Archive for July, 2010

Classic Quilts from The American Museum in Britain

Sunday, July 11th, 2010

A newly-published book, Classic Quilts from The American Museum in Britain, is a 128 page paperback book that features many wonderful photos and close-up of both pieced and appliquéd quilts from an extraordinary collection. Even before taking the time to read all of the descriptions and history, it is like eye-candy just to leaf through the pages of Hawaiian quilts, chintz blocks, hexagons, Log Cabin quilts, and even what I’d call a “Primitive” Redwork quilt. Crazy Quilts are shown as well as an Eagle quilt, Baltimore Album style quilts and blocks and a Cigar bands quilt. Wholecloth quilts are present, as are close-ups of their surfaces.

This book, a collaboration of Laura Beresford and Katherine Hebert, Curators at The American Museum in Britain, is a testimony to the hardworking American quilters who, for the most part, hand quilted these beauties. Among the 55 quilts showcased in the book is an unusual piece, a “Tumbling Blocks Star” quilt. A gorgeous “Chalice” quilt, another unusual design not seen often, is in the mix. Beautiful and elaborate appliqué quilts grace the pages of the book.

The photography is excellent and I am so happy to have ordered this book! I can’t wait to find some time to enjoy reading it, perhaps while sitting on the summer porch with a cold glass of lemonade.

Book for Children Features Historic Crazy Quilt

Saturday, July 10th, 2010

Yesterday, I was delighted to see a book titled, Helen, Ethel & The Crazy Quilt and couldn’t resist picking it up, even though it is a book for children. The true story is about the friendship established by mail, between two little girls. One was Ethel Orr who lived on Bailey Island, Maine and was home-schooled. The other was the famous Helen Keller. Both girls were the same age, and at the time, 1890, Ethel’s mother was just finishing a Crazy Quilt that she had started the year before. Photos of the actual quilt are included in the book!

The letters from Helen, in block printing style taught to her by her teacher, have been preserved. The quilt is now located at the Maine State Museum at Augusta. Published by Mayhaven Publishing, Inc. in 2007, the book is beautifully illustrated by Dawn Peterson, and is a charming story for people of any age. The book was written by Nancy Orr Johnson Jensen, a descendant of Ethel and author of a non-fiction book titled, Bailey Island: Memories, Pictures & Lore.

Orr’s Island & Bailey Island in Maine

Friday, July 9th, 2010

Today, we decided to take a rare day off from work and head to Maine. The lure was the smell of the sea, a possible seaside lunch, and a quilt show. As a teenager, I accompanied my parents to Bailey Island where there is a gift shop called “Land’s End.” The land truly does meet the sea at that juncture. We have a few photos of our trip to share with you.

quilt on a cemetery fence

This colorful quilt with its cheerful colors was draped over a cemetery fence near the old church where the quilt show was set up.

What a lovely setting, with many quilts draped over pews and hanging around the interior of the building. There were antique quilts at the front: a Crazy Quilt, one a “Flying Geese” pieced quilt with strips of “geese” going in alternate vertical directions in thin strips; one a Dresden Plate, and another quilt that featured “Colonial Lady” appliques and embroidery. A variety of more recently-made quilts comprised the rest of the show.

view of boats from Orr's Island

View of boats in the fog, from Orr’s Island

Orr’s Island connects with Bailey Island. As we drove into the parking lot of the gift shop there, this is the sight we saw!

sea gull

This seagull seemed to be looking for a ride to somewhere else.

We liked the statue that is dedicated to all Maine fisherman. It depicts one man and a lobster.

statue to Maine fishermen

On the way back across the islands, we found a place called “Cook’s Lobster House,” located right on the water. Boats bring lobsters right into an area next to the restaurant. Jim and I both decided to have a Clam Roll, as neither of us are fond of lobster. The coleslaw was tasty, but the clams were tough and rather a disappointment at $14.95 each.

Since we never take vacations and this was a vacation day, we decided to splurge and have blueberry pie. It was the best blueberry pie in memory and native low-bush berries were used, fresh ones it seemed, and the crust was delicious.

At that, we called it a day and headed back to New Hampshire, quite a long trip! The two islands are located north of Portland, not far from Bath. The weather was sunny and warm and this was just the break we needed. Now, to get back to work!

Patricia Cummings

Old Sturbridge Village Museum Opens Needlework Exhibit on August 14

Wednesday, July 7th, 2010

Old Sturbridge Village Museum in beautiful Sturbridge, Massachusetts has announced the following news item, of interest to those who love old Samplers and Needlework.

This year’s Textile Weekend celebrates the intricate artwork of 19th-century needlework, with displays and demonstrations of white-work embroidery, samplers, and more. Village historians will host gallery tours of the new needlework exhibit featuring artifacts from the OSV collection: “The Labour of My Youthful Hands.” Learn more at their website: http://www.osv.org/

New Quilt Book Explores Bringing New Life to Old Quilt Blocks

Tuesday, July 6th, 2010

A Quilt Block Challenge: Vintage Revisited by Mary Kerr, with a foreword by Pepper Cory, is one of the latest books published by Schiffer Publishing in 2010.

To create this book, Mary Kerr asked 22 of her quilt friends to create new artistic quilts using vintage blocks as points of departure. The book is a colorful tribute to all of the resulting quilts. Each time one looks through the book, another quilt catches one’s eye. Provided with each photo is a little summary of the design decisions made by the artist.

The book is fun to peruse to see the new spin that each artist brought to otherwise cast-off blocks. All of us who have been quilting for awhile have blocks and unfinished quilt tops that we despair of ever finishing. They are begun and left because some new project took our attention, or they were just a sample from a class, or we didn’t get around to buying enough backing fabric or perhaps ran out of one supply or another. It is nice to think that someone might come along in the future and want to “do something” with a textile that is a UFO (unfinished object).

The camaraderie among these friends is apparent in the book. Many of them are fellow quilt appraisers who have lots of experience in seeing vintage and antique quilts. It is clear that they had fun with this ingenious project envisioned by Mary Kerr.

Mary, congratulation on achieving your goal of completing this book! It is sure to inspire other quilting groups to attempt to do something similar, perhaps as a guild challenge. Two thumbs up on this one! Thanks for sharing the fun with us!

Patricia Cummings
Quilter’s Muse Publications

Hendrik Dolleman: Greenland Hero

Monday, July 5th, 2010

Hendrik Dolleman

This is a copy of an old yellowed newsclip that my mother saved. As you can see, Hendrik’s name is misspelled. I do not know the source of this photo, and the writing below it was lopped off, for some reason. Sgt. Hendrik Dolleman was involved in a number of rescues with his U.S. Army sled dogs. Perhaps the most famous of the Greenland Ice Cap Rescues was the rescue of crew members from “My Gal Sal,” a B-17, in 1942.

Today, I was very happy to receive an inquiry from historian, Laura Snow, about my late uncle. She found his name on my website, and recognized that he must have been the same Hendrik Dolleman (1905-1990) who served with her father and accompanied Admiral Byrd on two expeditions to the Antarctic in 1939 and 1955. “Dolleman Island,” where research still takes place today, is named after him as mentioned in a 1961 book called Antarctic Command by Captain Finn Ronne, USNR. Dolleman was in charge of training sled dogs.

A newspaper article about Dolleman was saved by his late sister-in-law, my mother, who failed to note the name of the newspaper or the date. She saved only the portion of the article that pertained to him. It said:

S.Sgt. Henry Dolleman, son of Mr. and Mrs. Henry Dolleman, 129 Winter Street, who won the Soldier’s Medal with an oak leaf cluster for participation in two polar rescue missions in 1942, is currently stationed at Westover Field, Mass. An article in a recent issue of the “Army Airliner,” the official publication of the Atlantic Division, Air Transport Command, heralds Sergeant Dolleman as being one of two soldiers who, along with Navy BY crew, made the rescue mission.

He was a hero who had saved six lives in a dangerous polar rescue! A photo of him with his companions, several sled dogs and a penguin can be seen at this web page: http://usas1939.org/ Hendrik is the third man from the left, in the second row.

Born in 1905 in Deventer, Overijssel, Netherlands, Dolleman came to America in 1916 (at the age of eleven) on board the “Nieuw Amsterdam,” leaving from Rotterdam and accompanied by his mother and siblings. A photo of the ship is available at ancestry.com

My Aunt Frances (my mother’s oldest sister) married Hendrik rather late in life and they had no children. He was a career serviceman. The couple both enjoyed their nieces and nephews to a great extent, and also had a lot of cats, both cats they kept as pets as well as strays they customarily fed.

They were stationed in Germany for a time where my aunt became fond of Hummel figurines and collected a great many of them. It was fun to visit her Hummel collection at their west-side Manchester, New Hampshire home, the same house where my grandparents brought up their brood of eleven children. Last I knew, the pear trees that still grow in the back yard are the same ones that provided grandmother with fruit to can for the winter, with the help of her oldest girls.

By the way, the Chinook dogs used as sled dogs in these expeditions was bred in Wonalancet, New Hampshire by breed founder, Arthur Treadwell Walden. Very few dogs of this breed remain today.

Patricia Cummings
Quilter’s Muse Publications

Friends At Work on the 4th of July

Sunday, July 4th, 2010

Beth and Dan Davis on Fourth of July 2010

Beth and Dan Davis at work at the Genesee Country Village Museum on this Fourth of July. They are standing in front of the George Eastman House.

Today was not a day off for everyone. Dedicated docents, like my friends, Beth and Dan Davis, were hard at work in the sweltering heat to make a fun time for visitors to one of the best living history museums in the country. Part of the ceremonies at the museum today included the induction of 40 new American citizens. A pie-eating contest and old time games were part of the festivities. Beth, a quilt historian who wrote about the antique quilts in the museum’s collection, demonstrates quilting and talks “quilting” to visitors (lucky her), but on a day like today, a long dress of this type is hot!

I am happy to see the two of them looking so dashing! Way to go, you guys! You’re the best!

Pat

Correcting the Record… This is Getting Old!

Saturday, July 3rd, 2010

Dear Friends,

For those who care, and I am sure that many of you DO NOT CARE, let me reiterate that Ellen Webster, New Hampshire’s early quilt historian, did not travel far and wide to collect quilt patterns. In fact, contrary to the following statement that can STILL be found on the New Hampshire Historical Society’s website, Ellen Webster reproduced quilt patterns on her charts that were from quilts found in her travels to Vermont, Massachusetts and within New Hampshire.

The NHHS site says this: “She found most of the patterns in New Hampshire and Massachusetts, but also collected them during travels across the rest of New England, New York, Illinois, South Dakota, and Virginia.” The names of these states are mentioned on her charts.

At the time that Ellen Webster was collecting patterns, she was a judge at Storrowton and Eastern States Exposition and so, had access to prize-winning antique quilts from New York, Illinois, South Dakota and Virginia.

As a widow, Ellen was age 65 when she actively began making her quilt charts. Keep in mind that it was also the Great Depression, and she was caring for family members who boarded with her. She also had a heart problem and financial concerns. While she had traveled to the Holy Land and to California, in part by stagecoach, earlier in her life, she did not stray beyond New England in her later years.

I had called this error to the attention of the New Hampshire Historical Society but was told that since it had been part of a press release that already went out, the error could not be corrected.*

I guess I am just a real stickler for details. I insist on calling Ellen by her name of Ellen, and not “Emily” or “Helen” as others have falsely reported her name to be. But, my friends, the rampant errors have not ended there. To see a very “insightful” title of a talk, just visit the International Quilt Study Center, Symposium 2007, that describes a talk about Ellen Webster called: “Patterns and Insight: The Work of Emily Webster.” Very bright! Very scholarly. NOT!

I sound like a broken record…even to myself. I have tried very hard to let people know that errors have been made and have asked that they be corrected, most often to no avail. Apparently, I am the only one involved who cares about presenting the correct facts to the public. Everyone else is too busy trying to save face, or cover their own or someone else’s butt. Sad, indeed.

I am struck by the lack of scholarship or responsibility from people and institutions who are charged with presenting the truth, which should include updates to their misconceptions, as needed.

These kinds of continuing errors make me want to withdraw my financial support of certain institutions in question.

All I can say is, if you want the true facts, “Read my book!”

Amen.

*Update: As of July 6, 2010, the Assistant Director of the NH Historical Society has amended the false statement that previously appeared on their website. Wonderful!

Patricia Cummings, author of Ellen Emeline (Hardy) Webster (1867-1950): Her Amazing Quilt “Charts,” Her Writings and Her Life
Quilter’s Muse Publications

The Human Race is Nuts!

Saturday, July 3rd, 2010

Tomorrow, or all weekend rather, we celebrate Independence Day! Our forefathers worked hard to establish rights for themselves. Consider this: it took 144 years for the privilege of the vote to be extended to women. Today, the women suffragists who effected that change are but footnotes in History books, even though they dedicated their lives to the Cause.

There always has been a discrepancy in treatment among classes, races, and the empowered who hold most of the money of society. There is a decided pecking order. For those who refuse to grovel, there is always a high price to pay, whether it is from the lash or from a lashing of the tongue.

I was just reading a first hand account written in 1898 by a former mill girl. It is a retrospective on her life, when working at the Lowell mills. Long hours, poor working conditions, and work for children that would be considered abusive by today’s standards, prevailed. Yet, the girls themselves were thankful for the work, the small sums of their own that they could bank or put in the collection bucket at church, or use to buy a new dress. In many cases, money was sent to support brothers in college. At the time, (1840) few colleges admitted women.

There is no equality between men and women and there never will be. Those who think so are only fooling themselves. Most often, women are victims. They are pushed around by drunks and ne’er do wells who would like to think they should control all of the household money. Not much has changed, truly, since the early 1800s, when women began trying to advocate for their own legal rights.

For all of our big “talk” about equality of the races, there is an innate dislike of anyone who looks different than us. That includes “older” people and “heavy” people, as well as people who are of a different faith or political persuasion. It is as though we have to be homogeneous and fit a certain standard, in order to be acceptable to our fellow human beings.

We should have written these words – “All men are created equal, except when they are not.”

The concept of “Freedom” becomes an illusion. Who is truly free, and how was their freedom attained?

Today, I have more questions than answers. I continue to be baffled by people who feel entitled to pass judgment on others. The only conclusion I can arrive at is this: The Human Race is Nuts!

Patricia Cummings
Quilter’s Muse Publications

Whig’s Defeat Quilt Block

Saturday, July 3rd, 2010

Whig's Defeat quilt block by Patricia Cummings

Whig’s Defeat seems to be a curious name for a quilt block. The name “Whig” dates to revolutionary war times when anyone with radical ideas earned that title.

The Whig party attracted some notable politicians and had two elected U.S. presidents, and two vice-presidents who came to the office of president through the back door. William Henry Harrison, our beloved 9th president, died in 1841 after giving the longest-ever inaugural speech in the rain. He caught pneumonia and died, and John Tyler replaced him as president from 1841-1845.

The only other elected Whig president was Zachary Taylor who served from 1849-1850. Former vice-president, Millard Fillmore, served as president from 1850-1853. By 1856, the Whig Party was essentially defunct.

The “Whig’s Defeat” block is one that I always assumed was both pieced and appliquéd, as was stated in Rose Wilder Lane’s book. Recently, it has come to my attention that in the southern states of the U.S., the quilt block was entirely pieced, a way of working that makes no sense to me!

When I made this block a couple of years ago, I thought it to be somewhat difficult, but I liked the finished product which I have now incorporated into a wall quilt.

Have a wonderful 4th of July!

Patricia Cummings
Quilter’s Muse Publications

Antique Shops Listen Up!

Friday, July 2nd, 2010

Today, we went out of town to a few antique shops in different towns that we have enjoyed browsing through, in the past. The first shop, Antiques Gallery of Franklin, is shut down for good. The space is offered for lease. The second shop we visited was finally open for the season, and I was able to look at the offerings on the first floor of three levels. I spent a total of $15.00 for some small items, and Jim was surprised that I did not want to browse further.

Business owners should pay attention to the comfort of their customers and not GLEEFULLY announce that they have no public restroom, particularly when the business is situated in the boonies and the alternative choice is perhaps finding a bush!

There was no one else in the shop. The owner had to fill out three different forms for the three different dealers who offered the merchandise I bought. I felt sorry for him. It’s a tough life and business is bad, all the way around.

I would have happily shopped on, but well… I couldn’t!

This kind of situation has happened before. In one case, I was told that I could “just” drive about five miles down the road to the nearest Dunkin’ Donuts. In another case, it was suggested that I drive over the state line to find the nearest restaurant. This is unacceptable. In the future, I will not plan to shop at ANY antique shops that do not offer rest facilities. Really, “TP” cannot be that expensive, considering that, in each case, I would have shopped more, given the chance.

Wise up, antique shop owners! You can be smug, or you can be hateful, but in the end, YOU will be the losers! Of course, I realize that this message will not reach its intended destination. I’m told that antique shop owners and many of their shoppers are ignorant and don’t know how to even turn on a computer. (I was actually told this by a shop owner!) Oh, well! Maybe someone will pass the word along. One can only hope!

Patricia Cummings
Quilter’s Muse Publications

New England Quilt Museum to Open New Exhibit on Broderie Perse/ Opening Reception on July 17

Thursday, July 1st, 2010

From the New England Quilt Museum’s newsletter:

Opening Reception for Contemporary Broderie Perse: An Elegant Revival

July 17, 1 pm

Join us for the opening reception for our major summer exhibition, featuring modern-day interpretations of some of the most detailed, finely wrought quilts in the American tradition. Combining collage, fine appliqué, and fine quilting, Broderie perse, also known as cut-out chintz appliqué, presents a high point in the art of quilting and deserves the admiration and attention of all who appreciate fine needlework.

tree of life quilt by Barbara W. Barber

Tree of Life quilt by Barbara W. Barber

The technique emerged in the late eighteenth century when chintz fabrics were very expensive and only the very wealthy could afford whole cloth bed coverings made from large pieces of chintz. By cutting motifs out of a small amount of fabric, the quilter could rearrange them onto a large field of inexpensive plain cotton to imitate the designs on larger fabrics. Plain cream or white fields filled by fine quilting surround the trees, floral sprays, wreaths, urns, birds, and baskets appliquéd with tiny whip, buttonhole, or reverse buttonhole stitches.

The style, which was very popular in the Middle Atlantic states and the South into the 1840s, largely disappeared after the 1850s. The exhibition presents 30 contemporary Broderie perse quilts and several antique examples in order to familiarize viewers with the style and its history. The reception features a talk by guest curator Anita B. Loscalzo on the history of Broderie perse techniques. Support for this exhibition is provided in part by Marcus Textiles.

Announcement brought to you courtesy of Quilter’s Muse Publications