Archive for June, 2009

A Lovely Lupine Journey

Monday, June 8th, 2009

As a custom, Jim and I generally head to the mountains of New Hampshire for “Lupine Festival,” when Lupines are in bloom. They are a northern flower that thrives on cool mountain air. For a second year in a row, we stopped at the Sugar Hill Sampler, a combined gift shop and small local museum. I counted two old quilts, one a biscuit style, and the other, a nine patch with double pink sashings. The owner’s grandmother had made that one.

pink Lupines

Pink Lupines

However, on this day, we did not seek more quilts, although the shop had some beautiful ones for sale, with matching, ruffled, pillow shams. The set I liked best featured rectangles of (machine-embroidered?) Lupine flowers. I did not look at it too closely, so I am not sure of the technique. Yet, my impression is that it was very charming and well-made (and machine-quilted).

Sugar Hill Sampler wagon

Outside the shop, we were greeting by this old Sugar Hill Sampler wagon. The colors are eye-catching.

The shop sells high-end, crafted items like baskets, small pillows stuffed with balsam fir, Christmas ornaments, wooden objects such as mirrors, jellies, candy, artistically-made greeting cards, area postcards, stuffed animals, fudge, cheese, kitchen towels, Lupine seeds, and much more.

I did not linger long, just long enough to spend about $25.00 on items that I might have lived without but which called my name. An interesting crayon marker that I bought is enclosed in a large twig of birch bark. Jim asked me if the little stuffed frog was intended for a grandchild. No! It is for me! If you squeeze him, he will croak, (the frog, that is)! He will join my singing loon, for a collection of two New Hampshire wild critters who emit sound.

Lupine trail

At the Sugar Hill Sampler, there are walking trails that go out into a field of Lupines. There a wonderful view of the mountains from there. Along the trail are white signs on which are written poems about the beauty of Spring and nature, and philosophical statements such as, “If you would change the world, you must begin with yourself.”

orange flower

Orange flower by the side of the trail, in the Sugar Hill Sampler field. It reminded me of the saying, “Bloom where you are planted.”

Lupines by side of road

Moving along, we took a back road and out toward Lisbon, we found more patches of Lupines, including the ones shown above. These were just along the road. I love the mixed colors, when white and pink and present, among the predominant blue/purplish blooms.

turtle on a log

While driving along, my eye is always combing the scenery for wildlife. I spotted this turtle on a log, in a pond, sunning himself. He dived into the water, right after Jim took his picture.

Before heading home, we traveled to Littleton and had a late lunch at our favorite restaurant in that town, “The Oasis.” Their Mediterranean Chicken Wrap is to die for. That is what I ordered. Jim liked his 1/2 roast beef sandwich, and Beef and Chicken Soup.

Conveniently, there is a great cooking store on the first level of the building (as well as a knitting store). I need to buy some parchment paper. The clerk laughed when I told her it was for a quilting project (to keep fusible web from sticking to my ironing board).

Lupines and stone wall in Lisbon, NH

I asked Jim to take the photo seen above to illustrate a poem that I have recorded, by Robert Frost, called “Mending Wall,” available on my website. See home page.

Another wonderful, sunny day with little activity and few people mulling about, in New Hampshire’s North Country, a day slow enough for a turtle to come out of his shell … and that’s the way we like it.

Patricia Cummings
Quilter’s Muse Publications

Underground Railroad and Quilts – Information Found Online

Sunday, June 7th, 2009

Last night, I was pleasantly pleased to learn that an article I had written for The Quilter magazine, entitled, “An American Quilt Myth? The Secret Code of the Underground Railroad” by Patricia L. Cummings, (NJ: All-American Crafts Publishing, Inc., 2004,) 72-75, was cited in a 748 page book titled, Encyclopedia of Slave Resistance and Rebellion by Junius P. Rodriguez which discusses the objections of historians and quilt scholars alike to the “secret quilt code” (on pages 407-409), as described by the 1999 book, Hidden in Plain View, written by Raymond Dobard, Jr., Ph.D. and Jacqueline Tobin.

Monkey Wrench Quilt Block

The Monkey Wrench quilt block was one that was mentioned in the secret quilt code. The actual “Monkey Wrench” tool was not invented in America until 1850, making the block out of sync, time-wise, with the major, earlier time period when Black Americans escaped from slavery. This is just one of the discrepancies in the “secret quilt code,” as set forth by the late Ozella McDaniel Williams. Quilt block constructed by Patricia Cummings for educational purposes.

The Rodriguez book was published by Greenwood Publishing Group, Inc., as part of a series called “Greenwood Milestones in African American History, Ser.” The 10 digit ISBN number is 031333272x. The expanded version is ISBN 13: 9780313332722, and the book was published in December 2006.

On pages 407, 408 and 409, there is an entry by Glenn Reynolds. At the end of that information, the published works of Fergus Bordewich, myself, Leigh Fellner, Virginia Gunn, Marsha MacDowell, and Giles Wright, are cited.

Two sentences toward the end of the author’s remarks are presented here:

Although the authors’ (Dobard and Tobin) assertion that primacy in the case should be given to the rich tradition of African American oral history, the lack of supporting evidence remains a plaguing problem. Not only has the book failed to spark any verifiable stories from others to help validate Ozella’s (Ozella McDaniel Williams) claims, but the rich oral testimony collected from ex-slaves in the 1930s by Works Progress Administration workers also fails to mention the use of secret quilt codes. (etc.) – Glenn Reynolds

I am happy that someone has been listening because the proliferation of this quilt myth throughout our school systems, particularly, has been discouraging to scholars who have tried to apply logic and known facts about history and quilt history to this subject, to counteract Dobard’s “informed conjectures.”

Alas, there is a “Gott im Himmel!

See my extensive writings on this subject, on our website. Here is one article: The Underground Railroad and Quilt Blocks. There is also an audio file: The Secret Quilt Code.

Patricia Cummings
Quilter’s Muse Publications

Musings: When Are We Good Enough?

Saturday, June 6th, 2009

Poppy

Poppy: In Victorian times, one of the meanings of the Poppy flower was “consolation.” Artists should console themselves that their work is acceptable.

According to a Facebook page “test,” my aura is Red. That is based on my answers to questions that demonstrate that I work hard, have a tendency toward perfectionism, and strive very diligently to improve my knowledge, as a daily routine. In fact, it would not take a mental giant to figure that out, after taking a look at my website writings and other creative work.

When are we ever good enough? Is it when a master’s degree has been obtained, or a doctorate? Is it when we have been “vetted” by our peers? (I’ve come to hate that stupid word, “vetted”). Are we good enough when our writings have been published overseas? (Mine have been). Or, do we have to be on television, preferably a show of popular standing, like “Oprah?”

Are we good enough when we are seen praying, publicly? Or, are we good enough when we are invited to be listed in “Who’s Who?” (Yes, it would only cost about $90. or more to have one’s name listed, along with thousands of others). No, thanks.

Are we good enough when we have money in the bank, or the “right” kind of car, that looks up and coming? Are we good enough as a result of wearing designer clothes, instead of Goodwill cast-offs?

Who is to say when any of us are “good enough?” Today, it seems that people judge other people based on nonsense. Their thoughts consider only the peripherals, the exterior wrappings, that are non-essential components of an individual.

In my opinion, there is no college degree, no set of clothes, no Cadillac in the driveway, that can make a person “good enough.” The essence of goodness is but a reflection of God’s love, the source of life itself. Goodness is a model from which we all fall short due to our selfish yearnings. My Catholic upbringing tells me that I shall never, ever, be good enough.

So, I spend my days on the treadmill of Life, like a mouse on a wheel, in a never ending circle of motion, trying on the one hand for approval of my efforts, while on the other hand, waiting for the time when I can jump off the wheel.

I can tell you one thing, anyone’s opinion of me will never matter. Doggone it, I tell myself, I am good enough, and I wouldn’t trade my rich life experiences, good or bad, for all the tea in China!

—–

After posting this blog entry, I received this letter:

Hi Pat,

Loved your musings! Are we ever good enough? I find the more I have to surrender to the aging process and various illnesses and become accepting of what I can and can no longer do, I have a healthy respect for all that I have been able to do. I am grateful that in my own my mind and by my own desires to accomplish things that seemed important to me, I feel that in my small way I have made a difference.

I hope for all beings that they can reflect and feel that in their own small way they have made a difference.

My prayer today on this D-Day Anniversary is that Obama will be able to make a difference in this world of ours and help to bring about dialog, understanding, and the way to peace among all nations and all beings.

Keep on blogging. Take care. Louise


Thanks, Louise!

Patricia Cummings
Quilter’s Muse Publications

“Signature Quilt” Pilot Project Seeks Quilts

Saturday, June 6th, 2009

This information is offered as a public service announcement. It is a copy of a letter sent, to all of the online quilt lists in which I participate, from the committee who will be conducting a program to establish a Signature Quilt database.

Call for Participation: Quilt Index Signature Quilt Pilot Project

Do you have a quilt with signatures and perhaps other writing on it that you’ve been researching or that you would like to share with other researchers?

The Quilt Index is conducting a pilot project for “signature” quilts that will test a new system that will eventually allow public submissions of quilts.

We have been working with a group of researchers all spring. See the project description and update on the Quilt Index website

We are now looking for contributors/researchers to participate in this free pilot.

Quilts from any time period with more than one name on them that are not simply the artist’s “signed” mark qualify. We are purposefully defining the scope of this pilot to include the broad traditions of writing names on quilts, from fundraising-type “signature quilts,” to “friendship,” “album,” and “presentation” quilts.

We don’t know what kind of response we’ll get, but we’ve set a minimum goal of 50 quilts for the pilot. These will include “tester” quilts owned by the SQP team members, quilts documented by the SQP already in an earlier phase, direct invitations to contributors and researchers who have been working with us, and an open call for participation to members of AQSG, QHL, BQHL and H-Quilts online networks.

Here is the overall timeline for this pilot:

1. Sign up to participate by Friday, June 12.

2. Participate in one training session, either on Thursday, June 18 at 1pm (Eastern Daylight Time) OR Saturday, June 20 at 1pm EDT. (Note: You will need
simultaneous access to a phone line and a computer that is connected to the Internet.)

3. Enter your quilt this summer, by Wednesday, August 12. (We will acknowledge your submission and communicate with you for further clarification, if necessary.)

4. Signature Quilts section of Quilt Index website will launch by October 15.

For this pilot, the QI staff first and SQP team as a whole will review actual submissions for completeness and either approve them or communicate with the owners to clarify or enrich the submission. We will be evaluating this process for development of a future vetting process for public individual submissions.

Even if you do NOT have a signature quilt to enter, you can still help the Quilt Index plan for other types of public quilt submissions. Please fill out this Quilt Index sustainability survey and let us know what you think.

Thanks very much to the Institute of Museum and Library Services, which is supporting the development of public object submissions to the Quilt Index, and to the Salser Foundation, for supporting a specific focus on Signature Quilts.

Sincerely,

Quilt Index staff team and Signature Quilt Project
Marsha MacDowell macdowel@msu.edu
Mary Worrall worrall@msu.edu
Justine Richardson justine.richardson@matrix.msu.edu
Amy Milne amy.milne@quiltalliance.org
Nancy Hornback nancy9636@sbcglobal.net
Karen Alexander karenquilt@rockisland.com
and Lynn Gorges palampore@aol.com

Published by Patricia Cummings, Quilter’s Muse Publications, June 6, 2009

Steve Blunt Provides Stunning Performance at Hancock Library in NH

Thursday, June 4th, 2009

Steve Blunt, a musician, storyteller, and songwriter, transported a room full of people back to mid-19th century tonight while playing the role of John Hutchinson of the famous Hutchinson Family Singers. He wore period attire, and reminded me greatly of how Franklin Pierce looked in his official portraits. The program was called, “Liberty is Our Motto!: Songs and Stories of the Hutchinson Family Singers.”

Steve Blunt dressed as John Hutchinson

Steve Blunt dressed as John Hutchinson

An accomplished singer and musician (and former middle school English teacher), Steve flawlessly delivered a powerful description of the times in which the Hutchinson family lived, and the events of their lives. John Hutchinson was the 11th of 13 children. Family members left the farm in New Hampshire to travel the world, “singing for their supper,” at times, and they even managed to play their music for England’s Royal Family! They were motivated to write and sing songs about the major issues of their time: abolitionism, equal rights for women, and temperance.

Part of being a great presenter is knowing the material you share, very well. With a keen appreciation of historical details that only comes with having done research oneself, Steve was able to impart a history lesson that became even more compelling with the addition of music. He sang songs such as “Lincoln & Liberty,” “Tenting Tonight On the Old Campground,” “The Old Granite State,” “Get Off the Tracks,” (about Emancipation), and others. If he ever makes a solo CD of these songs, I will be first in line to purchase it. Luckily, I was able to purchase a CD called “Hutchinson Family Singers of the Old Granite State” put together by eleven individuals.

Steve’s main employment consists of writing songs for children and sharing his music in school settings. He has won awards for his songwriting. He travels throughout New England. To hear song samples and to order his CDs for “kids,” please visit his website: www.steveblunt.com

This performance was sponsored by the Hancock Historical Society and the Hancock Library, in conjunction with the NH Humanities Council summer lecture series. We were thrilled by the high quality of information imparted, and the talent with which Steve Blunt is blessed. This was an evening to remember!

Steve Blunt highly recommends this geocities site for more information about The Hutchinson Family Singers.

Patricia Cummings
Quilter’s Muse Publications

Retired Dentist Sees Slave History and a “Code” in an 1887 Crazy Quilt/ New Book Available

Thursday, June 4th, 2009

Dr. John E. Allen and his family's Crazy Quilt

John E. Allen, D.D.S. and his ancestral Crazy Quilt from 1887

A new book published by Trafford Publishing is titled, The Content of Their Character: The Story Behind This Antique Quilt and the History of the African American Family That Made It. Written by John E. Allen, D.D.S., a retired dentist and jazz musician, the book explores 150 years of family history, and adds to the quilt code controversy, as he proclaims. The quilt was made by ex-slaves and contains its own “code,” he states. More information is available at the publisher’s site.

The price is US$44.48. Call 1-888-232-4444, where a friendly voice will take your order, or order through amazon.com with the link below.

This notice is brought to you as a public service. I try to keep my readers informed.

Patricia Cummings
Quilter’s Muse Publications

The Abenaki Tribe of New Hampshire

Thursday, June 4th, 2009

About a year ago, this comment was sent to us by David Mathieson. Since it contains valuable information, it is worth sharing again.

Submitted on 2008/08/29 at 10:51pm

One quick comment on your reference to the Abenaki. This word Abenaki means people of the earth so in general this term refers to all the northeastern Indian population for the northern Algonquin dialect including all those in Maine, New Hampshire, Vermont, as well as the northern border area of Massachusetts. This also includes the eastern provinces of Canada. In New Hampshire this would refer to the western Abenaki which included the Pennacook and Cowasuck. The western Abenaki were not passers through, trading as they went, but residents who migrated from one season to another. They refer to this land, New Hampshire, as N’dakina. Translated this means “our land!”. Look at the root “aki,” in both words, which in their language means land or earth. Go to http://www.cowasuck.org/ to learn more about the people and their history.
Best wishes, Dave

The history of Native Americans in New Hampshire is a fascinating subject and one worth exploring. The Millyard Museum in Manchester, New Hampshire has quite a bit of information. I look forward to reading more about this topic. Many of the Abenaki moved to Canada and interbred with the French population there. However, many Abenaki returned to places they had loved, such as North Conway, New Hampshire. Today, there are less than 1,000 people of Abenaki descent in the state, and few who speak their native language. Here is a link to a site that further describes their influence on the names of towns here.

Have a great day!

Patricia Cummings

Lecture Leaves Questions

Wednesday, June 3rd, 2009

We rose early this morning, stopped for a quick breakfast, and then hit the turnpike for a long ride up to northern New Hampshire. The day was grand and we needed our sunglasses. Along the way, I spotted several wild turkeys, but today, there was no moose in sight, although we have seen them in bogs in that area. The reason for our journey was to attend a quilt lecture. It was with a bit of foreboding that we attended the lecture given by someone whose name I did not recognize but who was touted as a “quilt historian.”

The presenter arrived, only to find out that it would be impossible to give her power point program with photos of quilts. The library did not have the necessary equipment, and she had not brought her own. She brought in a few textiles and laid them off to the side, introducing herself as a knitter turned quilter, and a poet.

I am very sure that this lady is a nice person and that she means well. She described her first quilt ever made as one based on the “Anglo-European” tradition, and said she’d made a Dresden Plate design (“shaped like a plate, you know, and with different colors.”) The words “Anglo-European” tradition had me wondering because of the imprecision of the statement. I recalled the “wholecloth quilt” tradition of early English textiles, and made a mental note to re-check when the earliest English and Dutch pieced quilts were made.

The lecturer stated that she has a photo of the first known Amish quilt in faded reds and purples, created sometime between 1865 and 1940. Again, I question how anyone would know “who” made the very first Amish quilt. As an Indiana Amish quilt expert has stated, it would be prideful to brag about having made the first Amish quilt. That fact would not be something discussed.

Update on June 14, 2009: I have been trying to find out further information about this purported “first Amish quilt.” My query to the speaker yielded no response. Inquiries of my colleagues in quilt history circles reaped one answer from a scholar who has studied Amish quilts extensively – she has never heard of such a thing. Will keep my mind and my eyes open for more information.

Moving along, she stated that yellow was a forbidden color. I am told that this is not widely the case, and if the color were forbidden, the Bishop of an area would be the one to decide. She further stated that Amish women came to use the color yellow in their quilts because a peddler hid some of the yellow fabric into a fabric packet. I am not sure where she learned that story, but it sounds a lot like a myth, although a very “nice story.” There are a lot of myths surrounding quilting, as you know.

There was mention of “squash seed” quilting. The term I have always heard has been “pumpkin seed” quilting and I saw quite a lot of that in pre-1950 Amish quilts, from the two valleys, (one of them being Lehigh Valley and the other ??), in an exhibit in Intercourse, Pennsylvania when we visited a while ago. Similarly, the mention of “square within a square” is a misnomer and a mathematical impossibility, according to another friend who taught high school mathematics for many years. The term, “diamond within a square” has a better ring.

In my opinion, it is important to mention Jonathan Holstein and his exhibit at the Whitney Museum, in any mention of Amish quilting. That exhibit was a pivotal point in the way quilts were viewed, and when they first came to be considered as “art” (to a broad audience) in the twentieth century.

An interesting point is one of terminology. If one makes a mistake in quilting, one should think of “possibility,” as in what do I do now? I enjoyed that remark. As quilters, we all need to be flexible. I remember when I cut two long borders, for a twin size quilt, just 1/4″ too short. What to do? I added a 3/4″ strip to one end of each one, adding a meaningful statement (to me) in German, in Calligraphy. So, her statement resonated. Conversely, the statement that many new quilt patterns probably originated with African-Americans did not seem to ring true.

The most interesting part of the lecture was a recount of the genocide/ethnic cleansing that was U.S. policy toward Native Americans during the 1800s, particularly the Lakotas. The presenter did a very nice job in explaining the situation and how the quilt traditions of the Lakotas is partially-based on symbolism.

All in all, I love to hear anyone talk about quilts, but all through the lecture, I found myself biting my tongue and wishing that I could elaborate, clarify, or add to the discussion. Yet, today, someone else was the “expert,” and I knew that no one there knew me from a hole in the ground and would not realize that I might have additional information. So, as usual, I share what I know, on my website and blog, in the hope of clarifying statements made.

By the way, if you are not Amish, you cannot make an Amish quilt, just as I cannot make Hmong needlework, or an African-American quilt. I can make a quilt, in any style I choose, but I would call the result, “in the Amish style,” etc. Small distinction, but one worth noting.

I loved seeing her quilt tops and one small Amish style quilt and it is always fun to hear what people say about their own design and color choices. This lady is multi-talented, writing poetry and playing the piano … and knitting. As a general statement, let me say that it is one thing to like to quilt, and it is quite another to know quilt history well, and not just facts, but to be able to interpret data collected and do some critical thinking about all that is associated with quilt history, including history!

Tonight, I am thankful to the Humanities Council of New Hampshire for sponsoring the program. I try to be as precise as possible whenever I speak about textiles and quilts as I feel that they are “worth” getting “it” right. There is far too much misinformation being passed around. So, for the record, I have stated my views here for anyone who has had the staying power to read this far. I will be busy tracking down answers to some of the research questions this lecture generated. Many thanks to Cheryl Savageau.

To see a file of beautiful Amish and Mennonite Quilts from Indiana, please visit our website.

Peace and Good Wishes,

Patricia Cummings in the “Live Free or Die” state of New Hampshire
Quilter’s Muse Publications

Celebrated New Hampshire Poet/Quilter to Speak Tomorrow

Tuesday, June 2nd, 2009

From the NH Humanities Council site:

June 3 Chocorua Wednesday, 11 a.m., Chocorua Library, 25 Deer Hill Rd.

American Quilt Traditions
Do you love looking at quilts? With her slides and quilts, Cheryl Savageau will discuss quilts from Anglo (mainstream), Amish, African American, and several Native American traditions, and will “read” them for their cultural context, historical meaning and significance, political, religious, and geographical influences and the differing aesthetics they embody. Co-hosted by the Tamworth Historical Society. Contact: Gary Mason, 323-8610

June 3 Jackson Wednesday, 1:45 p.m., Red Fox Pub, 148 Main St.

American Quilt Traditions
Do you love looking at quilts? With her slides and quilts, Cheryl Savageau will discuss quilts from Anglo (mainstream), Amish, African American, and several Native American traditions, and will “read” them for their cultural context, historical meaning and significance, political, religious, and geographical influences and the differing aesthetics they embody. Co-hosted by the Jackson Women’s Sewing Club and the Jackson Historical Society. Contact: Helen Matesky, 383-9271

Just “Google” Cheryl Savageau, and you will begin to understand this woman’s many accomplishments. Apparently, some of her inspiration is derived from being an Abenaki Indian descendant. The Abenakis were just some of the Indian tribes located in New Hampshire. We are looking forward to learning more about this lady, whose name we have not heard before.

I hope that some of you can attend one of her lectures.

Patricia Cummings
Quilter’s Muse Publications
pat@quiltersmuse.com

Thoughts about Money Management

Tuesday, June 2nd, 2009

Everyone seems to be trying to cinch their trousers a little tighter these days, whether that entity is an institution or an individual. We are all looking for ways to save money. No matter who we are, we all must live within a budget, that is, unless we want to be plunged hopelessly into debt, with no respite in sight.

Granting “credit” to individuals became a real preoccupation in the 1990s, with college students being encouraged to apply for their own cards, even when there was no visible means of their even meeting minimum balances. No one told them that to pay only a minimum balance is a fool’s game. No one gives away money, or even allows the use of money, without tacking on a hefty fee.

Even those who pay off their balance every month (and these are the people that the creditors despise) are being socked with higher interest rates these days, even when the party has good credit. It has become apparent that no one can “set” on their bill when it arrives. There is a need to send payment back by return mail, or risk the payment not being credited “in time.”

Finances are a matter of choice. You can have “this,” or you can have “that,” but often, you cannot have “this” and “that.” When I was growing up, it was pointed out to me that certain people had fancy cars, but lived in a one room shack. It takes all kinds, but in a small town, these things are noticed. What you have depends on what you want the most.

When times are tough, the optional consumables are those that are left on the shelves. People must eat, so the grocery stores are in no danger of going out of business. Drug stores are flourishing. Restaurants are doing well. However, many businesses have folded, and others are considering bankruptcy. That goes for magazines, even quilt titles.

Not too long ago, there were about 22 different quilt titles available. I haven’t counted the number lately. Changes are afoot. The magazine published by the American Quilter’s Society is going “green” and will offer six issues per year, for $25.00, online. With the high cost of paper, ink, hiring employees, and the hefty price of distribution (1/2 the cover price), it is no wonder magazines are in trouble.

We live in a new world. Libraries were once a central repository of knowledge. In small towns, residents would try to be first on hand every Saturday, when the library opened, to check out the latest books. In Concord, New Hampshire, officials had been thinking of cutting library services altogether. They have come to their senses a little bit and have settled on reduced hours and staff, and limiting Interlibrary loans to in-state transactions only. To me, the latter policy is a kick in the teeth. To limit knowledge is to obstruct learning.

Let’s see, let me process some information. It is okay to give money to the rich and those who mismanage their money, but Mrs. Jane Q. Public cannot obtain research materials, from out of state, now, even if she pays a nominal fee? Despite higher and higher property taxes, services I value the most are evaporating!

Unfortunately, most of us seem to feel at the mercy of policymakers. We may have no control over many things, but we can think twice about our own finances. Keep track of what you spend. Carry a notebook and jot down every amount you dish out, in the course of a week or two. You may be surprised, and you may begin to see how you might manage your money better, daily. You may realize how small amounts can add up, and together might be just the money you could use for something you really want.

Lastly, eliminate these two words from your vocabulary: “It’s only … ” Those words get us in trouble, more often than not. I don’t know about you, but I will continue to purchase the magazines, books, and supplies I wish to have, and an occasional new piece of clothing, or an extra flat of petunias for the flower garden. Figure out what is most important to you. If you watch the pennies, the dollars will follow.

Until later,

Patricia Cummings
Quilter’s Muse Publications