Archive for November, 2007

Cattywhampus Quilt Top

Friday, November 9th, 2007

String Quilt Top

The string pieced quilt top, seen above, actually looks better in the photo as I have cropped the edges so they are straight. I don’t remember where I got this, nor do I know, for the life of me, why I bought it. Perhaps, I was intrigued at the time by its large prints. Or, alternately, I was fascinated by the haphazard, Crazy-Quilt-like way in which the strips were put together, or the cattywhampus edges that bend this way or that.

Quilt tops have been difficult to find to purchase, for a while now. Collectors know that they take up less space than a quilt with batting, and so, are easier to store. However, any of us who teach or lecture can tell you that if we all were given a time for the number of times we’ve been asked whether or not to finish an old quilt top, we’d all have retired to Tahiti by now!

Yes, quilt tops are fun. They tell their own story. Sometimes, they are pieced over old newspapers or magazine pages. At times, the remnants of those pages can help to give an idea of when the top was made. The nicest part about viewing the backs of quilt tops is to be able to see the stitches used to piece the top, if it is, indeed, pieced.

There is a greater story than the obvious. Why was the textile left unfinished? Did the quilter lose interest, run out of time, have more pressing things to do? Was she old, or did she get sick and die at an early age? Or, like the old woman in the shoe, did she have so many children, she didn’t know what to do?

When we collect a textile that is old, we never really know where it’s been. For all we know, it could have been used in a bordello. Don’t worry. Most likely that is not the case. My point is this: textiles have a life of their own, and like most material objects, they outlive one generation, and sometimes survive for many others.

Why did I collect the quilt top above? Besides the obvious fact that I saw it and felt that I must have it, at that time, I really don’t remember. As I’ve become more savvy as a collector and more discriminating, I wish I had kept a journal as to my thoughts about some of the items I have acquired, because now, only the question, “Why?”, remains.

Happy Collecting!

Patricia Cummings

We Are Citizens of the World

Thursday, November 8th, 2007

Today, I have been feeling very appreciative of the differences in people. Each one of us on this planet is a product of genetics, and we each reflect the culture, the religious influences, the literature, the music, and the textiles to which we have been subjected, all of our lives.

This week, I have had the good fortune to correspond with someone who lives in a remote part of the world, remote to me; not to him – he lives there! He vends textiles from Uzbekistan, and he gave me permission to share his words about them, and his photos. What a kind person!

I have been thinking about the textiles I have collected from places outside the United States. I do not have a huge number of them, just a representative sample of goods that are important to certain cultures: Panamanian molas, Chilean arpilleras, Hungarian Kalosca work, Chinese appliqué work, Ukrainian counted thread work, Guatemalan fabric, and an unidentified piece, of unknown origin. Other foreign examples I have re-created myself, with needle and thread.

This week, I’ve been reading some books about world textiles and find them to be fascinating. The internet allows me (us) to reach beyond the black box on our computer desk and to become, suddenly, “citizens of the world.” When we reach out to anyone else, in any other country, and I do this all the time, it is a chance to be an arm-chair ambassador.

Personally, I have to hope that my friendliness and generous sharing of knowledge will improve the manner in which my fellow Americans are viewed. We make friends, one kind deed at a time, and to me, doing so is a very satisfying experience.

Check out the latest file about “Uzbekistan: Textiles and Embroideries

Note: The just realized that the first time I posted this it was listed under “private access” only. I don’t know why. As I’d like to share these thoughts with you, I’ll try again.

Pat

Do You Dream in Color?

Wednesday, November 7th, 2007

Have you ever noticed whether or not you dream in color? I am wondering. It seems as though my dreams are like versions of old black and white movies. They move slow, are kind of disjointed and unsequential, and they keep going backwards as if being replayed, over and over. Actually, I suppose that is the definition of a nightmare. One feels trapped in a situation and can’t get out. The only way to do so is to wake up.

Sometimes, I have dreams for which I am embarrassed. They are bizarre, outlandish, and portray my doing things that I would never consider doing in real life. Sometimes my dreams are amusing, and I wake up laughing at the absurdity of them. Other times, dreams can be frightening, as in being on a train and being unable to get off; or feeling the threat of an impending disaster and being helpless, in its wake.

Each of us has our own “night life,” so to speak, one in which the subconscious plays out all the conflicts of the day, and does so without our permission or knowledge, until we awake, stirred by the inner workings of our own mind.

Whether or not we remember our dreams at all depends on the part of the sleep cycle in which they occur. Some people make a career of interpreting the meaning of dreams, and there has been a book or two written about that topic.

I have to smile when I remember my mother recounting her dreams. Clear as a bell, I recall my father saying, “Betty, just keep me out of your darned dreams!” Only, I believe he used slightly stronger language. Bad enough that he caught the devil for things he actually did, or more often, forgot to do, in real life, but to be part of a dream sequence in which he had no input … well, that was just too weighty a concept for him.

Some nights, I seem to have no dreams and when that is the case, I consider myself lucky. If I were to dream, I would choose to dream of pleasant things, like the art work of Spain, or the castles of Germany, or the green, green meadows and azure blue seas of Ireland. I’d prefer to dream of places. One person says, “I dream of Africa.” What a pleasant thought!

My new goal is to dream of places, not people, and to try to dream in color!

Patricia Cummings

Deeper Thoughts on a Sunday Morning

Sunday, November 4th, 2007

Customarily, I think a lot about life, its meaning, and how relationships can be either enhancing or destructive. Maybe my age is responsible for thinking about these issues more frequently than many others do. I don’t know.

Today, I woke up thinking about sin. If that is a subject you don’t want to consider, then go wash the car, take a walk, or eat a banana. Right now, sin, in its various forms, is on my thought paths. If you are willing to listen, I am willing to share some ideas.

To me, there are two kinds of sin. Sin involves some kind of deceit to ourselves and/or others. When someone misrepresents what they know, they are telling a lie. For example, if a person says that he or she can speak ten languages fluently and in reality, can only speak one language, and two or three words of several others, then a lie has been perpetrated.

Sometimes, lies of that type temporarily enhance self-esteem, until the lie is discovered. In the end, the falsehood quickly comes to light when someone who does speak one of those languages approaches the person and begins to try to converse, only to get a blank stare in return. I have personally encountered this kind of deceit twice in my life. The liar is embarrassed and the result of the encounter is an attempt to totally avoid the other person who is actually fluent in the language.

Another form of falsehood is deceit by action. When a person cheats on his or her spouse, chances are good that the truth will eventually come out. Dishonesty never pays off whether the action is illegally selling patterns to which you are not entitled, on eBay, or not providing full disclosure on your income tax form, or spreading information that is a personal attack on someone else that is simply not true.

In today’s world, part of the nastiness of “competition,” a word that I dislike, is the out and out willingness to be personally destructive by the perpetration of viciousness and unwarranted allegations. In groups, we call this being part of the closed circle, the clique, as it were. People like to feel exclusive and that they know “more than” someone else. Most often, they know “less than” the people they would criticize.

Sin is being uncharitable, but mostly, sin resides in telling ourselves that it is quite alright to only look out for our own selfish interests. Sin is sin because it hurts someone else or yourself. Human nature and what we “want” are not reliable indicators of what is good for us. The results can be unwanted babies, std’s, AIDS related cancer, and so many other rotten, terrible things that happen to us when we just “do” whatever we want, with no regard for the consequence.

Positive relationships are built on respect, on love, and on telling the truth. In my own life, I have experienced the worst and the best of marriages, and the worst and the best of relationships with relatives. Without respect, love, and truth as the components of interactions, admittedly, I have abandoned not one, but many relationships. I have zero tolerance for being treated poorly. On the other hand, with respect, love, and truth, safely in place, long term relationships are a breeze, and a joy!

Be truthful to yourself and to others. Falsifying any part of your life is a sin, and will result in unhappiness.

We are called to be all that we can be. Do yourself a favor. Do your best.

Patricia Cummings

Childhood Pastimes: A Reminiscence

Saturday, November 3rd, 2007

With the holidays fast approaching, I’ve been giving some consideration to what we could give to our grandson, Patrick, who will be one year old, (already!), a few days before Christmas.

Patrick James Gorham on a tractor

Here he is, sitting on a tractor, in Indiana.

Today, some kids have everything! Patrick will not recall the events of his early life and will only re-live them later, in photos, but he’s already been to Denmark, Sweden, and England, and to many places in the United States. He has had the chance to go swimming in a lake, and in a pool. He has been on a boat and in airplanes. He has a dog and two kitties. His every need is anticipated by watchful parents. He is fed, kept warm, and his legs and arms are strong from exercise.

By comparison, my life as a child was dull and boring. I had dolls that I would line up like schoolchildren on chairs in the basement of the family home, so I could “teach” them how to write their letters and do math. No wonder I became a teacher. I had lots of experience!

I also was given a bicycle when I was eight, courtesy of a former neighbor. As I got older, I took horsebackriding lessons. However, for everyday entertainment, I had to content myself with playing in a sandbox, building a snowman, or playing “tag” or jump rope. I also embroidered until my eyes almost crossed. I made bureau scarves, doilies, and a Sampler.

Of course, hoola-hoops were “in” when I was a child, and being able to buy a few of the latest 45 rpm records, of folks like Elvis or the Beatles, was also a treat, when I advanced to the early teen years.

I never owned many plastic toys. Neither did my brothers. Their toy cars and trucks and fire engines were solid metal and very heavy. You wouldn’t want to drop any of them on your big toe. They had a railroad track, too, that was a challenge to get running.

Thinking back, it is refreshing to realize that we amused ourselves without expensive Nintendos, playstations, ipods, our own cell phones, etc. Trying to climb a pine tree without getting full of pitch was a goal, and going for a boat ride at Massabesic Lake in Manchester was a fun thing to do, after church. That was before anyone realized that the gas emissions polluted that lake which is, after all, the water reservoir for the city.

As I have aged, I find myself “gift-challenged.” I never know what to give anyone. We all have too much stuff. I have to chuckle when I hear the expression, “A person spends half his life accumulating material goods and the other half, trying to get rid of them.” It’s bad enough that we collect various things because it is our choice. Personally, I have come to own a few things that are too good to throw away, too sentimental to give away, and too cumbersome to try to sell. I digress.

I suppose I’m back to square one. I’m still stumped as to how best to honor my grandson and celebrate his birthday and Christmas through the presentation of some obligatory gifts. I can’t think of a thing he needs or would enjoy. He is already the best cared for and doted upon child in the universe. He has my total love. I just wonder whatever happened to LOVE being enough? All suggestions welcome.

Muddling through,

Grammy Pat

Ruminations About Quilt Judging

Friday, November 2nd, 2007

Yesterday, I was privileged to be one of three judges who judged a quilt show. Not all of the many quilts in the show were judged, just 72 of them. We started promptly at 9 a.m., took a brief time out for a wonderful judge’s luncheon prepared by guild members, and worked until after dark. Then Jim and I drove home, arriving here at 10:45 p.m. It was a long day of hard work.

After having endured the program to become a nationally-certified master craftsman in quilting, myself, I wanted to provide concrete feedback for each of the point categories and not just assign points. The volunteer scribes were very patient in recording my thoughts.

The feedback I’d received when I was involved with the certification program had consisted of a one sheet of paper that contained a few word categories such as “Color,” “Design,” “Workmanship,” etc. To each word, judges would respond with “fine,” “ok,” or “needs improvement.” There was not much information to “chaw” on. The final pronouncement for each of the projects was “Pass,” “Provisional Pass,” or “Fail.” After the verdicts were rendered, no further insight was provided.

Judging: Just Another Chance to Educate

Again and again, I saw some problem areas that I’ll point out to you with the hope that you can improve your own quilting habits. First, I feel that part of the workmanship is in caring for a quilt properly, after it is finished. Why? Deep creases detract from the appearance of the quilt. Unattractive creases along fold lines lead to a poor first impression.

Avoid this problem by laying your quilts flat to store them, whenever possible, or by padding any and all folds. Always fold a quilt so that the right side of the quilt is still visible. In other words, do not fold a quilt so that the front of the quilt is covered up. See my online book, Straight Talk About Quilt Care for more details about quilt storage.

Often, tips of triangles were cut off, hidden in a seam. In only one art quilt, was this a purposeful event. With the other quilts, sometimes, the triangle points set nicely in place … but only some of the time. I suggest that, if sewing by machine, you sew on the side that provides you the most “information.” By that, I mean sew where you can see exactly where the needle is going to cross the tip of any given point.

Adequate to heavy amounts of quilting were added to the interior portion of some quilts, but then the borders were left with not a quilt stitch in sight. The goal is to have nice even quilting over the entire quilt surface and out to the edges, and to have no puffy spots that are not quilted, and no “bunches” on the back of the quilt (especially a problem for machine quilters). Also, plan your quilt border motifs so that the area is adequately covered. If there is a design, don’t let parts of it get “lost” under the binding. Finish binding edge corners in a consistent manner, for example, don’t have two mitered, and two square corners. Also, make sure that the binding is completely “full.”

The choice of colors is another area where quilters get into hot water. Tried and true color combinations such as monochromatic, triadic, and complementary colors, etc. are a sure bet that the final quilt will be pleasing to the eye. When only print fabrics are utilized, there is no place for the eye to rest, and the quilt becomes hard “to read.” Its artistic intent, if there was one, is lost to the viewer. Too many dark colors can make a quilt just look “muddy,” and visually purposeless.

Sometimes, there is not enough “contrast.” Lighter colors that surround darker fabric designs can make otherwise hidden designs stand out. If too many deep and medium “values” are used, or are used exclusively in a quilt, then certain design elements, such as pieced leaves, or pieced stars, simply do not come forward and meet the eye, as a unit.

For example if the background of a star is beige, then it is not a good idea to use a similar value of beige for the star points and then a bright hue in the center. One’s eye goes to the brightest values of color, and in this case, does not immediately recognize the center as even being a part of a star configuration.

Proportion is another area that quilters need to consider. If proportion and “scale” are off, within a piece, the quilt loses any realistic qualities it might otherwise have had. Think about how large an item is, in real life, before you decide to add other parts of the composition, and make them a believable size.

All of the individual components are vital to the overall appearance of an excellent quilt. Ask yourself how the separate elements work together to create a whole statement. Decide what cohesive statement you would like a pictorial quilt to present and then try not to confuse the viewer by adding non-pertinent details. The mind wants to make sense of pictorial compositions.

The “quilting stitches” also make up part of the whole. Usually, pantograph overall designs applied over geometric, pieced quilts, simply detract visually. Of course, that is a very subjective opinion! The final use of the end product factors into whether or not this kind of finishing is a viable choice, for you!

I could add a lot more, but let me say just one thing. A visual work or any art piece, should be able to stand on its own merit without the need for verbal explanation.

Any work of art can exist on two levels. A quilt can have personal meaning to the maker, yet also have intrinsic value because it utilizes solid fundamentals of color, design, and workmanship so that the quilt can be enjoyed by anyone, even those who do not know the quilter’s hidden intent or feelings when making the quilt. The quilt should have its own redemptive qualities and be able to produce a response in the viewer.

Yesterday, I was struck by the originality of this guild’s quilts, and the number of “art quilts” that were coming up for judging. There was a nice mix of fabrics, patterns, and styles. I thoroughly enjoyed seeing all of the quilts! For Judge’s Choice award, I selected an exquisitely-made Crazy Quilt.

I was so grateful for the chance to see the quilts and to give my feedback. As a lifelong educator, I welcome the process of sharing my thoughts on subjects I know well, both art and quilting. I also welcome the chance to be with other quilters, especially quilters as nice of those ladies!

If you are a quilter who entered that particular show, just realize that your efforts have made the world a more beautiful place. However, not every quilt can achieve top place in the winner’s circle. The judge’s task is to choose the best of the best, and to see that the highest quality work is rewarded. That is what we are paid to do, and that is part of what I personally hope to have achieved.

Best wishes to all of the very friendly and happy quilters whom I met. Our stay in your beautiful state will always be a very memorable one. Thank you again.

Happy Quilting!

Patricia (and James) Cummings