Four Letter Word

Sunday, January 30th, 2011

A four letter word that I really dislike is the one that people often tell themselves or others. It is not a “swear” word but it should be. Whenever one utters this word, it is at once a resolution that is disabling of further action. Be sure never to use this discouraging word with anyone you really care about who has an aspiration of some kind. Never tie your own hands behind your back by muttering the word to yourself.

Against impossible odds, we see people surviving and thriving who really should not be, under the circumstances. They find a way to do what is needed by avoiding a simple word, “can’t.” Think about the man who was pinned down by a rock that crushed one of his arms. Ultimately, he had to cut off his own arm, but he saved his life.

It’s the same with anything in life. If you think you can succeed and you listen to your own inner voice, your dream will come to fruition. Many times in my own life, I’ve used the idea of mind over matter to achieve a goal. One small example of that is learning to swim. I did not swim at all until I had to learn how as a university requirement. In order to pass the course, I had to swim four laps of an Olympic size pool. This was a challenge from someone who came from a non-swimming family. My mother always told me that I’d drown if I went near the water, above my ankles. Silly woman!

I not only learned how to swim. I signed up for additional courses at the university, including a Water Safety Instructor’s course. Then I attended the National Aquatic School for lifeguard training and the following summer taught swimming at an all-girls summer camp. It is very possible to overcome any mindset, if a person is determined enough.

As much as you can, please try to put the word “can’t” out of your mind. All the time, I am told by people that they just “can’t” even think of learning to quilt. They know they wouldn’t succeed. Well, I suppose it is one thing to say that, but is it really the truth? Of course, there is freedom of choice. I’m not saying that everyone has to learn to swim or learn to quilt. Just never say “can’t” until you try. The young climber stuck between rocks would be a skeleton by now, if he’d given up altogether. You can try to give up bad habits, but please, please, never give up on yourself.

Those are my thoughts for the day.

Pat

Hmong Textiles

Saturday, January 29th, 2011

Hmong people make beautiful textiles. While they were held in relocation camps after the end of the Vietnam War, both men and women passed the time making exquisite embroidered pieces that depict either peaceful or combative scenes. The tiny stitches used and the tiny figures that are sewed to perfection demonstrate skill, patience and talent.

A few years ago, Jim and I were privileged to visit the Rhode Island School of Design’s graduate department where an exhibit was mounted. We went there not only to enjoy the work but to photograph items for an article which was published in The Quilter magazine. The pieces ranged from quite small to wall-size huge (8′ wide), and mostly represent items that were brought home by a missionary nun who is associated with the Genesis Center in Providence.

Hmong purse

Hmong shoulder purse, close-up. Gift of James and Rebecca Gorham

Knowing of my love of Hmong work, the beautiful, too-good-to-use, zippered purse seen above was a birthday gift last year from my son and his wife. I love it!

To read more about the history, culture and needlework of the Hmong, please visit my web article. One graduate student references this article in her master’s thesis. I hope you will enjoy reading what I wrote and will follow up by reading more about the special people called the “Hmong.”

Hmong Textile Art

For scholars: A list of the details of all of my published articles are listed in a file that is mentioned on the front page of our main website: Quilter’s Muse Publications

Patricia Cummings

Crafting a Life

Friday, January 28th, 2011

What do you want to be when you grow up? Another variation of the question would be “Who do you want to become when you grow up?” I wonder how many people change their answers to both questions as they progress through life.

We always ask young people what they want to “be.” That seems life an unfair query of an 18 year old who has not experienced any real-life work situations. Depending on their conditioning, expectations of their parents and potential availability of higher education, the answers to that question are probably pre-programmed. When I was in high school, the choices laid out to me by a guidance counselor were pretty clear.

Pat with guitar in 1967

I took a couple of lessons on guitar in 1967 about the same time I was told that I was not “pretty enough” to be an airline stewardess!

She said that I could be a teacher, a nurse, or possibly an airline stewardess but she added, on second thought, to forget the third choice as I just was not pretty enough. My father, whose sisters were teachers, believed that teaching is an ideal profession for women as she can leave while raising her own children and be welcomed back at any time. I took his advice, and because I really loved Spanish and excelled in it, I dedicated myself to becoming a Spanish teacher.

After working as a swimming teacher, camp counselor, cook, word processor, university librarian’s assistant, substitute teacher, teacher of college Spanish, Community Action intake (social) worker, and a legal secretary… little by little, I have finally worked myself into a position where I can stay home and make quilts, study quilt history and write.

Did my writing skills come out of a vacuum? Of course not! I was a reporter for my high school paper and later, a Copy Editor. At one of the summer camps where I worked, I led a group of youngsters in producing a camp newspaper. I always enjoyed writing research papers for university classes. So, when I submitted my first article for publication in 1999, my career was “good to go.”

What I realize today is that I like my life. As Life itself is unpredictable, I know that situations are never static. Inevitably, something will change. I’ve already weathered the loss of my parents and two brothers, beloved aunts and uncles and cousins. I have no control over the future. For now, I can only say a prayer of thanks for all that I have been given and for all that I have been able to share. I appreciate YOU, oh, unseen reader! There are folks who come back here every day to read my words and I am humbled by your loyalty. I can only hope to be worthy of that much attention.

When I was eighteen, I had far different goals. Funny, though. I do use my knowledge of Spanish with some frequency, in practical use, to communicate with my friends who speak no English. At my age, I feel that components of my life have jelled. I have grown up. I am not self-conscious. I do not worry any more about the petty-minded naysayers of the world. I am a quilter and I impart my thoughts. Life is good.

Patricia Cummings
Quilter’s Muse Publications

Just Politics

Thursday, January 27th, 2011

Last night in the audience while President Obama gave his State of the Union address, Daniel Hernandez, instant hero of the Tucson attack, sat listening. Tonight as I sit here peacefully reflecting on the president’s words, I am cheered to think that a twenty year old “college kid” whose name was unknown to the general public before the day of the incident has been catapulted to glory. I see a bright future for this young man.

While I enjoyed hearing (some) of the speech, I did leave the room for about twenty minutes to go do something else. The ambiance of the Congressional hall was not as bad as last year, with the shout of “You Lie!,” and our view of so many sullen faces of representatives who remained seated while others rose to their feet in support of various statements. I am sure that my say-so means nothing but I believe it would be an improvement if people in attendance would all remain seated throughout the talk and not waste time jumping up and down, and calling attention to the naysayers.

When the president first mentioned the term “Progressives,” I had to turn to Jim to ask for a translation. This must be new terminology or else I haven’t been keeping up. I think the word is an improvement over “uber-leftist Liberal Commie Fascists who kill babies, are destroying this country, have spent us into the poor house, Creeps.” (My quotation marks).

It is amazing how two people can hear the same speech and take something different away from it. After one of the Republican rebuttals, some of the commentators, as well as I, were shaking our heads in disbelief. I think one of them said, “What planet is she from?”

I liked some of what the president said but not all. The wind turbines kill birds and to me, that is not cool. The idea of an expanded railway system seems like a great idea. We can all find things to complain about in America but the truth of the matter is this: we are allowed to whine. We are even allowed to criticize the government. We are NOT allowed to bully, lie or shoot other people in the head because they don’t agree with us.

A better camaraderie seemed to be present in the hall. The fact that Republicans and Democrats crossed the aisle to sit together for one night reminded me of the truces that happened during World War I when the soldiers stopped their fighting for awhile to share cigarettes, a soccer game, food, and sing Christmas carols. After the generals got wind of these actions, the men were reminded not to fraternize with the enemy. It is more difficult to kill a friend in the name of any ideal.

We could take lessons from the past, but humans being humans, we usually just repeat the same mistakes again and again. Yet, after hearing the president’s upbeat message, I am hopeful. Let’s lay down the sword, once and for all.

Patricia Cummings

New Photos Posted

Monday, January 24th, 2011

Within the last several days, I have posted sixty photos of quilts I have made on the business page I maintain for Quilter’s Muse Publications. The quilts range from pieced quilts, appliqué quilts, paper-pieced quilts, quilts made for children, miniature quilts, a postcard quilt, a Redwork quilt, a Christmas stocking and a guild challenge quilt. All of them were fun to make. Are they all perfect? Of course not! Most of these were early quilts made in the 1980s or early 1990s. If you would like to view them, visit:

facebook logo

Quilter’s Muse Business Page on Facebook

Of course, I have made many other quilts that are not shown in that gallery. Some of the quilts not shown were made before Jim was a photographer and others were mailed off to recipients without ever having a photo taken at all. For me, they exist only in memory. I hope you enjoy the quilts I’ve posted.

To read an interview with me, prepared this past week by Trisha Smith, please visit: http://www.stashbuilders.net

Patricia Cummings
Quilter’s Muse Publications

Kaleidoscopes

Saturday, January 22nd, 2011

Oh, but how I love Kaleidoscopes! Actually, a few years ago I ordered a kit to make my own, using beads in the bottom. What fun!

About a year ago, I bought software to create Kaleidoscope designs using photos. Thinking this would be a great tool to use for making greeting cards, or as a possible inspiration for art quilts, I gleefully installed the program on the computer but… have not even attempted to use it until today. I am always so phobic when it comes to trying new things, especially those that look like they might be too complicated. I was surprised when I opened the program at how simple it is to use. A couple of steps are all that is needed to create a wondrous new design.

For my first designs, I used a photo of a Rugosa Rose and one of a Daffodil. Here are the results!

rose

daffodil

This software has really come down in price. I paid about $45.00 for it from a local NH shop. This looks like a great deal on amazon.

Civil War Era Quilt Features Poem

Thursday, January 20th, 2011

On September 16, 2005, we visited The Brick House Museum in Kennebunk, Maine that owns a Civil War Quilt made in 1864 by the Ladies Aid Society, Portland, Maine.

The striking quilt features a poem on the back:

Ye have fought our battles for (now?)
Showing how the brave can die
We are waiting to receive you
When you lay your armors by

We’ll stitch with the needle
And fight with the tongue
‘Till every old rebel
Is conquered or hung.

Hope is the anchor of the soul
‘Tis Jesus makes the wounded whole
Believe in Christ, the Victory’s won
Look up, by faith, receive thy crown.

The quilt was a gift from Mrs. Fordyce Perkins in the name of her mother, Mrs. Annis Edna Boynton, in 1951.

The “potholder” style quilt has four blocks across and five blocks down that were finished separately and whipstitched together. The appliqué motifs include:

Bunting flag “Portland”, star in center, “1884” lighthouse with flag w/ inked inscription bunting

Anchor Bible drum center stars

Crossing flags eagle with arrows on left, barge or gunboat? Two color star

Cannon and cannon balls cartridge bag and water canteen cannon cannon balls

American flag crossing swords pieced basket with written inscription bunting flag
stylish handle

Background: brown with variable tint (home-dyed?). Appliqués: red and blue.

Here is a photo of another quilt of the same style, an “early quilt-as-you-go” or “lap quilting” method. Each block is made separately and bound and only then joined together by whipstitching. What appear to be sashings are actually two block edges coming together.

Maine potholder quilt

Photo taken by James Cummings at a rural Maine quilt show

For more information about Civil War quilts, please visit a file on our main website: http://www.quiltersmuse.com/civil-war-quilts.htm

The Guicciardini Quilt: Conservation of the Deeds of Tristan

Thursday, January 20th, 2011

close-up Guicciardini quilt

This photo provided by Kathryn Berenson is a close-up view of the Guicciardini quilt, companion to a quilt at the V&A in London and one in a private collection.

A note from Kathryn Berenson of Paris:

I write in reference to a new English-language title, The Guicciardini Quilt: Conservation of the Deeds of Tristan, released December 2010 by Edifir, a publishing house in Florence, Italy. Editors are Rosanna Caterina Proto Pisani, Marco Ciatti, Susanna Conti, and Maria Grazia Vaccari. Translator: Diane Kunzelman.

In brief, the Guicciardini Quilt, in the collection of the National Museum of the Bargello, Florence, and its sister piece in the Victoria and Albert Museum, London, are two white linen quilted works that illustrate episodes from the Tristan legend. They are the sole surviving quilted works in public institutions that date circa 1360-1400 and are attributed to an atelier in southern Italy. As such, they are key pieces in understanding medieval interpretations of the quilted textile arts.

The Guicciardini Quilt monograph includes a full study of the Bargello piece, information that is equally pertinent to the one in London.

The Art-Historical section addresses the possible origin of the Guicciardini quilt, its subsequent provenance, materials, techniques used in its making, and theories as to its use and separation from its sister piece in the Victoria and Albert Museum. A historical review covers the significance of the Tristan legend motifs and other iconography encountered in medieval textiles, and traces figurative white quilts to the medieval kingdom of Naples. Contributors to this section include Rosanna Caterina Proto Pisani, Maria Grazia Vaccari, Maria Stragapede and Kathryn Berenson.

The Technical Section addresses the conservation project developed for this rare piece carried out by the Opificio delle Pietre Dure (OPD), the Italian national arts conservation laboratory. Conservators at the OPD studied the Guicciardini quilt extensively during their years of work and assembled a valuable trove of scholarly information. Innovative conservation techniques are presented in detail. Contributors include Marco Ciatti, Susanna Conti, Pietro Capone, Francesca Parotti, Maria Stragapede, and Roberto Boddi, all of the OPD.

Two replicas of the Tristan quilts are discussed in the final section.

The V&A Tristan quilt is currently on exhibition in the museum’s medieval galleries. The Guicciardini quilt was on exhibition April – June 2010, in Florence and has been returned to appropriate conservation storage. A replica of it made by Silvana Vannini is on display at the Palazzo Davanzati, Florence.

The Guicciardini “Quilt” is a high-quality, 138 page paperback with 20 color and 40 black and white images, 150 pound interior stock and 300 pound cover stock; size 11 x 8.25 inches.
(ISBN 978-7970-493-9). Price 30€/25 £/ US$45.

At present, copies may be ordered from kwberenson@aol.com In U.S. $, the total cost is $47.77 (Media Mail) and $49.95 (Priority Mail), payable by check. Please contact Kathryn for information about where to mail the check.

(The Italian-language edition, La Coperta Guicciardini: il restauro delle imprese di Tristano, was released by Edifir in April, 2010, in conjunction with the exhibition of the same name, ISBN 978-7970-467-0.)

Note from Patricia Cummings: If you love medieval textiles, you will enjoy a series of books titled Medieval Clothing and Textiles edited by Robin Netherton and Gale R. Owne-Crocker. In Volume 5, the Guicciardini quilt is again featured.

This information is brought to you as a courtesy of Quilter’s Muse Publications

Conformity and One’s Place of Standing in Society

Wednesday, January 19th, 2011

Susan B. Anthony: The Biography of a Singular Feminist by Kathleen Barry ((New York and London: New York University Press, 1988), page 58, states these words of Susan B. Anthony:

Women might work like galley slaves for their own relatives, receiving only their board and clothes, and hold their social position in the community; but the moment they (women) stepped outside of home and became wage-earners, thus securing pecuniary independence, they lost caste and were rigidly banned from quilting bees, the apple-parings, and all the society functions of the neighborhoods.

This statement is from Susan B. Anthony, “The Status of Woman, Past, Present, and Future,” The Arena (May 1897): 902.

Using those words as a point of comparison to today’s women, one can see that much has changed on the one hand. On the other hand, the level of acceptance for any diversionary behavior from the norm remains a point of non-acceptance. Let me explain. In the nineteenth century, when those words were shared, it was expected that the “woman of the house” would be just that. In the philosophical world of nineteenth century thinkers of England, a demure, the stay-at-home wife was the ideal. She was in charge of the smooth operations of home life and could be seen doing her needlework when not engaged in some other domestic activity.

To work outside the home could be viewed as a bit “uppity” and not within the sphere of domestic bliss. The situation also smacked of poverty. What? Your husband isn’t man enough to provide for you? Of course, in this instance, Susan B. Anthony taught school, a noble profession, and one that helped to put bread on the table until she could not stand the confines of a classroom any longer. She attempted to find various ways of making money such as starting up a newspaper with her best friend, Elizabeth Cady Stanton. As a free-thinker and a woman who was full of revolutionary ideas, it is clear to see why she thought that she no longer fit in at quilting bees, after a time, reportedly finding no intelligence there.

These statements beg the question that is now an age-old one: Do women have to be just one flavor in order to fit in with each other? Do they have to all share the same opinion and then, gang up on the one dissenter or the one person who rattles their cages and makes them feel a bit outside their comfort zone?

To be perfectly honest, at times, I have felt exactly like Susan B. Anthony in the face of petty minds and self-aggrandizing souls. “Beam me up, Scottie! There’s no intelligent life down here!” is a saying that comes to mind. Yet, Susan spoke her mind, picked her fights, proselytized like an evangelical, and believed in rights for women (whether they wanted those rights for themselves, or not). She is my heroine, as is any woman who speaks her own mind and sticks to her principles. Hurrah for Susan B. Anthony! Life has never been the same since women finally achieved the right to vote in 1920!

Patricia Cummings
Quilter’s Muse Publications – read my article about Susan B. Anthony

New Civil War & Quilts File Posted

Tuesday, January 18th, 2011

http://www.quiltersmuse.com/civil-war-quilts.htm

I’ve just added this file to my main website (Quilter’s Muse Publications). Enjoy!

Pat Cummings

Southwestern Theme Inspires Quilt

Monday, January 17th, 2011

Recently, my friend Betty Wilson designed a unique quilt on her computer and then made it for her son, Alex, who teaches English to Japanese people in Japan. His girlfriend loves Native American designs and that was the inspiration for the quilt.

computer design

Computer design

Alex asked for “subtle” colors but Betty wanted to add the color turquoise to give the quilt some brightness.

Alex's quilt

Vance Wilson, Betty’s husband who is currently a visiting professor in Worcester, Massachusetts, and Alex, their son, hold up the finished quilt in this photo.

Betty is fairly new to quilting. She has written four books, the latest of which is Printed and Lace Handkerchiefs which I reviewed on my website when it was first published by Schiffer in 2003. One of Betty’s hobbies is collecting and selling old handkerchiefs. She and Vance live on a farm in Wisconsin, when they are not traveling. She makes terrific apple butter and jellies and at one point, raised pheasants. In November, I finally had the chance to meet her, after being an Internet friend for what seems like forever. Now that she has taken up quilting and seems to enjoy it, we hope to see many more quilts! Be sure to read the review of her book: http://quiltersmuse.com/Betty_Wilson_Book_Review.htm and to visit her website: http://www.OldHankies.com She’s a fun gal to know!

Patricia Cummings
Quilter’s Muse Publications

Seeing Stars: Lovely Quilts

Sunday, January 16th, 2011

PRESS RELEASE

Laura Fisher’s
FISHER HERITAGE
305 East 61st Street New York, NY 10065
telephone (212) 838-2596 email: fisherheritage@yahoo.com web: www.laurafisherquilts.com

SEEING STARS
Star Quilts Abound in NYC at FISHER HERITAGE and at AFAM

Stimulated by the American Folk Art Museum’s graphic exhibition of antique quilts called “Super Stars” now on view at their Lincoln Square location, NYC Americana dealer Laura Fisher reviewed her own inventory and discovered an abundance of diverse star quilts in various configurations, colors and eras to satisfy any shopper eager to finally own a great one!

Bowmanville Star Quilt

Bowmanville Star Quilt

Russian Sunflower quilt

Russian Sunflower Quilt

String Stars Quilt

String Stars Quilt

Compass Quilt

Mariner’s Compass Quilt

Chintz quilt

Chintz Quilt

Feathered Star

Feathered Star

Hexagon Star Quilt

Hexagon Star Quilt

Star of Bethlehem, Lone Star, Star of the East, Crazy Star, Aunt Eliza’s Star, Morning Star and Northern Star are some of the picturesque names for this perennial, desirable icon. Other quilts offered by Fisher include Amish and Mennonite stars, quilts with tiny pieces or one bold central element, early 19th century chintz and trapunto rarities, and stars on light or dark backgrounds, in cotton, wool, or silk.

The Museum considers stars “an enduring motif in American quilts.” Traditional examples contain six or eight points or ‘arms’ traditionally pieced of diamond shapes arranged by color and print. In Fisher’s collection are many uncommon examples: stars pieced of squares or triangles; or in only solid colors; combined with satellite stars that fill the entire quit surface; or intensely pieced. Stars appeared in quilts as long ago as the mid-18th century and over time may have been the pattern most frequently created. Today thanks to computers, of course, star pattern innovations are possible that were unimaginable to quilt makers in the preceding three centuries. At both “Super Stars” and in Fisher’s gallery you will be able to see at close range many diverse and well crafted examples of this most enduring and exuberant quilt heritage.

FISHER HERITAGE is in the Hayes Fine Arts Storage Building, 305 East 61st Street, open Monday through Friday (not on weekends) from 11:00-ish to 4:00, or by appointment. During Americana week the gallery will be closed on Thursday morning.
Contact: Laura Fisher (212) 838-2596 January 2011

Largest, most diverse, well-edited selection in the U.S. of antique quilts, hooked rugs, rag carpet, paisleys, Beacon/Navajo blankets, Marseilles bedspreads, textiles and utilitarian American folk art.
Introducing FISHERHERITAGE, custom larger size hooked rugs in traditional geometric patterns

This announcement is brought to you courtesy of Quilter’s Muse Publications, your home for reliable quilt-related information on the web.

Quilt Index

Sunday, January 16th, 2011

The University of Michigan offers online photos and descriptions of quilts via a program known as the Quilt Index:
http://www.quiltindex.org

Not too long ago, I participated in their Signature Quilt Pilot Project that sought to document Signature Quilts from across the country. The quilt I collected in the north country of New Hampshire has thirty blocks and was fashioned, probably after its initial construction, to fit a four-poster bed. To create cut out corners on the bottom, you can see that the block design on each side was compromised.

Here’s a photo:

Odd Fellows Signature Quilt

Also curious is the addition of an Irish Chain patch in green and pink fabric in the top row.

To learn the details of this quilt, please visit: http://www.quiltindex.org/search.php

Once there, scroll down the page to “Contributor” and choose “Signature Quilt Pilot Project”

On the page that brings you to, click on “Odd Fellows Signature Quilt”

There are details on that page and if you click on “See full record,” you will be able to view a large picture of the quilt as well as selected close-up views.

The Quilt Index is of immense help to researchers and is a service to members of the general public who enjoy viewing quilts online. I was happy to contribute to this study, and I hope to follow-up with more research on this particular quilt when the time is right.

Patricia Cummings
Quilter’s Muse Publications

Lovely Quilts from the New London Historical Society, NH

Saturday, January 15th, 2011

quilt on barn

This is the quilt that greeted visitors to the “Antiques to Contemporaries” quilt exhibition set up in 2010 for the enjoyment of visitors to the New London Historical Society in New London, New Hampshire. If anyone knows the maker of this lovely quilt, I’d love to add his / her name here! The quilt hung on a barn door.

Our recent article in The Quilter magazine: “The New London Historical Society: Quilts and Other Treasures” highlights the buildings, permanent exhibits and special exhibits of the New London Historical Society, a vibrant “outdoor” museum near Colby College. Since space was limited in the magazine, I’ve decided to share a few more quilts with you.

Millefiore

“Millefiore,” pieced by Maggie Ford and machine quilted by Janice Cutting of Warner, New Hampshire, measures 59″ x 70″. The artist was inspired by the “bright, bold colors of Kaffe Fassett fabrics [that] lend themselves to this unique arrangement of squares, rectangles, flying geese and quarter square triangles.”

Colorado Blossoms

“Colorado Blossoms” was hand appliqué and quilted by Joan Messinger of Sunapee, NH. The quilt measures 36″ x 40″ and this time of year is a welcome reminder that once again, flowers will grow!

miniature quilts

Miniature quilts are always fun. This group of quilts represent an attempt to provide examples based on various time periods in quilt history.

We took many photos, both inside and outside, at the museum. To see more contemporary quilts, as well as antique quilts that were displayed on the day of our visit, pick up a copy of The Quilter magazine, or think about getting a subscription so you won’t miss any of our articles. There are more to come! This particular article is the 74th one we have published in The Quilter, formerly called Traditional Quilter. Hope you enjoyed this brief glimpse of loveliness!

Patricia Cummings
Quilter’s Muse Publications

What Do You Collect?

Friday, January 14th, 2011

The types of collections people have can be just fascinating. For those who love family matters and genealogy, there can be nothing better than saved postcards and letters, old photographs and newspaper clippings that chronicle the lives of loved one, in all of their milestone moments and travels. I feel lucky that my mother saved such things including of all things the hospital bill for when I was born and a handwritten letter from the Mayor congratulating my parents. Beyond familial type items, what kinds of items of material culture do you save?

Postage stamp collecting seemed to be a more prominent activity when I was young. At that time, stamps had to “soaked off” the envelope. Of course, this was in the age before no lick ‘em stamps! Coins have been another popular item to collect. Recent books tell the value of marbles, a common game in the nineteenth and early twentieth centuries. Some collectors prize daguerrotype photos; others collect stereocards, a forerunner to “View Master.” Textiles and quilts with Disney characters are quite collectible. There may be more than one price guide book about Black memorabilia.

China tea cups, ceramic items, and collectible plates are prized by some collectors. A friend likes to collect ceramic mice. Some people cannot get enough of clocks! My aunt who lived in Germany gathered together a large collection of Hummels. Quilters seem to like to acquire more than one sewing machine and certainly, many different types of thread, and yes, tons of fabric for their stashes! A certain friend has collected more cross-stitch kits than she will ever have time to make. Old aprons are another popular item to collect, along with “early” clothing for children. Pincushions are very appealing and they come in all sizes and shapes!

Some men like to collect antique cars and trucks and refurbish them, replacing upholstery and tinkering with paint jobs and engines. There is nothing more fun than seeing a parade of antique cars! If you go into an antique shop, you will get an idea of the types of items people save: old jewelry, old medical instruments, old magazines, etc. If you check e-Bay, the greatest equalizer of them all, you can probably find anything you might be seeking. It is the greatest trading ground ever and sure to please with just the obscure item you’ve been wanting to add to your collection.

I like to “collect” people stories. I have many of them in my head, and as I am forever amused by the human condition and the actions of the human race, I sometimes make comments in my writings. People are at once charming, aggravating, loving, and despicable; sharp, “pleasantly confused,” delightful, inspirational, humorous, sad, and triumphant beyond belief when one looks at their circumstances. In realizing that I have had many rich life experiences, I have begun writing my autobiography, not to sell, mind you, but just to catalog my life in a pictorial essay.

So what do you collect? I’d love to know.

Patricia Cummings, pat at quiltersmuse dot com