Archive for October, 2009

Margo Kramer has a (new) Blog!

Saturday, October 24th, 2009

Just so you will not get the impression that I prefer to crab about those who are doing a slipshod job of things when it comes to quilt history, the study of old fabrics, etc., I’d like to mention that just now, I discovered a new blog that has been set up by Margo Kramer. She is a long time fabric enthusiast and vendor of reproduction fabrics. Her online listings of her “findings” and latest reproduction fabrics that have just been printed and which she has added to her collection for sale are a real treat to see, even if only small, enticing swatches are available.

One can go to her Reproduction Fabrics website and sign up for her newsletter. She always includes tasty tidbits of information that are enjoyable to quilters, from beginners to more skilled aficionados of the art. I am always delighted to find her latest newsletter in my mailbox.

Tonight, I learned something new: she states that “Cottonopolis” is the 19th century name that was given to the Manchester, England cotton processing and printing mills. That is a fascinating fact, in light of a lecture I heard in New Hampshire, a short time ago, in which the presenter compared the Manchester, England mills to the Manchester, NH mills. The Manchester, NH mills are still standing and have been designated for innovative uses while the Manchester, England mills were bombed out during World War II, and have been completely demolished since then.

Check out Margo’s site and have your credit card ready, if you are planning any projects that require reproduction fabrics. I can vouch for the fact that she prides herself on great customer service and quick shipping. She is one of the “good guys” upon whom one can always count to “get it right.” She was a fellow student of mine in 2001, when we both enrolled in the “History of Quilts” class, at the University of Nebraska, Lincoln.

Keep up the good work, Margo!

Patricia Cummings
Quilter’s Muse Publications

Oh, My! Here We Go Again!

Friday, October 23rd, 2009

Half of my life, it seems, has been spent trying to correct other people in their erroneous, fallacious, and mythical statements about the “facts” surrounding textile and quilt history, including, but certainly not limited to, embroidery techniques such as Redwork. In these financially-trying times, it appears that unqualified people are willing to charge money to tell gullible buyers falsehoods. I refer to a new site that has come to my attention, but, alas, shall remain unmentioned by me.

The site owner has been writing about Redwork, among other topics. I cannot verify the truth about the “other topics” because I would have to pay quite a lot of money, per month, to access the files.

A friend sent me a brief “summary” of Redwork, according to the individual in question. It was described as “a quilting technique” (no, it is embroidery!) The person writing the short essay described Redwork and Bluework as being popular in the 1800s. (Bluework, and other colors seem to post-date Redwork for an obvious reason that any who knows anything about the topic would know).

If we loosely say “popular in the 1800s” that implies that we mean popular for 100 years, that is, all of the 19th century. Redwork was, in fact, popular AFTER crazy quilting. I think of Crazy Quilts as enjoying their most popularity in the 1880s, and Redwork as being most popular, beginning in the 1890s.

The writer stated that Redwork was done on muslin and white fabric. To tell you the truth, I wracked my brain trying to think of any WHITE fabric that I’ve seen in a quilt from the period when Redwork was most popular. She also states that Redwork was done mostly on small items (not necessarily a true statement), and that larger Redwork quilts had sashings. The only Redwork quilt I have in my collection that has sashings is from the early 20th century. In fact, the Redwork bedcoverings are most often tied, not quilted, so are not true quilts.

Sometimes, it is not what a writer says, but what he/she does not say. I could continue with my objections, inasmuch as I took issue with just about everything this person had to say. Make a mental note here. I have written five books on this subject.

I realize that there are hobbyists out there who want to move into the realm of being a “professional.” I will tell them one thing. They only make themselves look untrustworthy when “they” do not do their homework, are vague, and rely on hunches, rather than established facts. It is okay to make money by sharing what one knows, but for heaven’s sake, please make sure you “know” what you purport to know before spreading misinformation that makes my task of clearing up errors all the more difficult.

Greed does not do anyone any favors.

No one can prevent anyone from putting falsehoods or unsupported information on a website. Apparently, this is lucrative and money being money, that is the draw.

I will never ask you to pay to read my well-researched files online. They are shared freely because I believe that knowledge is a good thing, and because I am a teacher by training, temperament, and experience. “Knowledge is Power.” The truth, as I’ve said many times, will always stand. “B.S.” will always be what that is, a pile of trumped up lies that can easily be spotted.

By the way, if anyone wants to read some true statements about Redwork, you will still find some information on my website. I have removed the three books that had been there for free access. Perhaps I should have left them longer so that my information, that is offered for free, could have been copied to a paid site. At least the person might have gotten a few more “facts” right.

As it stands, my 5th book, never online, is available in an e-book style, on CD, and is for sale of my Products Available page. For the most part, I do not get paid for my research, book writing, and web entries, unless I happen to occasionally sell an e-book. My labor is an extension of my compulsiveness to share information, and an example of my personal dedication to quilt history and world textiles. And, I would not have it any other way. There is a great deal of satisfaction in being a scholar and in having earned the title of “certified master craftsman in quilting,” one of only eight people in the country to have ever done so, as far as I know.

Have a great weekend.

P.S. For a great online paid site, I highly recommend “The Quilt Show” with Ricky Tims and Alex Anderson!

Patricia Cummings
Quilter’s Muse Publications

One Simple Question: Who Owns the Past?

Wednesday, October 21st, 2009

A looming question on my mind, of late, is who exactly owns the past? In a simple way, I would respond that we collectively own the past and all of its artifacts. As humans, we live, work, play, worship, and interact within a community of others. What we do, and what we say, is contingent upon, and a result of, interactions with significant people we meet and know.

None of us can take our worldly goods with us. Any material goods will remain on the earth, in some form, until the earth itself is no longer. For this reason, it strikes me a little “funny” when certain people want to place proprietary rights of ownership, or usage, on items that like everything else are just passing through their hands.

Lately, it seems that whenever someone announces an intent to study a particular topic of textile history, a statement is made that appears to carry the same message, almost akin to the growl of a dog. In other words, “Stay away.”

My point is this: today, quilt research seems to revolve largely around money, particularly for museums who see quilts as an untapped resource for themselves to somehow attract the public and somehow make money. Yet, no one person can ever truly “own” a quilt held in a facility, any more than an individual (or museum) can have exclusive rights to a fabric in an old quilt, just because they happen to want to reproduce it.

Money is a necessary component of everyday life. It becomes evil when its acquisition comprises the sole gist of our existence.

To my way of thinking, all of history and all historical artifacts, whatever they may be, truly belong to us all. It is sinful to withhold information about the past that could help any of us in our understanding of life and its affects.

It is equally unreasonable to assume that if “X” person is studying “Z,” then only “X” person should be the one who is studying “Z.” So much for the idea of “proprietary scholarship!”

And now, back to my sick bed. The flu is not fun!

First Amish Quilt Discussion

Tuesday, October 20th, 2009

In a blog post on June 5, 2009, titled “Lecture Leaves Questions,” I addressed some of the topics with which I took issue, in a presentation by Cheryl Savageau, who gave a talk about quilting sponsored by the New Hampshire Humanities Council.

One of the specific points I mentioned was the speaker’s allusion to the “first Amish quilt ever made.” She stated that she has a photo of it.

In part, I said the following:

The lecturer said that she has a photo of the first known Amish quilt in faded reds and purples, created sometime between 1865 and 1940.

Today, some new light was shed on this topic when I was contacted by Jonathan Holstein. He is a well-known quilt art scholar, and an Amish quilt collector. His pivotal display of quilts at the Whitney Quilt Museum in 1971 is credited with fueling the flame of the current quilt passion that has swept the country ever since.

He reveals this information in his note:

I enjoyed reading your posting about Amish quilts, and noted your questions about a lecturer claiming “that she has a photo of the first known Amish quilt in faded reds and purples,” I think what is going on is that the very first Amish quilt Gail and I found we included in the 1971 Whitney Museum exhibition, and it was a Bars quilt in somewhat faded reds and purples. This was, as far as we know, the first Amish quilt shown publicly and identified as such, and that has been printed in a number of places. So perhaps the lecturer mistakenly thought this was the “first” Amish in a literal sense, which of course it was not. The earliest dated Amish quilt of which I am aware is s a whole cloth quilt dated 1849.
Jonathan Holstein

At last, a definitive answer! Thanks, Jonathan!

P.S. There are additional files about Amish Quilts on our main website.

Patricia Cummings
Quilter’s Muse Publications

The 1911 Triangle Fire

Monday, October 19th, 2009

For those of you who are interested in mill history and factory history, please do not overlook the circumstances and results of the fire that occurred in the Triangle shirtwaist factory in New York’s Greenwich Village on March 25, 1911. As on the 9-11-2001 day that has lived in infamy, workers could be seen jumping out of the building to their deaths … better than being burned alive?

David Von Drehle wrote a book titled, Triangle: The Fire That Changed America. This book will reverberate with any reader who has immigrant factory workers in their family or who just loves the details of labor history and/or accounts with a human edge.

In all, 146 people lost their lives. You see, their workplace was on an upper level of a building, so high that the ladders of New York’s fire engines could not reach. Moreover, the workers had been “locked in” without knowing it.

Large mills in the U.S. seem to have waivered between a paternalistic attitude, initially, and a punitive one in light of labor disputes and strikes. The bottom line for any “agent” was to maximize profit for the mill owners. It was not until someone with a camera, Lewis Hines, began taking photos of children at work, and exhibiting them publicly, was awareness of the evils of child labor even noticed.

Children were a commodity on the farm … in the workplace. No matter that they died on a regular basis from emphysema, pneumonia, and cancer, after breathing in cotton linters in a completely enclosed, sealed work environment, like Slater Mill, the first industrialized cotton spinning center, set up by Samuel Slater in Pawtucket, Rhode Island. The pretty yellow building on a fast-flowing river is deceptively appealing, not belying the human devastation wreaked within the walls of the mill.

Mill settings picked the most needy of society for their workers, those without a voice: children, women and immigrants. Not much changed from the earliest mill to the shirtwaist factory tragedy of the twentieth century as you shall readily see, if you read Von Drehle’s riveting account. I read this book when it was first published in 2003 and can recommend it, without reservation.

Patricia Cummings
Quilter’s Muse Publications

What You Don’t Know Could Kill You

Sunday, October 18th, 2009

Human life is fraught with built-in perils. Most of us go along our merry way, either never thinking about “the end” or trying not to do so.

This morning, I woke up to a very kind invitation to join Facebook’s Sudden Cardiac Arrest Syndrome group, as a Fan. This heart condition is genetically-based and can affect athletes, children, and others. No one is immune from it, and it can strike at any time.

In my family, it took the lives of my two brothers, at ages 50 and 53. Then, it hit my only sister, who was resuscitated immediately but, with other complications, was in treatment for months. She is still living.

What happens? Unlike a standard heart attack per se, in a sudden cardiac arrest the “electrical wiring of the body stops working.” That is how the condition was explained to me. In other words, the brains forgets to send a message to the heart to keep on pumping.

Former Vice President Dick Cheney is one who suffers from this malady. He has had a defibrillator installed, a small device that triggers the heart to begin beating again.

This heart condition can be determined by an EKG to see if a person has “Long Q-T,” a medical term that refers to arrythmia, or an irregular heart beat. Some cardiologists will prescribe Beta Blocker pills, that is, unless the patient is taking other medications that contraindicate that choice.

On the news, we often hear of children athletes who literally drop dead while running or playing a sport. It was reported that a full 50% of people who suffer from this syndrome are not treated until after their first attack, and 50% will not survive their first attack.

For those of us who cannot take preventive medications, like pills, every day is like lying on a bed with the Sword of Damocles hanging over our heads by a thin piece of thread.

Why am I telling you this? As with anything else, “Knowledge is power.” Addressing this potential situation with your physician, during your next visit, could save your life. People with Sudden Cardiac Arrest Syndrome are most at risk when at work, or exercising. We hear of many policemen and fireman who succumb to this disease. That is related to having to jolt into action on a moment’s notice.

October is Breast Cancer Awareness Month, Mental Health Awareness Month, Down’s Syndrome Awareness Month, as well as the “Awareness Month” for several other organizations/causes of which I cannot recall their names, at the moment. Heart Health should be in our awareness, every month, and for that reason, I share this message.

Patricia Cummings
Quilter’s Muse Publications – Won’t you join us on Facebook?

Concord Piecemakers Presents Fantastic Quilt Show in Massachusetts – 10/17/09

Saturday, October 17th, 2009

What a lovely day for a trip “down the road apiece” to Massachusetts where more than 180 quilts awaited our viewing pleasure! The Concord Piecemakers set up their displays in St. Matthew’s United Methodist Church in Acton, MA. The show featured wearable art, vendors, beautiful items for a silent auction, and two rooms full of quilts of all sizes. In this short review, we will share our picks for “favorite quilts.”

Stone Portal

“Stone Portal” is a wonderful quilt by Tina van Roggen. I love her use of color and the way she creates dimension in this quilt.

Serenity

“Serenity” by Janet Wilhelm looks like its name sounds: serene. Viewing this quilt was almost as good as a walk in the woods!

Birds of a Feather

“Birds of a Feather” by Mary Barbaro is a quilt that I spotted from across the room and had to take a closer look. I love its whimsical nature – very fun!

Memory Quilt

“Memory Quilt” is such an unusual design, made completely of ties. The corners are beautifully-quilting, adding to this stunning quilts. The colors sing!

Pineapples, Palms and Papayas

“Pineapples, Palms and Papayas” by Mary Zessoules is an amazing Hawaiian style quilt. It looks very unusual in the chocolate brown color chosen for it. I was drawn to the fine appliqué work, the large size of the quilt, and the amount of hand quilting that was done. See the “echo” patterns? Nice!

All of the quilts were lovely and it was difficult to chose personal favorites. I was not setting myself up here as judge and jury, just wanted to share a part of my day with you so that you could appreciate a little of the current work that is going on in New England. Quilting does not appear to be going away any time soon, and that is a good thing!

Many thanks to Barbara Weiss and Susan Lee for being co-chairs of the show. For more information about this group, please visit:
Concord Piecemakers online.

Patricia Cummings
Quilter’s Muse Publications

CD Review: “Burlington Bliss 2″

Friday, October 16th, 2009

When the availability of a CD that shows old quilts, from New Jersey and elsewhere, was announced, I welcomed the opportunity to send $15.00 to get a glimpse of some quilts seen at a meeting of the Mid-Atlantic Quilt Study Group. I inquired as to where to send the funds and received a letter back, reading me the riot act.

The letter stated that none of the photos could be re-published and that all of them are marked with a copyright claim. The person saying that was preaching to the choir. I told her that putting a mark on a photo only reminds the “good” people. Thieves, being thieves, can always find a way around anything. I am not a thief, and my intent was to view the quilts for study purposes.

Besides the lousy attitude of one member of the group, and her obscene, unwarranted slur toward me, I would have to say that I was disappointed in both the delivery time and the quality of the CD. I offer these remarks not to criticize for the sake of criticism, but to provide fodder for thought, should other groups want to do undertake similar efforts.

On the first count, I will say that I mailed my check on the 5th. I wondered if the check had arrived, and inquired on the 10th. I received a one-line zinger of an e-mail in all capital letters that said that the CD had been mailed. When I did not receive it by the 15th, I began to wonder, as Media Mail to New Jersey usually only takes 2 business days, and we were long beyond that. I received a hateful e-mail back, barring me from ordering any more products and asking that I not send any more e-mails.

Mind you, I was courteous in all of my notes. I sent another e-mail anyhow, and said that I was sorry that my questions were misconstrued and that I was not questioning the integrity of this particular person. Bottom line: the CD arrived today, the 16th, postmarked on the 14th. Yes, that does seem to bear out my theory of a 2 day delivery time. Someone did not tell the truth, through sloppiness, oversight, or whatever. Bad business.

On the second count, I saw more peeping eyeballs over the edges of quilts and more fake fingernails that I would ever want to view. Many of the photos are out-of-focus or blurry, as well as crooked in alignment. Apparently, these photos were not cleaned up in a photo-editing program, and this was a fly-by-night attempt to get easy money.

If you don’t mind spending $1.00 per minute to view this CD, then it could be the bargain of the century. There was no attempt to include information about the quilts including any stories about them. Also, a few of the quilts were photographed on a professional photo stand, so it seems that it might have been possible to do all of them that way.

Fear. Why are other people so fearful about sharing information? So terrified that someone would re-publish their crappy photos? I don’t know of any professional who would do so. I certainly would not want to re-publish THOSE photos, even if I could. All of my photos are edited and are presented free-of-charge on our website, with captions and descriptions. Perhaps, we are fools for sharing so much information, so freely, so lovingly, with good intentions in our hearts.

This group has missed a chance to share some great information that they have chosen to “keep to themselves” in a cliquish, oh-so-exclusive, member-of-the-club, kind of way. This kind of selfishness does not do much to promote quilt study.

Any close-up of transcriptions on the fabrics, as in Signature Quilts and other quilts with writing, could not be read. Why have close-ups? To increase the number of photos on the disc, so as to make it seem more desirable?

I am feeling discounted, disgusted, and disillusioned. I realize that this is a fundraiser, and I realize that the people creating the product did not attempt to do a professional job. What was most disturbing was the callous and hateful attitude and the way in which I was treated.

There is no need for it. I am a fellow member of the American Quilt Study Group, of which this group is a regional spin-off. Even if I were not, this behavior toward me is not acceptable. You can be sure that I will NEVER be tempted to purchase a product of this kind again, from this particular group.

Peace and goodwill to all the decent people – I know you are out there.

Patricia Cummings
Quilter’s Muse Publications

Moose Sighting

Thursday, October 15th, 2009

moose

Moose as seen in Charlotte Croft’s yard. This photo was quickly snapped by her, through the window. Charlotte saw this particular moose in Vermont. He quickly realized that she had spotted him and went trotting off into the woods.

As we drive the highways and byways of New England, we often encounter “Moose Crossing” caution road signs. I have often thought that these were strategically-placed to thrill the tourists into thinking that a moose might soon appear. In the many years that I have lived in New Hampshire, I can count on one hand the times I have seen a real moose wandering around.

Once, I saw one nibbling water weeds in a culvert in Jacksonville, NH. Another sighting was in a swampy area just north of Keepsake Quilting in Centre Harbor, NH. The third sighting was when a moose appeared in the middle of the road in my hometown of Deerfield, NH. So, actually, I would need only three fingers to hold up, to account for these sightings.

Moose are called the “gentle giants of the North.” They are amazingly tall. I am amused at how ungangly they seem and how awkward they are in their stride. Every now and then, especially during rutting season, male moose will expand their “territory” to the streets of Boston. Usually animals who stray that far afield of usual habitat are put down, and an autopsy reveals that the animal suffered from brain worm disease.

Many people enjoy eating moose meat. I remember meeting a family who had just “run into” a moose (with a vehicle) in Maine and were told they could keep the animal. They said it would feed them well, all winter. Every year, a limited number of moose hunting permits are granted. They are coveted.

The photo shown here looks like a statue. It was the real McCoy. Additional photos, that were not posted, show him running off. These kinds of wildlife sightings are just one of the reasons why residents love New England. Hope you enjoyed seeing the photo. Thanks, Charlotte.

Patricia Cummings
Quilter’s Muse Publications

“Diamonds and Rust” and the Legacy of Joan Baez

Wednesday, October 14th, 2009

Joan Baez songbook cover

The image seen here is the cover of a Joan Baez songbook with 66 songs, music, and notations. I somehow ended up with two copies and therefore, will accept “best offer” on this one, if anyone is interested. Write to: pat@quiltersmuse.com for details.

The 1960s: A Time of Turbulence/ A Time of Changing Music

When the fame of Joan Baez first hit, my oldest brother who was nine years older than me, bought her album with his own pocket money he earned by bagging groceries at a local grocery store. He was enamored of Joan’ beauty and her voice.

Shortly thereafter, he found a girlfriend who looked similar to her, with long black hair and brown eyes, slender of build. I felt it was not a coincidence.

Joan’s talents were God-given. What she did with those talents made history.

I have just been watching a summary of Joan’s life on Public Television. The documentary describes her as having a strong sense of right and wrong and acting accordingly. A sense of outrage about the “hideousness” (the murders, etc) of the Vietnam War, brought her to North Vietnam. The same sense of wanting the world’s people to “know that someone cares” sent her to Sarajevo where she sat in the middle of a street singing, “Amazing Grace.”

She felt that she might spend time in and out of prison for speaking out about such timely events of the day related to the draft and civil rights. She was thrown in jail a few times for civil disobedience. If people had a tenth of her gumption, much more social change might be happening today. Ah, but that is another story.

It is always fun to find out the end of someone’s life, or at least, the end thus far. To know that she married David Harris, but did not marry her great love, Bob Dylan, is a personal detail revealed in the film. Their marriage lasted from 1968-1973, during which Harris was mostly serving time in jail for being a draft protester. To know that she has a loving son, with whom she enjoys playing music, is another tidbit that speaks of her life as it is now. She is in her sixth decade of life.

I will always think of Joan Baez, Bob Dylan and others of their generation as forever young. With the sheer courage of youth, they told America what America needed to hear at a time America needed to listen to their messages. Baez states that she was a political activist first, a musician, second. Dylan provided some of her meaningful words, and she played the guitar, rounding out their team presence.

To me, the words of the title of one song she plays, “Diamonds and Rust” are meaningful. Diamonds are selected for their brilliance and longevity. The truth is as pure and clean and long-lasting as a diamond. Lies we tell ourselves or other people are like rust. They corrode relationships; they sully our happiness.

To me, Joan Baez is a true “American Master” who is a diamond. We will never forget her, or her spirit in the face of adversity, as she sought social justice and peace in the world and in her personal life.

Even now, she is a strong, beautiful woman, changed yes, but one whose inner beauty still shines through in a quiet, reflective way of one who has led a full life.

I loved the PBS station’s TV special and this very intimate glimpse into the hardships and challenges that helped to shape the artist, Joan Baez, whom we continue to appreciate today.

Patricia Cummings
Quilter’s Muse Publications

New Quilt Books Announced

Wednesday, October 14th, 2009

A few new quilt books have just been announced and they are being raved about by those who have seen them at Quilt Market. I thought I’d share their titles with you.

Quilts of the Golden West by Cindy Brick is a book that has come to my attention online, in several spots, already. Apparently, one of its features is a set of patterns. I’m intrigued and can’t wait to see this one.

The second hot-off-the-press book is the much awaited one, Amish Abstractions by Joe Cunningham. The name of it is Amish Abstractions, and that is all I can say for now.

Another book in the “news” is Patchwork and Quilting, a book in English, by Larissa Denisova. The goal is to extend the awareness of quilting done in Russia today. I have no information yet on where to find this book to purchase.

Jinny Beyer has recently published a new book, The Quilter’s Album of Patchwork Patterns.

A fourth book that looks very interesting is a catalog published (or “to be published”) in the United Kingdom, titled, Quilts 1700-2010: Hidden Histories, Untold Stories by Sue Pritchard. If I find out how this item can be ordered, I will post that information here.

So many books, so little time. That is my mantra. I LOVE books! My house looks like it. So, I share this information with you, in case there are any other book lovers out there who want to be kept “up to speed.”

Patricia Cummings
Quilter’s Muse Publications

Ah, Yes … Vermont Weather

Tuesday, October 13th, 2009

roses

Charlotte Croft writes: I took this photo at the Woodstock Terrace on Sunday Oct. 11th.

snowy tree

And I took this shot this morning, Oct. 13th. You gotta love Vermont weather… and if you don’t, just wait 5 minutes.

***
Thanks, Charlotte, our faithful Vermont correspondent! We love these photos.

Best,

Pat

The “Charleston Code?”

Tuesday, October 13th, 2009

A very important presentation will be given by Raymond Dobard, Jr., Ph.D. of Howard University on October 27, 2009 at 7 p.m. at the Calvert Library, Prince Frederick, Maryland. Again, he will be addressing the “secret quilt code,” the theme of his 1999 book, Hidden in Plain View, a book that has been highly disputed. He is now calling it “The Charleston Code.”

Is calling “the secret quilt code” the “Charleston Code” an attempt to confuse the enemy? Hmmm …

Initially, Raymond Dobard, Jr., Ph.D. (Art History professor), deemed his connections between slave escapes and quilts/quilt blocks to be “pure conjecture.” As time went on, Dobard appeared to become more defensive of his theories.

His thoughts were derived from the testimony of the late Ozella McDaniel Williams, as shared by his co-author, Jacqueline Tobin who interviewed Williams. Tobin teaches creative writing classes for women, last I had heard.

Dobard came under heavy fire for information that other scholars feel is not true. There are many reasons for this disagreement. I have written and published a number of articles on this topic, which are available to read/ and hear on our website.

One main reason for objections is the time frame in which certain quilt blocks are known to have been first made. The theory simply does not jibe with known information. To date, there is no supporting evidence, from any source, for the verbal secret quilt code that was provided to co-author, Jacqueline Tobin.

Many more details are provided in what I have already written, so please visit my website, if you are interested in this topic.

One of Dobard’s greatest detractors was the late Giles Wright, a Black scholar who poked holes in the argument. There was a lot of “chatter” among historians. I publicly disputed the faulty conclusions of the book in one newspaper article of more than 4,000 words, and in two lengthy magazine articles.

The pity of the misinformation or misinterpretation of the secret quilt code is that is has been used in school curriculum plans to develop teaching modules for “Black History.”

This is an attempt to fill a niche need to envelope racial differences and make History more appealing and pleasant. This type of revisionist history is dangerous because it does not acknowledge the truth of what actually happened.

It is ridiculous that children are being forced to memorize the secret quilt code of Ozella. In addition, children are being urged to re-create certain quilt blocks and memorize their “meaning.” The teaching of malarkey is not teaching anyone anything. Instead, it is an insult to the minorities it hopes to serve.

Charleston, South Carolina is the location where Tobin first met and spoke with the elderly and dying Mrs. Williams, an Black woman who graduated from Howard University and held a law degree. Ozella was selling quilts in a marketplace and Jacqueline Tobin returned, year after year, to finally be given the whole “secret quilt code,” not that the code was lengthy.

This new talk is an interesting development. I’d love to hear it. Most of the people I know who are deeply interested in quilt history just want to move on. I will go out on a limb and say that I, and they, are tired of the rehash of misstatements by those who are not dedicated historians/or quilt historians/ or scholars.

Like influenza, bedbugs, or annoying people, we wish that the “secret quilt code” would just go away. Alas, it seems to be about to get a new injection, making it last a little longer.

Read the Baynet story

Patricia Cummings
Quilter’s Muse Publications

Contemporary Master Quilters Exhibition Opens November 19 at The New England Quilt Museum

Tuesday, October 13th, 2009

For Immediate Release

Lowell, MA—October 12, 2009. The New England Quilt Museum is excited to announce their new exhibition of international art quilts. “Masters: 40 Contemporary Master Quilters,” opens November 19, 2009 and explores the cutting edge of art quilting, with today’s most regarded global quilt artists represented in this comprehensive exhibition.

Guest curator Martha Sielman has assembled a seminal collection of representative works by master art quilters, explored in this exhibition and in Sielman’s companion book, Masters: Art Quilts. This expansive look at state-of-the-art quilting brings together works by artists from around the world including Australia, the UK, Japan, Israel, Hungary, France, South Africa, Denmark, and Belgium.

Metamorphosis by Jane Sassaman

“Metamorphosis” made by Jane Sassaman in 2000

Artists included in the exhibition include Noriko Endo, whose detailed, realistic landscapes have won critical acclaim worldwide, Kyoung Ae Cho, whose minimalist wood constructions push the boundaries of the fiber art form, and Jane Sassaman, whose bold, sinuous designs have been widely respected among quilt lovers for over 20 years. The exhibition shows not only the wide geographic reach of quilting, but also its thematic range.

From energetic sculptural works to deeply personal portraits, from meticulous visual narratives to enigmatic still-lifes, art quilting embraces as many diverse forms as contemporary painting or sculpture. For those unfamiliar with the medium, the exhibition is a great introduction—for those who have long appreciated the art quilt, a welcome chance to see old favorites and new discoveries.

Sielman, herself a contemporary art quilter whose commissioned works are featured in many corporate and private collections, set out to gain a comprehensive view of contemporary quilt art, researching the works, techniques, and design philosophies of some of today’s leading artists.

The result was first her book Masters: Art Quilts, published in 2008 by Lark Books, and now the exhibition that bears its name, showcasing representative works by each of the forty artists profiled in the book.

This exhibit at the New England Quilt Museum in Lowell is the only stop in the Northeast for the exhibition, and its last stop. This exhibit is the only chance for many to see key works by international artists seldom shown in the United States.

Masters opens on November 19, 2009, with a formal opening reception on Saturday, November 21 at 1pm. Sielman will be signing copies of her book, Masters: Art Quilts at the reception. The exhibition will run through February 25, 2010.

About the New England Quilt Museum

The New England Quilt Museum, located in Lowell, MA, preserves, interprets, and celebrates American quilting past and present.

Museum hours are 10 AM-4 PM Tuesday through Saturday; and Sundays 12-4 PM, May through December. The museum is closed during the first two weeks of January (Jan. 1-18).

Admission is $7, $5 for seniors and students, and free for museum members. Two for one admission for WGBH and AAA members.

Visit www.nequiltmuseum.org or call 978-452-4207, for more information.


Christina Inge
Public Relations and Marketing
New England Quilt Museum
18 Shattuck St., Lowell, MA 01852
978-452-4207, ext. 19

This announcement brought to you by Patricia Cummings, Quilter’s Muse Publications as a public service.

Early Morning Thoughts Capture Moments in Time

Tuesday, October 13th, 2009

This morning, a flood of memories hit my brain as I awoke, like a camera snapping photos of events that have happened over a lifetime. The following is a list of what I recalled. These ideas are not listed in chronological order.

2009 photo

Patricia Cummings – 2009

1) I remember showing up at a Boston hotel to give a talk at the International Conference of Neurosurgeons, in the hospitality lounge, and being greeted by a big sign, announcing my name and title of the talk. My position was misrepresented. I was the Regional Coordinator for the American Quilt Study Group, at the time, not the “chairman” of that group. Someone got their wires crossed, yet I took the sign home when it was offered, finding it quaint. My talk was about the history of Crazy Quilts and I brought a selection of my own miniature quilts to display.

cq 1

2) I recall what fun I had at area meetings of the Embroiderers’ Guild of America, and how I presented five consecutive programs about Japanese Sashiko, Culture, Music, and Design Themes, in the 1990s. It was a tight-knit group with classy, older ladies, most of whom have now passed on.

3) I fondly remember working with my friend, the late Virginia Stevens, a weaver and embroiderer who loved textile history, for a year and a half, to study and document all of the quilts in the NH Historical Society’s collection. (1993-1994). I wrote a report for curator’s use.

4) What fun Jim and I had while visiting the Remick Museum, Strawbery Banke Museum, and the Musterfield Farm Museum, all in New Hampshire, to prepare articles and to see their antique quilts and write about them. We were on hand, several times, at the Remick, to meet and greet visitors and talk about quilts.

5) I remember how hard I worked on making an outfit to wear for 4-H Dress Review, when I was a teenager, and how happy I was to win a ribbon for the jumper and white crepe blouse with lace-trimmed, bell-shaped sleeves.

4-H performance: David Hersey and Patricia Grace, on guitar

4-H performance at the Town Hall. David Hersey and Patricia Grace (me!), on guitar

6) I think about what a young teenager I was when (at age 14 or 15), I was elected as Secretary of Grange #74, Deerfield, NH, and how mostly everyone else who attended those meetings has now passed on.

Deerfield Grange #74 members - now disbanded

Russell Bowden, Worthy Master of Grange *74, George Moulton, Gertrude Petersen, and Robert Stevens. This photo was taken when I was a teenager, and these four individuals are no longer with us.

7) I recall how excited I was to be able to take care of a retired Standardbred (“camp”) horse, who was very gentle and I recollect the day “we” won a Blue Ribbon at the Deerfield Fairgrounds. See a photo of us in the song file, “Mi Caballo Blanco.”

8) I’ll never forget the night that I was inducted into Sigma Delta Pi, the National Honor Society for Spanish Scholars. The meeting featured Jorge Luis Borges, a famous Argentinian writer, whose work I love. He is now deceased.

9) I remember calling Texas, after the judging of the 6th step (quilt) of the Master Craftsman program, only to be told by the program chairman’s husband, “Not Pass.” It was awhile before I could set to work again, and in the end, was very grateful for the chance to prove myself again with a final quilt. I earned the title of Master Craftsman in Quilting within 9 years; it had taken the chairman, at the time, 14 years. After my final quilt had been hung in the hot sun for four days and nothing could be found to disqualify it, I received notification that it had passed. Equally, I remember the blue ribbon I was awarded for a Hawaiian quilt that I put on exhibit in New Hampshire (I rarely exhibit my quilts, although I did send two of them off to a TAS show in 2003).

mini-quilt sent to Russia in 1992, with a friend

Mini-quilt made by Patricia Cummings and sent to Russia in 1992 as a friendship gift

me, Dad (John E. Grace), and the Petersens

This photo shows me with my “adopted” Auntie, Gertrude Petersen and her husband, John, and my father (John E. Grace), on the right. I am the lone survivor of people in this photo.

10) I am thankful for all of the fine people in my life who have taught me how to think about Liberal Arts, and Life itself. I am thankful for those who approach life with zest and have a passion for living.

11) With joy, I remember spotting an orange salamander at Profile Falls, on a hike in the fall, right after 9-11. I have loved those creatures since I was in grade school.

12) I remember a phone call that changed my life, and a subsequent “gift” of many family textile items (the Lewis Collection) to study, photograph, and publish.

13) In the category of things for which I give thanks, I remember submitting an article to a magazine editor. She told me she loved it, and if I had any others, to just let her know. I am working on my 69th article for that same magazine!

14) I think back to when I participated in an International Dinner to raise money for 4-H, and how I was part of a Can-Can dance line, how I played my guitar and sang with other people, and how I made a green and white apron and wore a green dress, to wait on tables. I also modeled a two-piece swimming suit – those were the days!

15) I recall the UNH requirement that stated that all students had to be able to swim four lengths of the pool to graduate. I did not know how to swim at 18, yet I used mind over matter, so to speak, and took Lifeguard training and W.S.I. classes. I taught Swimming at a summer camp.

Camp Marlyn, Andover

View from the dock where I taught Swimming for one summer in Andover, New Hampshire

16) I remember the 5:30 a.m. phone calls from school districts all around Concord, NH, beckoning me to substitute teach for the day. I always loved Mrs. Graham’s college-bound juniors. One of the students wrote a poem and dedicated it to me. He is the same kid who liked to do impersonations of an evangelical minister (“just write me a check,” … and he took his own advice and became a minister.

Gov. John Sununu greets Pat at a Christmas reception

Holiday reception at the NH State House. This photo shows Gov. John Sununu greeting Patricia Cummings in 1989.

17) I recall how happy I was to type legislation proposals in the Legislative Services department of the NH State House for one year.

So many good memories. I’ve barely scratched the surface. Bad memories count, as well, and always hold a lesson, although they are not fruitful enough to linger over.

If ever I were to doubt that there is a “Gott in Himmel,” all I have to do is to remember the opportunities that have been afforded me, and the many times I have been able to share in so many ways, providing information about quilt care, international textiles, Redwork, Sweetheart Pillows, and other topics. I have had good luck finding research facts that have escaped others, and in having the wherewithal to write well enough to produce books and patterns, as well as articles.

This may seem like one long brag. It isn’t. What you have just read is an exercise in self-affirmation. Try it, if you ever get to feeling discounted or under-appreciated. Just think of all the accomplishments you have had, and you will realize that you have done a whole lot more than you think.

Wishing you peace and happiness,

Patricia Cummings
Quilter’s Muse Publications