Archive for March, 2009

New Jersey Hosts History Fair & Quilt Activities

Wednesday, March 18th, 2009

NJ History Fair - quilts

QUILT ACTIVITIES AT NEW JERSEY HISTORY FAIR

WHERE: Washington’s Crossing State Park

WHEN: May 2, 2009, 10 a.m. – 4 p.m.

WHAT: Quilting Bee by the Batsto Quilters and the Crazy Quilt Club of Atco

Quilt Appraisals by two trained appraisers

Interactive Program for Children

njhistoryfair.org

Those wishing to take advantage of oral appraisals should register by April 30, 2009. The cost for each appraisal is $20. Applications will be accepted as they are received. To register for an appraisal, please contact Daniel T. Campbell, Historian, Bass River State Forest at 609-296-1114, or brsfris@hughes.net.

The announcement of this History Fair makes me wish I lived closer to New Jersey. Sounds like a wonderful day for all!

Patricia Cummings
Quilter’s Muse Publications

Happy St. Patrick’s Day!

Tuesday, March 17th, 2009

vintage St. Patrick's day postcard

When I think of anything “Irish,” the remembrance of Irish tunes I heard while growing up, come to mind. My father loved to sing Irish songs, partly because he was a charming man, and partly to irritate my mother who was not Irish. He would wake up, with a tune on his lips, that was hard for her to take before her second cup of coffee.

“Oh, Do You Know the Muffin Man, the Muffin Man, the Muffin Man? Oh, Do You Know the Muffin Man who Lives in Drury Lane?” – was a favorite tune, as was any song sung by Burl Ives who was popular, at the time. Of course, the Clancy Brothers were a favorite in our home and they seemed to have hit “the big time” in the 1960s. “Oh, Danny Boy,” is a plaintive, perennial favorite, with its haunting melody and words.

Dad was known to break into song with “The Wearin’ o’ The Green,” another favorite tune. He would have loved “Riverdance,” and “Celtic Woman.” There are many terrific Irish song and dance artists, it seems, but we, in America, only hear of the big names who have money to bring their music and dance to us.

A very enjoyable book that provided many insights to me about Irish Culture is the novel, Trinity. Before reading the book, I had no idea what “banshees” were.

I love the folklore of Ireland, the lush green fields, the secret mysteries hidden in peat bogs of men who lived long ago, the Druids, etc. I like limericks and Leprechauns, and I still hope to find the pot o’ gold at the end of the rainbow. My ancestors lived in the County of Kilkenny.

Yesterday, I received a copy of the premier issue of Irish Quilting magazine. The part I liked the best was a photo of “Molly Malone,” a celebrated Dublin fishmonger about whom I sing, in the traditional song, “Cockles and Musselss.”

The magazine is very avant garde, featuring American designers to some extent, inasmuch as Ireland does not seem to have a longstanding (separate, country) quilting tradition that was developed, traditionally-speaking. Patchwork quilting seems to be just “catching on” there. There are some beautiful quilts in that issue, including quilts by Americans, Ricky Tims, and Pat Sloan. We look forward to seeing future copies of this magazine.

In the meantime, wear green, and celebrate St. Patrick’s Day today! On this day, everyone is Irish!

Slainte,

Patricia Cummings

Jan Brett: Talented Children’s Book Illustrator Collects African Fabric for New Project

Monday, March 16th, 2009

After coming across some of Jan Brett’s books for children in one of our favorite bookstores in Lebanon, New Hampshire, I signed up for her monthly newsletter. Sometimes, she offers “how to draw” videos that are just great for children (and kids at heart). I really liked her video about how to draw a horse. One of her favorite characters to draw for children’s books is “Hedgie.” In fact, when she sent through a “Hedgie Leprechaun Coloring Page,” this month, I promptly ran out to K-Mart and bought a new box of crayons with 96 colors! Wow! I colored the page, laminated it, and mailed it to my grandson, along with a page for him to color (his Dad says, when he is a bit older).

On the list of books Jan has written, I count at least 34 different titles, and I know she is hard at work, writing and illustrating more delightful tales!

Jan has just started a blog and anyone can sign up! She says, “I hope that it will be a place where book lovers can meet and share information.” ~ http://janbrettsblog.com/

To give you a sample, particularly because her March 9 edition relates to her collecting cotton fabrics in African upon which to base future drawings, here is what she said:

March Hedge a gram

Happy March!

Hi, this is Jan Brett, letting you know what’s happening in my life as a children’s book illustrator and writer. If you have ever traveled to a foreign country, you may recognize the feelings I experienced after a trip to Africa. I did miss drawing and painting every day, which makes me feel like my true self. What made the trip valuable, was that I was filled with new images of landscapes, animals, birds and African people with traditional clothes and manners that impressed me in a way that makes me want to draw them. I am filled with a motivational excitement that makes me want to bring the images to life on paper.

In the traditional village I visited in Namibia, Otjongombe, I admired the long dresses, shawls and turbans the woman wore, especially since they were created from beautiful fabric. Most of the women made their own dresses and kept to a certain style that has been worn for generations. I bought many samples of cotton printed fabric to use when creating the clothes for the mapigni (rock hyrax in English) that will be characters in my book. I brought colored markers with me, so I could experiment with just how I could transform the tradition dress of the stately Namibian woman to the mapigni who I will dress just like them, but who are a bit chubby and short limbed.

My husband and I went to a school where I met the children of the village. They performed a program of song and dance which we greatly admired. We had some time to chat with the children who liked practicing their English with us. Their birth language is either Herero or Himba. They were interested in how old I was, so I told them that I was 59. I left some of my books for their library, since they all could read English and a beautifully illustrated science book about extreme animals that I bought especially for them, as well as President Obama lapel pins since the President’s father was from Africa. Everyone we met in Africa is elated by our country’s choice of President Obama.

During our two week trip to Africa we went for our second time to Namibia and our first time to Tanzania. Spending time in the bush or wilderness area learning about African birds, mammals, and reptiles is my idea of an energizing, inspiring, awesome time. Our African guides, Martin Benadie, who is South African and specializes in birds, Uanee Karuuombe, a Himba guide who introduced us to the Herero people, and Peter, our guide in Tanzania, brought events and encounters into focus and shared their knowledge. For example, Martin could walk into a stand of acacia trees listen carefully, and then point out eight different birds. Sometimes he would hear a bird call and then would imitate it with a whistle, and the bird would come out to investigate. Often he spotted birds unknown to the local guide.

In Namibia, Uanee helped me understand about the pride the Herero have of their beautiful cattle. Peter, whose family have lived on the Serengeti plains for generations, looked at a herd of zebra (properly known as a dazzle of zebra), and saw that they were intently staring at a fixed point not far off. He drove us in his Land Rover slowly that way, and soon we saw the elegant cheetah the zebras were looking at but who had been hidden from our sight. Excited as I am by all the new African ideas, I am still finishing my Easter egg book, correcting, polishing, and adding to the year’s work. It will take all my self control not to start work on The Three Little Mapigni!

Happy creating, reading and especially drawing.

Your friend,

Jan Brett

Well, I just want to let you know about this extraordinary artist!

Mamma Mia Movie Spawns Question

Sunday, March 15th, 2009

I have not seen the movie, “Mamma Mia,” but a reader wrote to ask if the bed covering shown is Redwork. For a brief time, a photo of this piece was shown on a website. Unfortunately, it has since been removed since I first saw it there.

Knowing next to nothing about Greek embroidery, but about to find out tons more, I asked members of the Quilt History List for their input. One member consulted Dr. Linda Welters of the University of Rhode Island’s Department of Textiles and Design. She states that red silk on cream, in linen or cotton, worked in a darning stitch that almost completely covers the ground fabric, was traditional in the 17th & 18th centuries on a Greek island called Naxos. Those pieces appear to be woven (and most likely were not used to film the movie).

I have ordered a book titled, Embroidery of the Greek Islands and Epirus Region.

Traditional Redwork, as we know it, dates from the late nineteenth century and originated in Kensington at the Royal School of Needlework. Outline Stitch embroidery in other colors is an offshoot from the use of red thread, originally. Turkey Red was a stable color that would not fade or run when wet, thus its popularity, soon followed by blue, green, and later, the new pastels of the 20th century.

Redwork splasher

This is a 19th century “splasher.”

We, textile aficionados, are always on the lookout for quilts in movies and on daytime TV. Sometimes we can get very picky as to whether the quilt shown is true to the time period being represented. One recent movie I did see was “Gran Torino.” The first textile I noticed was the Hmong wall hanging, a “story cloth” on the wall, and was thrilled that the piece of authentic Hmong work was included.

We love to hear from readers and always will try to come up with an answer, sooner or later. Many thanks to Dr. Welters for weighing in on the subject of Greek embroidery. One can readily see why the study of textiles can become a permanent preoccupation. There is always more to know and understand!

Patricia Cummings
Quilter’s Muse Publications

1960s Notice, Outside a Church: Come Hear What Hell Is Like …

Saturday, March 14th, 2009

Come Hear Our New Organist!

Some statements tickle our funny bones and are unforgettable, like the church notice I just quoted. People are always saying and writing dumb statements that make for good comedy. For example, late night comedian Jay Leno has a section of his show devoted to “Headlines.” He recounts, among other bits of news, the combined last names of couples who have just married. I can’t think of any hilarious combinations at the moment, but I remember laughing heartily at some of them.

Laughing is good for us. It lightens our mood and actually, can lower blood pressure. The world will always be full of tragedy. Often, we don’t have to look beyond our own families and friends to see trouble. However, if you look for humor in unexpected places, you will surely find it. Those are my grandmotherly words for today. Smile, laugh, be happy!

Pat

It’s a Dog’s Life.

“New Book Examines Black Quilts …”

Saturday, March 14th, 2009

Patricia Turner’s new book, Crafted Lives: Stories and Studies of African American Quilters has just been published, according to UCDavis New Service. Information is offered under the press release title, “New Book Examines Black Quilts From Slavery to the White House.” An Obama quilt adds charm to the written overview of the book. The author is a veteran of many articles and books about the Black experience. A list of titles she has written is available via the last link, just provided.

I have ordered the book, keeping an open mind that it will be informative and not slanted or in error. My greatest hope is that it does not provide more false history about Black people, particularly, in regard to their quilts and their role in the Underground Railroad. (No proof exists that quilts had any role in escapes). For some time now, historians and quilt historians have been adamant about speaking out to correct the fallacies that have arisen and that are being happily promoted in our schools as fact, rather than fantasy.

Always a student, I am willing to learn. With that thought in mind, I hope that Dr. Turner provides solid information, not more speculation, or a “he said, she said, they said, we said” format to her new book. With baited breath, I await the arrival of this work.

A compelling piece of writing, online, by Patricia Turner, is titled, “The Rise and Fall of Eliza Harris: From Novel to Tom Shows to Quilts,” in which she states that the ice blocks that were the means to safety in Harriet Beecher Stowe’s Uncle Tom’s Cabin have been replaced by quilt blocks. I think you will enjoy reading this lengthy essay.

I hope that you will take a look at these new reading possibilities on the subject of African-Americans and quilts. It is important not to engage in revisionist history that is unsubstantiated. As always, knowledge is power.

To see a colorful array of Underground Railroad minis, check out this flickr file.

Patricia Cummings
Quilter’s Muse Publications

Update of “Copyright and Quilts” page

Friday, March 13th, 2009

I have completely re-written the “Copyrights and Quilts” page on my website to make it more streamlined and more succinct.

There is always more to say, and many more ways to say it. I am sure that I have left out information. This file is meant to be a simple overview.

Patricia Cummings
Quilter’s Muse Publications

Moose Watching Opportunity: A Precious Video

Friday, March 13th, 2009

If you live in New England, you are apt to see a moose, sometime in your lifetime. During “rutting” season, male moose travel great distances, looking for a partner. They have been known to run the streets of Boston and get themselves in all sorts of trouble by being in the wrong place at the wrong time.

For fun, I am posting a link to a home video that shows two baby moose cavorting with the water from a backyard sprinkler. I do not know who recorded this work, but it was posted on the Internet and is as delightful as moose watching could be. Hope you enjoy it as much as we did.

Mama Moose and Baby Moose

Unidentified 1930s Quilt Block Prompts Question From Reader

Thursday, March 12th, 2009

A reader of our site has sent us photos of a 1930s quilt and has asked for identification of the block name. As those of us who understand quilt history know, a geometric block configuration may acquire a number of different names over the course of time. The name variances are due to the whims of designers and publishers, as well as regional differences. For more information about pattern names, please see our webpage on Quilt Block Pattern Identification.

Here are two photos of the, as yet, unidentified block:

One block from the 1930s quilt

the block design as it is within the quilt

This block does not look familiar, and is quite nice! If anyone knows the name of it, I shall pass it along to the inquirer, and also post the name, here.

Today, I am still pulling “acid-free” paper, that is now acidic, from contact with stored quilts. Having any collection means taking care of it, and textile collections are a lot of work!

Have a great day!

Patricia Cummings
Quilter’s Muse Publications

Jean Carlton’s Patriotic Miniature Quilt

Thursday, March 12th, 2009

Jean Carlton, well-known in quilt history circles, was inspired to make a patriotic mini quilt based on my pattern that is a reproduction of a small quilt from circa 1890. The free pattern is located on our website: Patriotic Mini

She has graciously sent some photos of the 21″ x 24″ doll quilt she made. She decided to reduce the block size to 3″ and to include double-pink fabrics, a color that was very popular during most of the entire nineteenth century. She drew “fan” quilting designs, by “eye,” and stitched the lines with hand quilting stitches. The back is a lovely, miniature toile fabric that she was saving for a special occasion. To learn more about Toile, visit our website.

We think this quilt is very cute! Here are some photos:

Jean Carlton mini quilt

Jean’s doll bed quilt

toile back

Toile back

close-up of section of Jean Carlton's doll quilt

Close up of section of the doll quilt

We are always happy to hear from readers who have enjoyed something from our website. Thanks again, Jean, for sharing your work with us. Looks as though you had some fun, putting your own spin on this and “making it your own,” as countless other quilters have done, in the past. Aren’t reproduction fabrics just great? Love ‘em!

Best wishes,

Patricia Cummings
Quilter’s Muse Publications

Archival Materials: Save Your Photos and Quilts

Wednesday, March 11th, 2009

The care of material objects is a science unto itself and there are aids to preservation of photos and quilts. I am sure that I know more about caring for quilts, after having investigated the matter as much as possible when I wrote the book, Straight Talk About Quilt Care, in 2002, (now available to view in its entirety, on our website). Photos are another consideration altogether.

James and his dog in 1974

Photos, like this one of my son and his dog represent a time that will never come again. The photo is worthy of special care.

Recently, when a family member asked me to find a photo of my mother when she was four years old and still living in Georgia, I began looking through the voluminous pile of family photos, in boxes, and in photo albums. Many of these storage situations I had not visited for a long while. To my dismay, in one album, I found that many of the photos had lightened terribly due to moisture that had collected behind the plastic sleeves the photos were in.

my mother in GA - 1917

My mother, in Georgia, in 1917. (I finally found the photo!)

In addition, one of my schoolgirl photos was completely riddled with black mold. Luckily, I had a copy in another place, so I just threw away that particular one. I have removed all of the photos from that album and am storing them upright in an acid-free box for photos that I purchased at a camera supply shop. Now, I realize that I should probably do the same with all of the other photos that are in albums.

Quilts That Are Stored

Acid-free tissue is always recommended for scrunching up to place in the folds of quilts to prevent permanent creases. Has anyone ever told you that acid-free paper or even acid-free cardboard is treated superficially, to make it acid-free? Both products will regain acidic property: the paper in 1-3 years and the storage boxes in 10-15 years. Yesterday, in testing some of the so-called acid-free paper in which I’d stored and wrapped some quilts, the testing pen I was using showed them to be outdated.

How did I test the paper? Not long ago, I discovered a special pen called an Abbey ph pen. It is used by making a dot on a piece of paper or cardboard. If the dot stays purple, then the ph is fine. If the dot immediately turns yellow, the paper is now acidic and contact with it is dangerous to photos or quilts.

How can paper be dangerous? Look, paper is derived from wood pulp and that comes from trees, and trees are naturally, acidic. To make wood products not acidic, for a time, derivative products are treated chemically. However, they will revert to their natural state.

The testing pen can be found at Gaylord Bros. Co. who now has their complete catalog available online. I have no affiliation with them except for being a happy customer. I am elated to find this new product, and because of it, was able to determine the status of acid-free paper, currently in use, and consequently, threw a lot of it away and replaced it with new paper I’d just bought. (The acid-free paper may still look fine, and not yellowed, but still have an improper ph level).

There are a number of companies that sell archival products but Gaylord is one of my favorites. Testfabrics sells de-sized muslin, which is another helpful product.

Quilts and photos are worth being preserved. Take a lot at those old paper mats and backings, too. I found two portrait photos in my collection in which the acid from those products has actually leached into the pictures. I was able to scan the photos and doctor them up a bit in Photoshop to preserve the visual information on the surface. Check your collections and make sure you are caring for everything in a proper way. You’ll be glad you did.

Patricia Cummings
Quilter’s Muse Publications

La Rosa Blanca

Tuesday, March 10th, 2009

Crazy Quilt Block made by Patricia Cummings

I love making Crazy Quilt blocks! Being crazy isn’t a requirement, as I have always told my Crazy Quilt students, but it helps! The block you see above has a very coordinated look because I was working from a packet of designer fat quarters, a gift from Marcus Brothers for providing a quilting “tip” a few years ago. I love these smokey-tone, antique-look fabrics. They are 100% cotton, unlike the original Crazy Quilts that were primarily silks and fancy fabrics.

I started out with the fabric, a handful of embellishments (lace, beads, etc.), some embroidery floss and other fibers, and the memory of a stanza of a poem in Spanish that I have always loved, written by Jose Marti (with an accent on the “e” and on the “i,” characters which this blog doesn’t support.

Close up of Crazy Quilt block by Patricia Cummings

Cultivo una rosa blanca, en junio como en enero
Para el amigo sincero que me da su mano franc
a. (For Spanish students, note that even though the word “mano” ends in “o,” it is a feminine noun (la mano).

These lines mean:

I cultivate a white rose, in June as in January
For the sincere friend who gives me his honest hand.

I made this block some time ago and have not done anything else with it. Some things do not have to be finished, or at least, not right away. With its bright colored borders, the block seems to stand on its own. Like the rest of my unfinished projects, I come across it, now and then, and feel no urgency to complete it. For quilters and needleworkers, the most exciting projects are the ones still swimming around in our minds. I have plenty of projects I would like to design, or start. There is always “another day.”

Patricia Cummings
Quilter’s Muse Publications

Inspiration for the Day

Sunday, March 8th, 2009

I recently received a greeting card and in turning it over, to look at the back, since it was a handmade card, the words that appeared were:

O Lord, thou givest us everything at the price of an effort.” ~ Leonardo da Vinci.

Money, worldly goods, status, or fame come at a price. Reputations are built on the ability to go the extra mile, to do “more than” the minimum required, and to be willing to consistently work toward goals. Funny how goals will change, over the course of a lifetime. Sometimes, prickly cacti or prickly people will try to stand in our way.

bird's nest in cacti

Birds find a home in cacti. Here is the nest of a Mourning Dove, in the Botanical Gardens in Phoenix, AZ (photo by Patricia Cummings, Dec. 1977).

We are constantly defining who we are, and what we want. Ask anyone who has been successful, if the road was easy. For most people, the path to success is scattered with pebbles, rocks, and boulders. One has to either step on them, step over them, or step around them.

Botanical Gardens, Phoenix, Dec. 1977

Prickly Pear Cacti in bloom

Though we strive for worldly success, that is not “all there is.” The most exciting and thrilling moments that will, in the end, be the most memorable, are given for free. A poignant memory of mine is sitting on a hillside farm that my Dad had bought in Londonderry, NH. I am not sure where other members of the family were, at that moment, when Dad and I were watching a sunset. He said, “See that beauty! How can anyone look at that, and even think that there is no God?” Those few shared minutes stand out in memory.

cacti blooming

More blooming Cacti

When we appreciate the natural world, we are already in God’s paradise. Observe the birds, the flowers, the lakes, the ocean, the mountains. They are proof enough to me that these works come from a “master.” We can re-create flowers and all manner of landscapes on the surface of quilts, but we cannot make the flowers or the trees, or the inhabitants of the forest. We, and our works, are mere imitation.

Those are my thoughts on this Sunday. I hope that you have time today to enjoy the work of God’s hands. Take a walk or a ride, and quietly appreciate the bounty of gifts we are offered at no price except for the effort of observation.

Patricia Cummings
Quilter’s Muse Publications

Molitas – Little Textile Treasures

Saturday, March 7th, 2009

Molita is a word that means little mola,” in Spanish. Molas have intrigued me for some time now, but not only the molas themselves, but the people who make them. These textile treasures are the work of the Kuna Indians who live on a series of archipelagos off the coast of Panama. The tribes were discovered by traders a long time ago, and boats pull up to their shorelines, daily, to purchased goods from them, particularly molas.

bird molita that is owned by Sandra Munsey

Usually these molas have been disassembled from blouses, not made brand new for the tourist trade. Every time I think of the time I passed up buying a mola that depicts John and Jackie Kennedy, I could just have a hissy fit! It was in a museum shop, and at the time, fifty dollars seemed like “too much.” So much for being both stupid at the time and frugal by nature.

The Kuna Indians often feature sports figures or other celebrities, sometimes based on magazines or newspaper images that the tourists leave behind. There is much more information about molas on our website.

Molitas are smaller, less intricate versions of molas, often featuring less layers of cloth and less embroidery. Some people collect these tiny molas that may, at times, have been learning pieces for children or others. The image seen below is that of a bird. You see simplistic embroidery around the eye and that’s it. As you can also surmise, there is no attempt to keep the outside layers plumb, while working, and this is clearly a practice piece.

Molita from Kuna Indians

To learn more about Molas and molitas, I recommend two files on my website:

A History of Molas

A Review of a Greenfield, Massachusetts Show that features a photo of molitas

If you would like to try your hand at making a mola, a “molita” may be the way to go. Have fun!

cat molita, courtesy of Sandra Munsey

This particular molita has at lease six layers of cloth. The design on any mola is created through channel cutting and needleturn appliqué and embroidery.

Patricia Cummings
Quilter’s Muse Publications

Misinformation Regarding Quilt Historian Ellen Webster – Why?

Thursday, March 5th, 2009

When I started out to study the work, the writings, and the life of Mrs. Ellen Webster, born in Hebron, NH and who lived in Franklin, NH, for most of her life, I did not think that I would run into so much misinformation about her (from several sources). I came to first know of Mrs. Webster, in 1993 or 1994, when I spent 1 1/2 years studying and recording information about the quilts in the New Hampshire Historical Society, as a volunteer.

My goal, and that of my assistant and friend, the late Virginia Stevens, was to compile all known information about the 63 quilts, then in their possession, and create and turn over a more complete record for the use of the curatorial staff. We visited the quilts, once a week, for about half a day, also noting their condition, measuring each quilt, and making notes on previously data about them that was not recorded previously. While we were working one day, someone at the museum, perhaps a curator, showed us one of the quilt charts and asked if we had ever seen anything like it. I hadn’t, and neither had Ginnie.

Fast forward to 2008 when I asked if I could view and study the charts for an article for The Quilter magazine. That was, indeed, published in September 2008, with 12 images of the quilt charts.

I had not “perused” the quilt charts, but studied them intently. I had written down all of the notations on them, previously not transcribed or studied. Many of Ellen’s notes revealed knowledge of the work of other quilt historians and designers of her day, notably, Marie Webster, Ruth Finley, Ruby McKim and others. I was thrilled to see a photo of their books, taken by Ellen’s brother-in-law, a professional photographer in Franklin, and intended for a Christmas card. The photo image includes a “surprise” that I am sure those who purchase the CD will enjoy.

Yes, I had been hard at work, uncovering tons of valuable historical information and making personal connections with those individuals who had either known Ellen, personally, or knew of her, including her great nephew. His help was invaluable and he even had a ready answer for me when I asked why some of Ellen’s quilt charts had been trimmed, an answer that he had read in one of her diaries (I was able to read her diaries for myself, later).

Ellen Webster's original design of a rose spray

There are 162 charts, but many more designs as sometimes there are multiple images on a “chart,” and occasionally, drawings of how to quilt the final quilted object. There are 238 images from the quilt charts in our e-book, photos taken by my husband, Jim, who took additional photos to equal 340 images, in all, in this 355 page book.

Mrs. Webster traveled all over the world, but the quilts she saw from other places, like Illinois or Virginia, were actually seen in New England at a show she judged at Storrowton/Eastern States Exposition in W. Springfield, MA.

I guess that no one really cares about getting the details right, except me! There has been NOTHING in print, so far, including “scholarly abstracts,” that were not severely-flawed. I was unaware of the extent of misinformation “out there,” when I was doing my 8 month long, intense, 12-14 hrs. per day, seven days per week, research project and compiling it into an e-book. Yet, wrong facts continue to exist, one annoying one being that Ellen was called “Emily,” and her middle name misspelled as “Emiline,” when it should have been “Emeline.”

Ellen’s name was never Emily, not even as a nickname, and that fact has been verified. I have supplied ample proof of Ellen’s name, in both my e-book, and in my online articles. The International Quilt Study Center website, http://www.quiltstudy.org/education_research/symposium.html, has featured incorrect information about Ellen’s name since 2007. The reason they keep the name “Emily”? I was told that the “committee” had “vetted” the seminar paper presented there. They felt the information was correct, as it came from a former curator of the museum which holds the charts. This wrong information has to have been an embarrassment to those concerned. Yet, History consists of the facts, and Ellen’s name will continue to be “Ellen,” no matter how many times someone says it is not. Since my e-book was published, information on the abstract has been changed a few times, and some other correct facts have been added, but last I knew, the name “Emily” continued to be the one presented.

Yet, all of those silly and inaccurate errors by this “other party,” who shall remain nameless here, cannot diminish the quality and quantity of Ellen Webster’s work, nor my own. Today, I looked through the e-book again. I am so grateful to everyone who provided tidbits of information, or a photo, or other items, enabling me to create this wonderful composite of knowledge about an extraordinary woman who lived from 1867-1950. I suppose it matters not what size the charts were (yes, even that has been misstated, too, in print). What does matter is that Ellen spent countless hours to “save” quilt designs, by re-creating them with pieces of cloth from a scrap bag, OR pieces of wallpaper, OR paints.

The e-book has generated a lot of interest among quilt historians who have been broadminded enough to give anyone else credit. However, the appeal of the book is not just for quilters or historians. The general public and even family members who generally have no interest in either quilts or quilt history, have found the e-book to be riveting!

Sorry to hurt the feelings of anyone who attempted to write about Mrs. Webster, or give talks about her, in the past. Hopefully, historians will continue to expand on known information and in time, the truth will matter more than personal animosities against those who discover previous errors.

Many thanks to the Concord Monitor‘s Arts Editor, Sarah Earle, who tried to explain Mrs. Webster, her work, and my e-book, in today’s newspaper of March 5, 2009. I have to hang on to the idea that no publicity is bad publicity, but in truth, I am a little disappointed that some of the details provided did not coincide with what I had written in the e-book. However, I do understand deadlines, and the inability of a writer to read such a lengthy book about an unfamiliar subject that requires study, and then, make sense of it all and try to condense the information, at the same time.

I can only suggest that interested parties obtain a copy of the e-book so that all will become abundantly more clear. Copies of the CD are available either from the NH Historical Society store, or from Quilter’s Muse Publications.

Concord Monitor article

Special Feature on Our Website (about Mrs. Webster)

A true scholar seeks knowledge and the truth and is always happy to be corrected.

Patricia Cummings, author of Ellen Emeline Hardy Webster (1867-1950): Her Amazing Quilt “Charts,” Her Writings, and Her Life; photos and photo edits by James Cummings

Quilter’s Muse Publications