Archive for September, 2009

Ancient Mayan Stamp Designs Turned into Quilt Patterns

Tuesday, September 22nd, 2009

Linda Laird is nothing, if not resourceful and ingenious. She was first exposed to ancient Mayan designs while a student of Anthropology at the University of Arizona. Today, she is creating state-of-the-art appliqué designs for quilts and quilted wall hangings, that if cut carefully, are reverse images, and can be used to make two quilts!

Please visit her website and see what she has been doing. I am tempted to order one of these patterns, if only I could make up my mind which one I like the best!

Mayan Birds and Butterflies pattern - Linda Laird

“Mayan Birds and Butterflies” quilt, available as a pattern on Linda Laird’s site. photo courtesy of Linda Laird; edited for this blog by Patricia Cummings

Good work, Linda. We will watch for even more of your original, Maya-based designs, as time goes on.

Linda Laird Designs Website

Patricia Cummings

The Mills – Additional Thoughts and Input on the Subject

Tuesday, September 22nd, 2009

Imagine yourself as a girl in the early 1800s. You would have household chores to do, and you might also work for the lady down the road, helping with the children, doing laundry or other household chores. Occupations for women were much more limited than today. In certain months of the year, you would be allowed to teach. Educational opportunities for women were very limited.

Then along comes the chance to travel to another state or country to earn your own money and have enough left over to send home to help your brother get an education, or to help your aging parents on the farm in Quebec who are struggling to make ends meet.

Once you’ve gathered your clothes, whatever will fit into a bandbox and into the stagecoach, you’re on your way to Lowell or Manchester where you begin work in the mills, a dangerous place to be. In places like the Slater Mill in Pawtucket, Rhode Island, the mill’s windows are sealed to keep humidity high so the threads being spun won’t break. As a result, workers, including children, come down with pulmonary diseases like chronic bronchitis, tuberculosis and cancer.

The working conditions are abusive including long hours, short breaks, and food as doled out by the mistress of the house in which you find lodging.

Later on, when the flying shuttle was created, it prevented the need to pass the weft threads back and forth, by hand. However, the mechanized shuttle could get going at such an unregulated speed, it could break loose, flying into someone’s head or eye. Fingers and hands often got caught in machinery. Children were used to re-tie broken threads because they could run quickly to the thread, do the work, and retreat quickly to get out of the way. Long hair of girls and women, if not tied back, also caused accidents, some of them fatal.

As is often the case, throughout history, the rich get rich by exploiting the poor and needy. It was not until the mill workers began speaking out for themselves that situations began to change. At the same time, new regulations like shorter work days and more pay cut into profits; and union activities such as picketing and strikes, in the long run, seem to have helped to shut down many of the mills that were prosperous in the 19th century.

Change is afoot, even today, regarding mills and the preservation of them and their history. The American Textile History Museum has sold mill equipment, formerly used in New England, pieces of New England history, to a repository in the South.

The Cranston Printworks, a long term producer of print textiles, in Webster, Massachusetts is now having their printed cottons produced overseas, joining a number of other companies who have done the same. This is one of the reasons that consumers must buy desired fabric, when it is first seen in a shop or online. Overall “runs” of any given printed cloth is very limited.

People in the quilt industry, from designers to editors, to quilt shop owners who prepare kits, as mentioned in publications, must wait months and months for some of these new overseas shipments of fabrics.

I totally agree with Sandra LeBeau, the speaker whom I mentioned in my last blog. She divides Mill time into three sections: pre-Industrial, Industrial, and post-Industrial. Considering all the outsourcing of manufactured goods, the United States fits best into the last category.

Cotton has been a mainstay of textile making for centuries. I am reading a book titled, Big Cotton: How A Humble Fiber Created Fortunes, Wrecked Civilizations, and Put America on the Map. Please see the link below. I have been intrigued in reading about the theft of inventions and patented items related to textile equipment.

Patricia Cummings
Quilter’s Muse Publications

Sandra LeBeau Discusses Manchester Mills at Campton, NH Historical Society

Tuesday, September 22nd, 2009

Sandra LeBeau, Ph.D. presented the topic, “The Mills of Manchester, NH and Manchester, England,” at a meeting on September 21, 2009, hosted by the Campton Historical Society, Campton, NH, in conjunction with the New Hampshire Humanities Council. The speaker, self-described as a “labor historian,” revealed similarities about old mills in both cities called “Manchester.” She came to know much about those particular mills, as a result of living near them.

Mill Girl Statue, Millyard Museum

Mill Girl Statue in Manchester, NH at the site of the former Amoskeag Mills. With the “mill girls,” this operation would not have prospered. photo by James Cummings

Her talk compares the pre-Industrial era to the Age of Industrialization that was based on the model set forth by England. She briefly alluded to the name “Slater.” To further clarify her reference, Samuel Slater is called “The Father of the Industrial Revolution.” He left England for America, with the plans for making textile machinery, held only in his memory bank. If written plans were found on his person, he could have been tried for industrial espionage, imprisoned or worse.

Slater set up a mill in Pawtucket, Rhode Island to spin cotton. As spinning a fiber is just one of the preliminary steps to making cloth, his mill led to the creation of weaving mills in Massachusetts. The Slater Mill Museum and Gift Shop are wonderful to visit.

There is so much information related to Mill History, I am absolutely certain that it is impossible to include all of the details in one talk, or one article, or even one book. The speaker did a great job of staying on topic. In passing, she mentioned other mills such as those of Lowell, MA and Harrisville, NH.

Harrisville Canal photo by James Cummings

Canal at the Harrisville Mill complex, Harrisville, NH, where woolen textiles were manufactures. photo by James Cummings

Even though I have read a lot about the mills of New England, and have visited many of them, have seen their videos and exhibits, and have learned about their workers, the joy for me last night was in hearing another historian speak about a familiar subject. The audience, including me, added a lot of comments, observations, and questions, and everyone seemed very enthusiastic about this presentation.

Of burning interest are the factors that led to the demise of the New England mills, actually a combination of factors. Many thanks to Sandra LeBeau. I am sure that this talk only whetted folks’ interest to learn more or brought the subject to mind for others.

For additional online reading, there are files on our website about the mills in Lowell and Pawtucket, and the Amoskeag, Cocheco, and Harrisville Mills of New Hampshire. Just go to the Index page, scroll down to the Site Navigation Information, and key in one of those words, after placing your cursor in the search box.

Patricia Cummings

Intriguing Photos of Egyptian Textiles Sent by Reader

Monday, September 21st, 2009

After reading my online file about Egyptian appliqué, a woman named “Margot” sent me 10 photos of her Egyptian textile collection, yesterday. She calls herself “an inadvertent collector of Egyptian appliqué” and found her pieces to collect, in Maine and online beginning in the 1980s.

Although she apologized for the “amateurish” look of her photos, I was able to work with them a bit, with a photo editing program, and I believe you will enjoy seeing the images. There is only one that is cropped off at the end, due to a streak of light. They are wonderful!

A lot of symbolic imagery appears in the following designs. At the end of this photo essay, I will list some books in my personal collection that are helpful in identifying the meaning of the symbols. Identification of the symbols would be a good project for home-schooled children and others who are interested in learning more about Egyptian art, always a fascinating subject!

long Egyptian textile

archer

donkey kneeling

man on horseback carrying flag

another panel

beige colors

orange camel

8th piece

9th piece

final piece

In addition, Dover Publications sells a CD-ROM & Book called Egyptian Designs for MacIntosh and Windows. No affiliation.

I hope you have enjoyed this file. Many thanks to Margot for sharing her collection with us.

Patricia Cummings
Quilter’s Muse Publications

Intolerance

Sunday, September 20th, 2009

It is a good thing to know oneself. It is amazing how long it takes to really understand one’s own behavior. After almost six decades, tonight I have pinpointed a personality quirk that has been an ongoing theme throughout my lifetime. In a word, I am “intolerant.”

I am intolerant of people who feel or act superior, when they are not, and never could be.
I am intolerant of people who “put on” affected snob accents that are not attributable to any real foreign country, just a “superior” way of speaking.
I am intolerant of people who abuse babies, dogs, and horses.
I am intolerant of social injustice and derogatory remarks related to ethnicity.
I am intolerant of belonging to groups of people who are run by women whose main goal is to control others and maintain their own supposed authority.
(Generally speaking, I am often intolerant of groups, but that has not been for lack of trying to be a member of some of them).
I am intolerant of people who pretend to know more than they know, and whose titles are a complete sham.
I am intolerant of cliques. They are “Mickey Mouse” … and the “in-crowd” only reminds me of school days.
I am very intolerant of would-be scholars who produce papers for public consumption after not fully researching their target subject.
I am intolerant of people who attempt to cover-up the egregious and stupid mistakes of others or make excuses for someone else and dumber than dumb actions.
I am intolerant of wealthy people who lord their trips and personal possessions in front of others, simply to show off.
I am intolerant of the “users” of the world: those who only know you only when you can do something for them but have no use for you the rest of the time.

With those listed reasons, we are only touching the tip of the iceberg of my intolerance. I wouldn’t begin to know how to change these thoughts.

Jim and I were comparing notes. I am his best friend and he is mine. We pretty much stick together, except when chores or work separate us. You could call us “joined at the hip,” most of the time. You’ll never see me with 3,000 best “buds” on Facebook. I couldn’t stand relating to that many people. I’d quickly find too many that I would not tolerate, and I would soon become more well-known for “de-friending” than friending.

One Sunday when I was sitting in my studio, hand quilting, I was listening to a Christian station on the radio. Surprisingly, the minister was stating that it is wrong to have a whole bunch of friends. In his opinion, people need to have fewer relationships so that they can concentrate on considering the hereafter. Time is needed to pray and to think about the life that every Christian believes lies beyond the mortal grave. In other words, believers should concentrate on developing a personal relationship with God. The preacher went so far as to say that is sinful to be too caught up in worldly things, yet today, aren’t we all, in some way, living in that manner?

I will leave you with this question: “How many psychiatrists does it take to change a light bulb?”

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“Only one, but the light bulb must REALLY want to change.”

Cheers,

clown nose

Patricia Cummings

New Yahoo Group Announced

Sunday, September 20th, 2009

“Quilter’s Without Borders” invites you to join a newly-formed group. Click on the following link for all the juicy details:

http://groups.yahoo.com/group/quilters_without_borders

Patricia Cummings

Article Traces Root Ideas About African-American Quilt Scholarship

Sunday, September 20th, 2009

Within the last 20 years, I have run across a number of people who have tried to formulate a list of characteristics of African-American quilts. In one instant, a (white) woman with a quilt shop, instituted classes to teach others how to make an African-American quilt. The quilt would be brightly colored and asymmetrical. She’d made a large quilt that hung on the shop’s wall to use as an example. Just for the record, more recently, I ran across a speaker who attempted to describe the qualities of African-American quilts as if they are homogeneous.

For some time now, folklorists, scholars, and dreamers have been trying to define and describe exactly what an African-American quilt is, and what meaning(s) the quilt had, for its maker. The trouble with that kind of study is that not all African-American quilts are created equal, any more than are English quilts, or Amish quilts, or Dutch quilts. Women, who have made the majority of old quilts, have enjoyed being just a little different than their neighbor. For pieced quilts, this may be the reason so many thousands of different quilt block configurations exist.

More theories are in place than fleas on a dog. Most of them are not backed up by fact. Rather, they are just hunches, opinions, or broad, unsubstantiated conclusions.

“Myth and Methodology: Shelly Zegart Unpicks African-American Quilt Scholarship,” is an article that was first published in Selvedge, an international textile magazine, (London England: Issue 21, Jan/Feb 2008). The author provides an historical account of the names and thoughts of various people who have studied this subject and published their train of thought. This file is free to read/ and to download, on Shelly’s website.

Without further adieu, I will leave you to access this important file, one worth your time.

Patricia Cummings
Quilter’s Muse Publications

New England Quilt Museum Offers Activities to Honor Breast Cancer Awareness Month in October

Sunday, September 20th, 2009

ANNOUNCEMENT

Bras for a Cure

Artfully-made Bras by Barbara Malek, Lyn Walfish, and Beth Licari (clockwise from top).

October is Breast Cancer Awareness month. The New England Quilt Museum in Lowell, Massachusetts, will feature an exhibit of bras and quilts made by, for, or in memory of women with breast cancer. Both the bras and the quilts were designed and created by NEQM members, as well as the Nimble Thimbles Quilt Guild, Reading, MA, and women who live in the greater Lowell area. The bras and quilts, both poignant and whimsical, will be on display throughout the month of October at the museum.

As part of Breast Cancer Awareness Month, the museum will host an awareness event on October 1, 2009, in conjunction with the display’s opening. On hand will be Meg Lemire, Director of Oncology Social Work and Community Outreach, Lowell General Hospital, who will deliver a lecture that highlights the importance of breast cancer screening and the new treatments available. Hospital staff will accompany her.

The Museum’s Outreach Manager, Rhonda Galpern, coordinated the exhibition and lecture as a means to pay tribute to members of the museum and quilting community who are or have battled the disease, to promote awareness, and to offer cancer survivors a comforting and creative means of expressing their personal experiences.

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Many thanks to the New England Quilt Museum for sending this important announcement. There is perhaps no woman living who does not know another woman or relative who has had breast cancer or who has had it herself, or even the threat of it, via discovery of a lump, albeit benign. New strides are being made in the detection and treatment of breast cancer. While scientists strive to find answers and ways to prevent this disease, as women we all have to come to terms with it, directly or indirectly. Personally, I am happy to see many women plying their needles in support of awareness. ~ Patricia Cummings ~

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This public service announcement is brought to you by Quilter’s Muse Publications

Stories of My Mother

Saturday, September 19th, 2009

My mother enjoyed telling the stories of her life that were most meaningful to her, and I am glad that I grew up listening to them. Sometimes, I did not pay much attention to the details for I somehow thought that she would be here always, to repeat them, if need be. Now that she is no longer here, I wish I had asked more questions and been less impatient when she recalled the events of her life, while she still could.

Betty Fischer

My mother at 21 years old

My mother would be the first to tell you that her family members were descendants of Austrian aristocracy: the House of Hapsburg in Vienna, to be exact. It is true that her father was born in Vienna. Beyond that, the family circumstances have not been verified yet, except that ancestors immigrated to the United States.

My mother’s mother was from Georgia, and supposedly related to Robert E. Lee. Many family members have the name “Lee” as a first or middle name, over many generations, so I have always thought that to be a possibility.

My grandmother married the Austrian boy, of whom there is not one extant photo, as far as I know. “Nana,” whom I never met, is reported to have been very beautiful, with long auburn hair. She loved to play the piano and had the voice of an angel. She had almost the full brunt of raising her 11 children, as her husband came down with malaria while fighting in the Spanish-American War. That disabled him greatly, at times.

Every Thanksgiving, my grandmother would contact the local Grenier Field Air Base in Manchester and tell the commander that she could provide a Thanksgiving dinner for servicemen who would like to call at the house and join in the holiday celebration. She was a great cook and there were often “extra” people around the table, although I suspect that Nana Fischer, with older girls in the household, may have had some other ulterior motive disguised in her generosity.

4 yrs old

Near Atlanta, GA: my mother when she was four years old

Let’s skip back to Georgia. When my mother was very young, she was meandering through a field and stepped in a nest of wasps. She began running a high fever and was delirious for days. Her old grandfather, who always called her “Weensy Scrap,” stayed by her side, giving her sips of Buttermilk, which she credited with her survival.

My mother boarded a train headed for Manchester, NH with her parents and siblings when she was five so that the family could find work in the Amoskeag Mills. She was forced to leave school after finishing her freshman year of high school and earned $12.50 per week of which she was allowed to keep fifty cents. Her pay kept her in clothes, make-up, and sheet music, as she liked to sit and sing all the current hits. She had wanted to stay in school, as she loved sitting in on a French class, during her study hall period, and longed to learn French, something she never did.

She often recalled walking over the Queen City bridge and with the snow and wind blowing and without a proper hat, her ears were frostbitten. She met a charming Irish boy, my Dad, who lived on the other side of the river, not on the West Side, like her. He was Catholic and she was Protestant and that posed a problem.

parents wedding day

This photo shows my parents on their wedding day in 1937. They were married in the Rectory by the parish priest, as my mother had not yet converted to Catholicism. It was probably just as well, as the marriage occurred during the Great Depression. There would not have been money enough to fund a large wedding event.

My mother told me very little about the south. Most of the stories had to do with her family losing some of their garden produce to thieves, as well as her mother’s diamond ring, to a trusted housekeeper. Another story recounts an old peddler woman selling glass bottles of a remedy which actually turned out to be rabbit pellets. Ick! It was still the day of the traveling salesman selling snake oil!

My mother always kept southern food traditions alive throughout her life: Lima Bean Soup, Johnny Cakes, Pecan Pie, and many other foods. From her, I learned about food ration coupons during World War II, and how two of my uncles were wounded in two different wars (WWII and the Korean War). She taught me about the social dynamics of the family and revealed the nature of incidents that ultimately effected relationships.

I miss my mother and all of her stories. Alzheimer’s Disease took her mind, and then, a heart attack took her life at age 92, in October 2005. She was my biggest critic, my staunchest confidant and sounding board, and simply could be outrageous, or just as humorous as anything. Now that I have shared some of her story, it almost seems as though she is still here. Don’t blink too fast. Hold your loved ones close, as long as you can.

Patricia Cummings
Quilter’s Muse Publications

Mediocrity v. Genius in America: Take Care In What You Tell Your Children

Saturday, September 19th, 2009

In society today, mediocrity rules, and conventions of conformity reign. We need to tell our children to be the best they can be, and to cast off all those who would put them down for their excellent abilities and try to browbeat them into the unconscious crowd mentality.

In my day, the expected standard was that boys were simply better at math. The idea was a given. As a kid, I “bought” this idea and did not even strive to get straight A’s- far from it – yet, I excelled at language applications of all kinds. Today, I find that I have excellent practical math skills, as a quilter. What we tell children is important as they will live up to our expectations.

image from Pat's book

A happy line drawing depicts carefree children fishing, their dog helping. From Just for Fun: 98 Olde Redwork Designs by Patricia Lynne Grace Cummings (2003).

When someone is young, he or she is exposed to the world, little by little, although if you watch the news, your understanding of the experience of childhood may be altered considerably. Dancing contests for girls, complete with adult makeup and beyond-their-years attire, may have contributed to at least one death.

Adults seem to want their children to grow up too fast these days. Juxtaposed against the extant embroidered depictions, designs for outline stitch embroidery, and paintings of children in other centuries, that show children at play, it seems that America is dead-set on not letting children have a childhood.

Patrick playing at the beach

My grandson, Patrick, playing at the beach. “Like sands through the hourglass, so are the Days of Our Lives.”

Today, the expectations of parents and society for children are high. They must excel at everything they do, from soccer to academic grades to music. If a child is “smart,” it is felt that they need no extra help or encouragement as they will be able to fend for themselves. Most schools have special classes for “special needs” children, yet many schools do not address adequately the situation of a kid being “gifted.” Emotionally, the “gifted child” may need even more support than you might think.

One teacher’s assistant once told me that she felt “intimidated” by my son because he was so “smart.” A professional assessed him as being able to comprehend written materials at a 7th or 8th grade level, when he was only four years old. At the same time, he could discuss what was on the news, including the Carter/Iranian Crisis. Yes, what does a school do with such a precocious child?

Sometimes, a devised answer seems to be just to place the child in a class ahead of his, thereby positioning the individual with children who are larger physically, and sometimes, more wised up. At other times, as in my son’s (second) school, he participated in a “pull out” program, once a week, where a spectacle was made of him physically leaving the class, along with a few other select kids, when he was in the sixth grade. This is when “being gifted” begins to feel like a disability, and school like a curse.

As one progresses through school, it often becomes apparent who are the most well-liked children. Usually, at least in my experience, those kids seemed to be the cheerleaders and young men who went out for sports, or the children of affluent people who wear the nicest clothes and have the best family vacations.

The looming question for children is what they want to “be” when they grow up. Who knows the answer to that question, even at age 18? There are no active directives in place, as one goes through school. At least I never received much help in that direction.

HS pic

Pat as a senior in high school

I remember visiting the office of the high school Guidance Counselor in the 1960s. Instead of opening up possibilities of career choices, she told me that I could be 1) a nurse (no, thanks!), or 2) a teacher. However, she admonished, I could not consider being an airline stewardess because I am not pretty enough. (I never even mentioned that hope.) The remark still strikes me as odd.

Not being pretty, in her eyes, consisted of the fact that I am almost 5’8″ – tall for a girl, at the time. Ultimately, I opted to become a teacher, a characteristic I’ve carried with me through life, formally and informally. Ironically, the skill I have used the most is typing, learned in a one credit class at the University, on an old Royal typewriter.

We give all kinds of strange messages to our children. “Clean your plate” is one of them. Of course, in addition to that demand, I was constantly reminded of the starving Armenians and made to feel guilty if I did not absolutely eat everything served on my plate.

In fact, repulsed by the sight of hamburger, knowing it was ground cow, I refused to eat it one night, and was made to sit at the table until I feel asleep in my plate, after midnight. I could be stubborn. I wonder if the weight problems of America are the result of people having been forced to be members of the Clean Plate Club.

It is important to speak with children about physical changes they will undergo, and about having relationships within the greater context of love. Encourage them to avoid casual encounters that carry no real commitment on the part of either party. Discussing long term goals is a good thing to do, but events in the present should be addressed, as well. All too soon, children grow up and have their own children. No doubt they will take the best and the worst of our parenting skills with them. As with any skill, parenting can be improved (even as that role changes).

My one child is grown now and has two children of his own. Like himself, he has an extremely intelligent wife who is a loving and responsible parent. I feel blessed to know that the family is striving hard to meet their goals, personally and professionally.

Due to distance, I see them infrequently, but it is always a joy to realize how much my grandchildren have grown in the meantime. Photos calls, and the Internet keep us up to date.

“Take joy,” as Tasha Tudor often said. Take joy in every day. Each is a gift.

Patrick and Hannah

Patrick loves his little sister who was born in July 2009. To quote the Bible: “… and the greatest of these is love.”

Photos courtesy of Rebecca Gorham’s site.

P.S. My son, James Gorham, is a doctoral candidate in the English Department at the University of Rhode Island. Rebecca Gorham earned a degree in Economics from Smith College and works for a pharmaceutical company as a financial analyst.

Grandma Pat

Grandma Pat – 2009 – who sometimes reverts to the role of a clown, whenever it pleases her.

Patricia Cummings
Quilter’s Muse Publications

John Perrault Presents Musical Ballad Program at Belmont (NH) Historical Society

Friday, September 18th, 2009

John Perrault

photo of John Perrault by James Cummings, Quilter’s Muse Publications

What a treat it was to hear the many old ballads that John Perrault sang tonight, accompanied by his guitar, which he plays proficiently. His love of history and the history of ballads was apparent, as he wove historical threads into the program, “The Ballad Lives!” His words connected us to certain countries of origin for the songs he sang, and to stories behind them. He revealed how and where these songs were collected and preserved and the names of certain individual folklorists who assisted in that quest.

Perrault gave a mention of the permutations that ballads undergo as they are passed from person to person, and generation to generation. Often, ballads are based on an historical event, but later become a blend of both myth and history. He states, “Many ballads focus on love, death, and tragedy – things universal in the human heart.”

We were treated to renditions of the familiar “Barbara Allen,” or “Barbry Allen,” as some singers pronounce the name. The presenter went on to describe and sing songs about murder, “Little Sadie,” (known by three other names); “Pretty Polly,” and “Cruel Mother” … adding anecdotes, commentaries, and of course, additional songs.

The song that most impressed me is called “The Ballad of Louis Wagner,” that recalls the murder of two women on the Isles of Shoals, off the coast of New Hampshire and Maine, on March 5-6, 1873. Louis Wagner was convicted for the crimes and was the last man to be hanged in Maine in 1875. John Perrault wrote an amazing and long poem and set it to music, delivering the ballad with a passion for the history it invokes and with parts of it presented in the first person, by “Louis” himself. The song states that the murderer wore a silver chain and had a silver Judas heart. I love the imagery. Apparently, the motive for the murders was to find and steal silver.

Overall, this was an amazing performance, and yet another cultural program brought to the public, at no charge, by a New Hampshire Humanities Council grant. John Perrault has taught high school, and has worked in law. He was the poet laureate of Portsmouth, NH from 2003-2005. We were very pleased with this program and we encourage others to visit John’s website, and to attend or book any of his future presentations. He has other programs available. His latest book, Jefferson’s Dream, is currently for sale.

Patricia Cummings
Quilter’s Muse Publications – The one ballad that I recorded for Quilter’s Muse Publications and Virtual Museum is a song called “Mary Hamilton,” a long English narrative about a woman who killed her babe, and whose fate was the gallows.

A second long Irish ballad that I sing is “Mrs. McGrath.”

Question from Reader re: Thread

Friday, September 18th, 2009

The question – “Can you tell me where to buy turkey red embroidery thread?”

At first, I was floored by this question because I wondered where the reader found the term and why she was asking me. Mystified, and short on time, when I read the one-line message, I wrote back, “Why do you want to know?”

The subsequent reply was that she had seen a (19th century) pillow, worked in turkey red thread, in an article I wrote for the current issue of The Quilter magazine.

If someone were to go into a general store that carries hobby supplies, like JoAnn Fabrics or Michael’s, and were to ask for “turkey red” thread, the look on the face of the customer service representative would be priceless. Most likely, the person would not have a clue as to what the customer meant.

“Turkey Red” is a process, not a specific color, that was effected by the use of root madder dye and many processing steps, in other centuries. Today, companies such as DMC and Anchor make red embroidery thread, some colors of which can sometimes approximate the color of 19th century dyes.

The main quality that accounted for the popularity of so-called “Turkey Red” thread, in the 19th century, is that it is colorfast and lightfast. Yet, not all thread that was used for embroidery, at that time, had those endearing properties.

“Turkey Red,” madder-based fabrics were printed, as well. To see and/or purchase simulated fabrics of that kind, visit Margo Kramer’s Reproduction Fabrics website.

As far as thread goes, none of it is now commercially called “Turkey Red,” a relatively archaic term. At least, not at this writing. I may give someone an idea. However, embroidery threads are sold by number, not color name.

In the recent past (early 1990s), some thread manufacturers had “issues” due to changes in environmental laws. Some reds were unstable. However, the problem seems to be resolved.

My best advice for choosing threads for outline stitch embroidery (Redwork, Bluework, etc.) is to choose a cotton embroidery floss that you like, in whatever color you choose, even perhaps a variegated color for a more avant garde look. For more information, you may want to consider purchasing my CD e-book: Redwork Renaissance Revisited that does provide more specific information. It is listed on my Products Available Page on our website.

Best wishes,

Patricia Cummings

Constitution Day Observed with Talk Presented by Richard Hesse – Professor Emeritus

Thursday, September 17th, 2009

Richard A. Hesse, Emeritus Professor of Law at Franklin Pierce Law Center, Concord, New Hampshire, presented a talk titled, “Free Speech in a Free Society,” at Folsom Tavern on the grounds of the American Independence Museum in Exeter, New Hampshire, on September 17, 2009. The information was organized and presented in a flawless manner, reflecting the many years that this individual has taught classes in Law.

In greeting the public, in the small, intimate quarters of an upstairs meeting room that was filled to capacity, the speaker mentioned that the topic of free speech is very appropriate because 1) It is “Constitution Day,” and 2) There are two drafts of the Constitution in the museum, complete with “cross-outs, annotations, and doodling” in the margins. We always realized that the American Independence Museum is a very special landmark in our state, and this is something else to its credit!

The talk was extremely compelling. Practical examples were set forth that described how law might be applied across a large array of potential situations. The one example that looms large, in coming away from the talk, is that free speech is necessary in society in order to create a “marketplace of ideas.” When all ideas are not heard, someone’s personal expression is limited, which can be frustrating to an individual, and the situation can create social disharmony. The person who is not allowed to have his say (at a town meeting, or elsewhere) may choose more destructive means of expression (like making a Molotov cocktail in his basement).

I think we’ve all seen in the news the results of what can happen to those whose ideas are not considered. They may be the ones who suddenly “go postal.” (This is my statement, not that of Dr. Hesse).

I loved this presentation! The meaning of the First Amendment (“Government can make no law …”) was explained, as well as the concepts that surround free speech in our society. The lecture was just one of many in a series endowed by grants from the New Hampshire Humanities Council, a group that plans to host Salman Rushdie, author of The Satanic Verses, and other books, as the keynote speaker this coming month, (October 13, at a dinner, by pre-registration).

The professor spoke for 50 minutes and then took questions. My intent is not to give away his whole talk, but just to tell you enough so that you will want to attend yourself, if and when he presents the topic again. As always, we are so grateful for these marvelous lectures that are so informative. I feel that I have a much better understanding of this topic now, thanks to Dr. Hesse. We have attended perhaps 11 of these lectures this season and each one has added so much to our appreciation of many facets of Humanities, from Music to Poetry to Symbology of Gravestones, and so much more! Thank you!

Patricia Cummings
Quilter’s Muse Publications

Mary Travers of “Peter, Paul and Mary” Has Reached the Golden Shore

Wednesday, September 16th, 2009

When I think of performers who epitomize my memory of folk music in the 1960s, I recall Mary Travers, a pretty girl with long, straight, blonde hair, a mere wisp of the woman she would become. She and her two fellow musicians, Peter Yarrow and Noel Paul Stookey, gave us much of the music worth recalling from that decade. They followed the lead of The Weavers, Pete Seeger, and Woody Guthrie, who sang their politics at a time when it was important for America’s young voices to be heard. They sang for peace, for racial equality, and for the sheer joy of keeping old folk songs alive and reviving other tunes.

Mary was 72. In recent years, leukemia was the ultimate reason her voice was no longer heard publicly. In a sense, the people whom we remember well, live on in our hearts, at least until we old hippies succumb to the same fate, when life ebbs. We loved the fervor and the sincerity of the way that Peter, Paul and Mary delivered their music. Their music was nothing, if not meaningful, at all times.

Here is a link to an official obituary.

While we mourn this loss, we are also aware that Mary is now free of the pain and suffering that is inevitable in every life. Personally, I will not choose to remember her in any other way than as a young, vibrant woman with a strong will and voice whose music was an inspiration to me, as a teenager. God bless you, Mary. And now … you’re on your way.

Patricia Cummings
Quilter’s Muse Publications

Chick Flicks and Macho Movies … and a flash to the past

Wednesday, September 16th, 2009

Background

Growing up during the 1950s, I remember our first television was a heavy monstrosity that no one could lift. It had a tiny screen. I believe it had rabbit ears, for reception. There was little of interest (to me) on TV. My brothers watched “Rin Tin Tin” and I liked “Lassie.” On Saturday nights, my parents always tuned in to view “Lawrence Welk.”

As I got older, I loved to watch “I Love Lucy,” because I liked “Ricky’s” strong Spanish accent and because the scenes were so outrageously funny. I don’t recall going to the movies with the entire family. My older brother took me to go see “Gone With the Wind,” although my mother worried that it might be a little too “advanced” for me. It wasn’t.

Movies in Abundance Now

Jim likes movies. He likes shoot ‘em up, blood, gore and guts movies. I guess it’s a guy thing. I like movies that involve psychological studies of the mind. His choices don’t usually hold my interest. Last night was different.

When I walked into the room, the television was portraying a pseudo-execution scene of a young woman, by lethal injection. Somehow, the protagonist’s life was spared, in exchange for learning to be a trained killer. The plot thickens as she takes a lover, but is always trying to maintain a no-questions asked persona, while she carries out orders to execute people. “Point of No Return” is a riveting movie because the viewer is kept on the edge of his seat, waiting to see what happens next. Jim tells me that the film is a take-off on “La Femme Nikita,” a French movie that won awards at Cannes Film Festival.

For me, the most intriguing moment of the whole story was when the Spanish son, “Cuando Calienta El Sol,” began to play in the background. I learned this song in Spanish class, in 1965. (I’ve written out the words below, although I can’t add accent marks to this blog program).

Cuando calienta el sol (calentar = to heat up. The 3rd person singular of the “stem-changing” verb is “calienta.”)
aqui en la playa (Notice that the first time the singer sings the word “playa,” it sounds like “ply-ja.” This is a common variation in the Spanish-speaking world).
Cuando tu cuerpo vibra
cerca de mi.

Es tu palpitar, es tu cara
es tu pelo, son tus besos
me estremezco, oh, oh, oh

Cuando calienta el sol
aqui en la playa
Siento tu cuerpo vibrar
cerca de mi.

Es tu palpitar
tu recuerdo, mi locura,
mi delirio, me estremezco, oh, oh, oh

Cuando calienta el sol.

which means —

When the sun shines on the beach
When your body is vibrating next to mine

It is your heart beating, it is your face,
It is your hair, it is your kisses …
I shudder (shiver/vibrate) – oh, oh, oh

When the sun shines, here on the beach
I feel your body vibrating next to me.

It is your breathing, your memory,
my craziness, my delirium, I shiver – oh, oh, oh
Cuando calienta el sol.

Pretty hot stuff for Freshman Spanish, eh? Luis Miguel, a young singer, has a lively video of this song on YouTube.

It’s always fun to find a movie that Jim and I can actually stand to watch together, all the way through. The last one was “Julie and Julia,” one that is already a classic, I believe.

Wishing you passion and love in your life!

Patricia Cummings
Quilter’s Muse Publications